Interview: Pixar's Mike Jones on co-writing "Soul" and "Luca"

by Nathaniel R

Pixar's Soul centers around a music teacher Joe, who feels he missed his calling. He always wanted to be a famous jazz musician. Through the course of the spiritually minded adventure, which takes us from Earth to The Great Beyond and The Great Before and back again, Joe comes to understand that his calling was to teach. None us know ahead of time where our lives and career might take us. For instance, I was certain I was going to be an illustrator and ended up in Human Resources and now identify as a writer. This is also true of Pixar's Mike Jones. He was once on our side of the movie world as an entertainment journalist but always planned to shoot movies. "I went to NYU film school to be a cinematographer. You have to take a writing course as an undergrad and the teacher took me aside and said, 'You want to think about writing instead?'" Jones continued to pursue cinematography but, as it turns out, the teacher was right and the seed was planted "I did start to kind of write on my own. And after I got out of film school, I kept writing." This led him to a brief entertainment journalism career until he made the leap to filmmaking, if not in the way he originally intended. Years later he has a thriving career at Pixar as a screenwriter.

We recently spoke to him about the process of developing Soul and what it's like to be a co-writer since Pixar generally has several creatives on each film...

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Interview: on "Welcome to Chechnya" and putting visual effects to humanitarian use.

by Nathaniel R

Director David France and Visual Effects Supervisor Ryan Laney on "Welcome to Chechnya"

If you haven't yet screened the documentary Welcome to Chechnya, a finalist for Best Documentary Feature, don't delay. The film details the journey of a group of incredibly brave LGBTQ activists in Russia, working to help people escape Russia and Chechnya where the government condones the abduction, torture, and murders of queer people, by denying that it's happening at all. The primary storyline involves "Grisha" (not his real name) a gay event planner who was abducted and tortured in Chechnya while working on a job there.

Due to the unique risks to the people involved and the need to protect their identities, Welcome to Chechnya opted to deploy innovative visual effects rather than the traditional "shot in shadow" or blurred faces you would usually see with anonymous voices in documentary. Now the film finds itself charting unfamiliar awards territory as a finalist for the Best Visual Effects Oscar, a category that's usually focused on sci-fi films, superheroes, and action blockbusters...

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Interview: Malgorzata Szumowska talks Oscar, Great Actors, and "Never Gonna Snow Again"

by Nathaniel R

Though it's easy to lose track of great cinema, especially in this strange time of virtual festivals and very little traditional moviegoing, you won't want to miss Never Gonna Snow Again, when it arrives this Spring. The Polish hopeful in this year's Oscar's International Feature Film race is a hard-to-describe elusive wonder about a Ukranian massage therapist (Stranger Thing's Alec Utgoff) who a suburban community becomes obsessed with. We were thrilled to jump on the phone with its talented 47 year-old director Malgorzata Szumowska. She's forged a long and international career for herself with award winning films like Elles (with Juliette Binoche), Body, the LGBT drama In the Name of, and her first English language picture last year, the cult drama The Other Lamb. 

She goes by 'Malgo'. "It's easier," she offers quickly, surely having heard her name mangled before. The director lives up to our expectations with a candid tongue and sharp sense of humor. Poland is a large country but she describes their film industry as small though not without its professional jealousy for those with international careers. The name directors, she adds, are "very supportive" of one another, name-checking three of the country's finest as we settle in for our chat: She mentions Jan Komasa (Corpus Christi) briefly; Pawel Pawlikowski (Cold War, Ida) is her very close friend -- she actually found him his lead novice actress for his Oscar-winning Ida; and shortly before our chat, Oscar nominee Agnieska Holland (Europa Europa, In Darkness) had called to catch up.

We're crossing our fingers that she soon joins their ranks at the Oscars. But Malgo appears to be less of a dreamer and more of a bemused pragmatist when it comes to careers and awards. "Some people think they'll make one film and then they'll be in Hollywood. It doesn't work that way. If you make a movie that wins an Oscar than, yes, but that's an accident, a lottery."  She's in it for the long haul and the work and eager to get on with her next project as we spoke...

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Interview: Bao Nguyen on "Be Water" and the cultural resonance of Bruce Lee

by Nathaniel R

Bao Nguyen's Be Water premiered on ESPN this past summer and has touched a lot of people since then. It's a lovely meditation on Bruce Lee's life, his relationships to both the East and the West, and the meaning of his legacy and activism. Be Water is one of 238 films eligible for the Oscar this year in Best Documentary Feature. We were thrilled to sit down with Bao Nguyen, over Zoom of course, to discuss his picture and the man and myth that is Bruce Lee.

Be Water was five years in the making, though things sped up considerably once ESPN signed on two years or so ago. Originally Be Water was supposed to come out around Bruce Lee's 80th birthday this past November but demand was so great for new movies during quarantine that the release was moved up to June. Nyugen, had a strange year (didn't we all!) but one recurring joy was hearing from and seeing photos of multigenerational families watching the film together. He describes the film as "connective tissue" and the parents and kids and grandparents could then discuss what Bruce Lee meant to them...

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Interview: Emil Gallardo on his Oscar Hopeful Short "1,2,3, All Eyes on Me"

by Nathaniel R

In November this year a few of us here at The Film Experience had the pleasure of attending the HollyShorts festival virtually. Shorts festivals are a great way to catch exciting talent on the rise. My favourite of the shorts I screened was a drama on the very tough topic of school shootings called 1,2,3, All Eyes on Me by debut filmmaker Emil Gallardo. Gallardo won the top prize at HollyShorts and with it Oscar consideration, attention from managers, and a HBO Directing Fellowship. He's also working on a feature now with his writing partner Derek Ho.

But success wasn't as instant as it sounds. He worked for years as a Production Assistant and Assistant Director starting in the Aughts before opting for film school himself. He humorously compares himself to a fish and the set to a fish bowl; if he's not there he's just squriming around -- Plop him back in! But making a film is never an easy swim. "I literally had pneumonia," he says recalling post-production. "I dragged myself out of bed to meet the Sundance deadline only to get rejected. But I wasn't going to miss the deadline!"

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