Interview: The Director of 'Lunana' on making the Oscar finals, working with yaks, and meeting Ang Lee

by Nathaniel R

Making movies is never "easy" but some movies achieve the impossible. Pawo Chonyning Dorji's debut feature, the Bhutanese Oscar finalist Lunana A Yak in the Classroom, is one of the latter kind. Its very existence is a miracle, and that's before you even get to the lottery-ticket like good fortune of competing for the Oscar. While Bhutan has a growing local film and television industry, heavily influenced by the films of Bollywood, the pictures are mostly low budget and don't travel outside of the small landlocked country. They definitely don't travel anywhere near the mountainous village where Lunana A Yak in the Classroom takes place, since there is no electricity let alone a movie theater. The charming soulful movie is about a restless young teacher named Ugyen (first time actor Sherab Dorji) who dreams of moving to Australia to pursue a music career. He very reluctantly accepts a final teaching gig to complete his government contract but that assignment is in the most remote part of all Bhutan.

Setting a story there is one thing, filming there without electricity with cast and crew of first timers -- some of whom had never even seen a movie -- is another.  We had the pleasure of talking to the director about his miracle Oscar contender and why he made it and our interview follows after the jump...

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Interview: Lin-Manuel Miranda on "Encanto" and "tick, tick...BOOM!"

by Nathaniel R

at the world premiere of "tick, tick, BOOM!"

I had the pleasure of interviewing Lin-Manuel Miranda in November while he was doing press for Encanto, now streaming on Disney+ with its soundtrack doing great business, too. He was energetic and smiling and gave great quote. Just a few days later, in a significantly less arranged moment, we came face-to-face the night of tick, tick... BOOM!'s premiere in Los Angeles. The response to the movie that night couldn't have been dreamier. He looked elated if significantly more tired than he had over Zoom. He admitted at the party that the entire week was a total blur. Just the week? The entire past year has been one Lin-Manuel Miranda highlight after another. So much so that we named him one of our top three entertainers of the year. In addition to questions about Encanto, tick, tick...BOOM!, and Hamilton, I made sure to ask him how he finds time for sleep.

[This interview has been edited for clarity.]

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Interview: Mike Faist on nihilistic teens, stardom, and "West Side Story"

by Nathaniel R

Mike Faist on his "transcendent" experience making West Side Story

The reinvention of West Side Story (2021) has been the subject of much conversation since it opened, from Spielberg's incredibly enduring career, to the health of the movie musical genre, to the complicated subject of its Oscar prospects since the 1961 picture was a sweeper. The one thing that's felt especially unanimous in the response, though, is the exciting work from a trio of Broadway breakouts making a very big leap into movie stardom: Tony nominees Ariana DeBose and Mike Faist and Tony winner David Alvarez (Bernardo). I had the pleasure of sitting down with our new Riff, Mike Faist a couple of weeks ago to discuss the movie and his career (well, sort of. Read on).

He was in great spirits, laughing frequently, and filled with praise for his co-stars. Coincidentally we had both just been back to a Broadway show for the first time since the shutdown. He describes theater as an important "communal empathy project" and West Side Story continues that tradition.

Faist is funny and thoughtful. He is also, as it turns out, self-deprecatingly aware of his caginess around certain topics, like, his future and stardom...

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Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

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Interview: Director Eran Kolirin on Israel’s Oscar Submission "Let It Be Morning"

By Abe Friedtanzer

The winner of Israel’s Oscars, the Ophir Awards, automatically goes on to become the country’s Oscar submission for Best International Feature. This year, that film is Let It Be Morning, which made headlines at Cannes because its Palestinian cast refused to attend, objecting to it being labeled an Israeli film. Those who have seen the film will surely appreciate that this attitude is expected and and very much in the spirit of the film’s content. I had the chance to speak with the film's Israeli director, Eran Kolirin (pictured left) who is best known for writing and directing The Band’s Visit. His new film premieres this week in New York City at the Other Israel Film Festival… 

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