Locarno Diary #3: Phil Tippett, the "Mad God" of special effects

by Elisa Giudici

Being a prestigious European movie festival but not one of the crowded and powerful ones, Locarno is the perfect size to showcase the work of  artisans. Every year there are one or two guests who are legends in peculiar, unseen, less discussed niches of the movie industry. I am confident that meeting Phil Tippett, a legendary special effects creator, animator and supervisor, will be one of the most vivid memories of this edition of the festival.

Before Locarno and the opportunity to meet Tippett, I knew close to nothing about his career other than that he was a collaborator and close friend of Paul Verhoeven's. So much so, he said, that on the set of RoboCop they asked each other, with dry humour, who they were forced to be nice to...

Click to read more ...

Interview: Nadia Stacey, Cruella's Hair and Makeup Designer

by Nathaniel R

Nadia Stacey talks "Cruella"

When I sat down with Cruella's Hair and Makeup designer Nadia Stacey over Zoom we just had a few minutes to talk. To break the ice quickly, a true story. When I first saw the image of Emma Stone as Cruella, my mind immediately lept to Olivia Colman as Queen Anne in The Favourite and her disgruntled "I look like a badger" quip. I had no idea why. Only when prepping for our Cruella interview did I realize the films had the same makeup designer. Stacey laughs, fondly remembering her BAFTA-winning film. "I feel like there’s a theme going on with me doing mask-kind of faces!"

And with The Favourite (a beloved favourite) duly cited, we jump right in to our conversation about her impressive filmography and her biggest assignment yet, designing Disney's live-action Cruella. [This interview is edited/condensed for clarity]

NATHANIEL: You've done a few movies with Olivia Colman and two with Emma Stone. Are you just going to keep The Favourite-ing from now on?  

Click to read more ...

Interview: Colman Domingo on "Ma Rainey's Black Bottom" and his slow burn career

This interview was originally published in an abridged version at Towleroad

a recent image from Colman's instagram

by Nathaniel R

Colman Domingo’s laugh is everything you hope it could be. Big, throaty, warm. It’s probably a little disarming for those who haven’t seen the full estimable range of his work and only know him from one of his tougher roles, like AMC’s zombie series  Fear the Walking Dead.  I first met him off the clock at a bar during the Toronto Film Festival a few years ago. Though I don’t usually approach celebrities in non-work circumstances I risked it if only to express appreciation (actors who’ve always been out of the closet deserve our respect). We ended up chatting over a drink. When I bring this chance meeting up, rather than shrugging off the awkward familiarity Colman begins to laugh. “We sure did!” he says enthusiastically before drifting into a familiar conversation — as so many of us have now — about how much he misses meeting and hugging people in person.

We spoke over Zoom in February, almost a year into the pandemic...

Click to read more ...

Interview: Sue Kim on "The Speed Cubers" her Oscar finalist

by Nathaniel R

After screening the moving and very engaging doc The Speed Cubers we were shockd to learn that it was a debut Figuring there was a story we sat down with director Sue Kim and as it turns out, we were right. Though she comes across as genuinely humble, twenty years of experience on sets helped her to be fully formed as a filmmaker the first time out of the gate. She'd been producing commrcials for 20 years before directing her first short The Speed Cubers. As the mom of a cuber, she knew the world intimately and knew how she wanted to frame the story. After a pitch to Netflix and the benefit of a few years of archival footage from The Cubicle, to help shape the backstory, "we were able to focus our filming efforts pretty precisely."

Kim and her team shot for six months up leading up the Speed-Cubing World Championships. We were delighted to hear what convinced Sue to try her hand at directing and what it was like to make a movie with no antagonists and two heroes, speed cubing champs Max Park and Feliks Zemdegs...

Click to read more ...

Interview: BAFTA nominee Mikkel E.G. Nielsen on finding the balance and structure of "Sound of Metal"

by Nathaniel R

Talking to film editor Mikkel E.G. Nielsen (A Royal Affair, Beasts of No Nation), is a bit dizzying. His conversation moves around our subject, Sound of Metal, in circular fashion regularly bringing up both the films beginning, a raucous noisy concert where we first experience Ruben (Riz Ahmed's) hearing loss with him, and the films very quiet yet symmetrical ending. It doesn't surprise us then when he describes his job holistically. "My job is to try and create a whole from start to finish where you feel that you've been on this journey. Either it's revealing or it's fulfilling or emotional."

Nielsen divides his time between movies, music videos, and commercial work and though he loves the immersive challenge of cinema, he appreciates the mix. "Molding a movie" for months, he explains, becomes all encompassing. Working on a spot for three weeks, though, "Wow, that was almost like a vacation!'"

Another 'vacation' will have to wait. We're deep in awards season and Nielsen's fine work, honing the film's structure, and finessing the movies internal and external rhythms alongside its much praised sound design, has been honored with a Critics Choice Award for Best Editing and, this morning, a BAFTA nomination as well. We recently spoke to him about his work and international career...

Click to read more ...