Interview: Greta Gerwig on what kind of filmmaker she's going to be

by Nathaniel R 

Greta Gerwig directing the prom scene in Lady Bird. Look, she's even dressed for the occasion!The first time we spoke to Greta Gerwig in 2013 for Frances Ha it was over the phone. Her voice was so animated it felt like an in person interview. She was learning the accordion because of that seismically magical moment in the French film Holy Motors and revealing to me that she didn't think being an "actor-for-hire" in other people's work would be her path. Little did I know -- though perhaps she did -- that the exquisite Lady Bird was coming. In between she wrote and starred in Mistress America (2015) and gave what is arguably her best performance in Mike Mills 20th Century Women (2016). The rest is of course current celebration and future history: Lady Bird proved a mainstream breakthrough as a writer/director. It's up for five Oscars including two for Greta Gerwig herself as a writer and as a director.

This time, speaking in person, that familiar voice is just as lively but her laughter even more infectious. She radiates as much joy from talking art in real life as she often has creating it onscreen as a performer.

When I ask her her how the accordion is coming, she admits she's "rusty" and that it hasn't been a movie that inspired her lately but 'certain books' though she leaves them unnamed. Whatever feeds your soul as an artist, that's where you go.

on set directing Timothée and Saoire in Lady Bird (2017)

I reminder her about that comment about acting for others not being her path and she says "I know..." in a goofily apologetic way, like she always knew where she was heading but just hadn't told us.  Our interview is after the jump...

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Gimme Gimme... That Thing Called Link

Screen
• Forbes a theory as to how network TV could survive the exodus of both Shonda Rhimes and Ryan Murphy
• Film Ink Lady Bird was forced to make cuts and dub dialogue to get an M rating in Australia (essentially our PG13). That Playgirl magazine scene really upset the board that much? Ugh. I guess puritanism isn't only for Americans.
• /Film The Duplass Brothers have signed a four film deal with Netflix. This makes so much innate sense to me because their work always felt very televisual.
•/Film Bond 25 is taking an awfully long time to come together. Danny Boyle and the screenplay still aren't even done deals
• Pajiba Disney's upcoming streaming service and the possibility of more Muppets
• Decider Joe Reid reveals his obsession with To Wong Foo, Thanks for Everything Julie Newmar

Black Panther Mania
• The Atlantic "The Tragedy of Erik Killmonger"
• Shadow and Act Ryan Coogler and Michael B Jordan's next project together, their fourth, is Wrong Answer a true story about an education system scandal.
• MCN David Poland persuasively argues which ways Black Panther will change things in Hollywood and which ways it won't
• Coming Soon Lupita Nyong'o will costar in Born a Crime, based on the memoir about the childhood of The Daily Show's Trevor Noah. She'll play his mother

Off Cinema
• Playbill watch highlights from a reunion concert of Thoroughly Modern Millie starring Sutton Foster and Gavin Creel -when is someone going to give Sutton a movie musical. She's great on camera (see Bunheads and Younger) and a bonafide Broadway star.
• The New Yorker a thought-provoking piece on the official Obama portraits in case you missed it
• W Mag Greta Gerwig directs Florence Welsh in a photoshoot 
• W Mag Jordan Peele directs Janelle Monae in a Hitchcock inspired photoshoot
• W Mag Luca Guadagnino directs two models in a desert photoshoot
• Playbill Santino Fontana (Crazy Ex Girlfriend!) taking over for Gavin Creel in Hello, Dolly! on Broadway. Apparently Gavin Creel is having back surgery? Ouch.

Exit Video
Keala Settle and Pasek & Paul are all still out there campaigning for The Greatest Showman's Original Song. Pasek & Paul were just interviewed by Variety and Settle just performed "This Is Me" this time on Ellen. I love this song even though you hate it. Sorry not sorry.

That said, I still haven't decided if it's going to win Pasek & Paul a consecutive Oscar (they won last year for "City of Stars") or if Oscar voters will be more partial to honoring Mary J Blige (given the Mudbound fanbase and her double nomination) or if Coco will mean more to voters than just the mandatory check mark for Best Animated Feature.

Thoughts? Sing your Original Song prediction in the comments.

Podcast: Pre Oscar Grab-All

The gang gets back together as Oscar approaches. Nathaniel R, Nick Davis, Katey Rich, and Joe Reid discuss what they've been watching as they prep for Oscar night. How many movies do YOU still have left to see? (Or are you not a completist?)

Index (41 minutes)
00:01 What we still haven't seen
02:30 Loving Vincent & Animated Feature
08:40 Andrey Zvyagintsev's Loveless, Russia's nominee
12:00 Short Film categories
15:00 A Fantastic Woman & Foreign Film
20:00 Acting Categories
23:00 Lady Bird, actressy movies, messy trivia
29:30 Preferential ballot theories
33:00 Director/Pic splits and The Shape of Water
37:00 Who will present Best Picture?
38:30 RED ALERT: NICK IS GOING TO THE OSCARS !!!
40:30 The End

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Grab-All Oscar Talk

A quick look back at the Oscar Nominee Luncheon

by Nathaniel R

photo via Rebecca Keegan

The Oscar Nominee Luncheon -- which we must belatedly now obsess over -- is one of the greatest Oscar traditions, for a variety of reasons which have nothing to do with lunching. One of the secrets to its wonderfulness is possibly that it's not telecast so it still maintains some kind of insider cachet. Nevertheless the media are invited so it's not "private" per se. And even if it were, in our social media age the stars serve as their own kind of media outlet, too, with their selfie madness...

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Brand new Picture / Director / Screenplay charts!

by Nathaniel R

If you smooshed all the Best Picture nominees together this year you'd get an interspecies queer romance set during World War II with a provocative sense of humor and some very uncomfortable racial politics. Somehow there would also be a subplot about a mother and a daughter who are constantly bickering over maybe how to handle their newspaper or fashion empire. The movie is 115 minutes long and is rated R for graphic violence, constant profanity, masturbation scenes, and implicit interspecies sexuality. 

We have never seen a movie like this but what a movie it would be!

Over at the Oscar charts you can now read trivia on Best Picture and Best Director and Best Screenplay and see serious and silly rankings of the whole set like "ranked by horniness" and "ranked by running time" and more. We also theorize on how the directors in particular secured their coveted nominations. Plus you can now vote (DAILY!) on who should win each of these four prizes. So have a look, share with your friends, return often, and comment to make this season more communal and festive!