Japanese Academy Nominations

by Nathaniel R

Two of the nominees this year, a journalism mystery and a trans drama

Anyone have any theories as to why American theaters (pretend there's not a pandemic) so rarely get Japanese movies? Chinese, Indian, and South Korean movies hit the US quite regularly (on the coasts at least) but otherwise Asian movies don't seem to get much play in the US. Streaming sites appear to have the same preferences for Asian cinema (though you can add in Thai cinema to the mix there). We try to cover the Golden Horse Awards each year -- which honors Chinese language cinema -- but we realize we've never covered the Japanese Academy (now in their 44th year). That's surely because we've rarely heard of the movies or the stars. With Chinese cinema the titles and stars are often familiar to cinephiles. Theories?

Anyway, here are the nominees this year for the forthcoming March 19th ceremony in Tokyo. Three names -- two of which have been up for Oscars -- are familiar...

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International Contender: Canada, Germany, Japan, and more...

Since the last posting of this kind we've had six new submissions announced for Oscar's International Feature Film race, bringing the total to 25 thus far. We're tracking both here on the Oscar charts and at letterboxd. (We usually end up around 90 titles but we suspect there will be fewer titles this year due to the pandemic and the resulting cinema chaos.)

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Sakamoto on Criterion

by Cláudio Alves

Ryuichi Sakamoto is a master of music that needs no introduction. Thanks to his work with the Yellow Magic Orchestra and solo experiments, Sakamoto has helped shape the evolution of electronic music like few other artists in the past decades. His avant-garde sound is difficult to confuse with that of other composers, but he's not an artist predisposed to repetition or stagnation. Since the 1970s, has never stopped composing, never stopped challenging himself, or dazzling his audience with music whose beauty transcends comprehension. Sakamoto's also an avid cinephile and had been writing film scores since the 80s when Nagisa Oshima cast him in Merry Christmas, Mr. Lawrence. Across the years, he's built an eclectic filmography that's rich in artistic brio and lacking in mediocre efforts. He even won an Oscar.

Because of such excellence, the Criterion Channel has curated a selection of 10 Ryuichi Sakamoto scored pictures. Here are some highlights…

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Sessue Hayakawa: From sex symbol to Oscar nominee

We've been celebrating 1957 for a couple of weeks. Here's one more from Cláudio Alves

In 1957, Miyoshi Umeki became the first and only Asian woman to win an acting Oscar. However, the Best Supporting Actress champion wasn't the only Japanese performer to score an Academy Award nomination that year. Sessue Hayakawa, who played the ruthless Colonel Saito in the Best Picture winner The Bridge on the River Kwai, became the first male actor of Japanese descent to be nominated by the Academy. Unlike Umeki, who had less than a decade of experience in show business by the time she achieved Oscar glory, Hayakawa had a long history with Tinsel Town. Many decades before his nomination, when the American film industry was creating itself and Silent Cinema was entertainment for the masses, Sessue Hayakawa had been one of the first sex symbols… 

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Hara by Ozu

by Cláudio Alves

100 years ago in 1920, Setsuko Hara was born in the city of Yokohama, Japan. Thanks to the powers of nepotism and the influence of her brother-in-law, she got a job at the Nikkatsu Studios at the age of 15. In the next few years, she rose to prominence. By the 1940s, Hara became somewhat of a symbol of new Japanese womanhood. Curiously enough, that's not how she's best remembered today, in part thanks to her most famous directors being ones that cast her in roles typifying the conservative values of a traditional Japan. Despite multiple collaborations with such legendary filmmakers as the master of melodrama Mikio Naruse and Japan's superstar director Akira Kurosawa, it's her work in the films of Yasujiro Ozu that now most define her legacy… 

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