25th Anniversary: "Four Weddings and a Funeral"

by Deborah Lipp

Four Weddings and a Funeral turns 25 today. This is probably not also the number of times I’ve seen it, but it might be. I’m sure if you add the times Professor Spouse and I have each seen it, we exceed that number.  To say, therefore, that this is a beloved movie is a ridiculous understatement.

Here’s what we’re going to cover after the jump to celebrate its birthday...

• Four Weddings is highly quotable
• It features the best use of "fuck," and its variations, this side of Get Shorty
• Screenwriter Richard Curtis excels at movies that are kind-heartd and generous
• Four Weddings isn't perfect, but I will teach you the trick of making it perfect

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Beauty Break: Ten March 1st Babes

by Nathaniel R

Welcome to March! 2019 can officially begin (heh-we're on the film calendar, not the calendar-calendar). Today is Javier Bardem's 50th birthday. Happy half-century to one of cinema's most striking faces!

To help get us going this morning -- we're off to a slow start -- here are the ten beautiful (aka favorite) people born on this day (March 1st) in no particular order whatsoever...

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Months of Meryl: Florence Foster Jenkins (2016)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#51 —Florence Foster Jenkins, a socialite and opera singer of abysmal ability.

MATTHEW: Florence Foster Jenkins was an affluent New York heiress who is only remembered today for her decades-long career as a nonprofessional soprano that spurred many to label her “the world’s worst opera singer.” Meryl Streep is one of the most acclaimed and rewarded actresses in history, a global celebrity whose foremost attribute is talent, pure and simple. The marquee casting of Streep as Jenkins is the amusing and unignorable irony at the center of Stephen Frears’ Florence Foster Jenkins, a biographical drama that narrativizes the amateur, septuagenarian chanteuse’s notorious attempts to resuscitate her dormant career in the years before her death in 1944. It is nothing if not a testament to Streep’s power as one of the only active, major female movie stars of a certain age that a period piece about an awful opera singer well into her 70s received a prime summer release from a major studio (Paramount) and a full-steam awards campaign that garnered the actress her 20th Oscar nomination...

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Lukewarm Off the Presses: More Precursor Prizes!

by Nathaniel R

Time to catch up with developments in movie awards land! Much has been happening these past few days.

London Film Critics Award
The event was held over the weekend with Three Billboards continuing its triumphant awards run by taking Picture, Actress, and Screenplay. Isn't it peculiar how if you believe the internet it's the most hated movie that ever existed but IRL it keeps winning prizes that actual humans vote on. In news that will strike others as much happier Timothée Chalamet and Lesley Manville took Best Actor and Supporting Actress respectively. And Hugh Grant emerged victorious in Supporting Actor (for the Oscar ineligible Paddington 2), quipping:

Brexit, Trump, and now me getting prizes. Truly, we are in the end of days.

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"Paddington 2" Review

By Spencer Coile  

In theory, the first Paddington film, inspired by the Michael Bond books about a loveable bear who sports a red hat blue coat and has a penchant for marmalade, was a dangerous idea. Live-action modern tellings of classic children’s literature always runs the risk of flying off the rails – look no further than the 2003 disaster, The Cat in the Hat.

Cat in the Hat, Paddington fortunately was not. If anything, Paul King’s 2015 film provided a delightful, and importantly, timely tale about finding a place to call home. Appreciative audiences were struck with its whimsical but mature comparisons to immigration and acceptance of the Other. And luckily, fans of the first film will be pleased to know that Paddington 2 not only lives up to its predecessor, but improves upon it...

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