Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Jessica Chastain (185)

Thursday
Sep112014

X(avier) Marks the Spot for Jessica Chastain

Glenn here to talk about two of my favourite people, Xavier Dolan and Jessica Chastain. We don't usually discuss casting here at The Film Experience, especially this early into a film's existence, because they can so easily fluctuate and change without a moment's notice. This, however? This is casting news we absolutely must discuss.

Dolan's most recent film (it's hard to keep track) is Mommy, which won the Jury Prize at Cannes and is getting big plaudits out of Toronto including this one from Nathaniel labelling it his best work best. Not one to rest on his 25-year-old laurels, the Canadian wunderkind Xavier Dolan has cast Jessica Chastain in his English-language debut!! I'm not sure how much about The Death and Life of John F. Donovan we know already, but the exceptionally coiffed Dolan says it is a satire of the industry and that Chastain will play the villain, an editor-in-chief of a gossip magazine. Jessica is getting her Miranda Priestly on and I'm sure Dolan's hyper-stylized panache will make it yet another must see for both exceptionally talented individuals. Here's what he had to say, courtesy of /bent.

It was this friend of mine -- a journalist -- who had brought to my attention that Jessica Chastain had seen Mommy in Cannes and had liked it and tweeted about it ... It dawned on me that I should ask Jessica about playing the 'villain' role in 'John F. Donovan ... I reached out to Jessica and she read the script. She loved it, and we got along like hotcakes. That's basically it. I can already foresee all the pleasure we'll have working together.

This is the tweet in question and it's yet another example of why it amuses me so much to see filmmakers actually talking about other films and filmmakers. It's a great way of predicting who will be in this industry for the long haul if they're out there seeking films beyond the usual LA/NY red carpet events. It shows they're much deeper into their craft than it being a mere "job". Kudos to Chastain.

Despite how amazing the two of them are, the news makes me doubly happy because it will surely mean that  Xavier Dolan will get even more of a name for himself and hopefully his films can start coming out in America faster than they have been (Tom at the Farm *still* doesn't have a distributor!) What their collaboration will produce who can tell, but good grief are we keen! Not even the news that Dolan wants Taylor Kitsch, too, can dampen the excitement. What about you, does Jessica or Xavier excite you more?

Friday
Jul252014

Yes No Maybe So, Eros: "Miss Julie" & "50 Shades of Grey"

It's a steamy class-conscious double-feature edition of Yes No Maybe So today with the recent debuts of two adult-oriented "nasty thoughts" dramas. They're both directed by women which is an unexpected plus from the complete rarity of it and oh my god I never want to type that sentence again because it's so infinitely gross that it's being typed in 2014. First we have iconic actress turned director Liv Ullman's adaptation of Strindbergh's classic Miss Julie about a cross-class dalliance between a lady (Jessica Chastain) and a servant (Colin Farrell) and then we have rising director Sam Taylor-Wood turned Sam Taylor-Johnson*'s adaptation of the not-classic best-seller 50 Shades of Grey which is also a cross-class dalliance between a fledgling reporter (Dakota Johnson, spawn of Melanie & Don) and a billionaire  (Jamie Dornan, who has already spawned thank god because those genes must not go to waste!). 

Which of these movies do you most want to have sex with right now?

Don't be shy.

Let's get to the YNMS breakdown starting with Miss Julie. There is so much more after the jump... I'm longwinded today.

Click to read more ...

Friday
Jun062014

Thoughts I Had... While Looking at the Poster for "Miss Julie"

Presented in the order they appeared without self-censorship...

img src

Audrey Hepburn in Green Mansions (but better dressed which is weird to say about anything Audrey)

That neck purse looks very uncomfortable

Oh how cute, all three stars are Golden Globe winners.

I hate when Cate Blanchett chops Samantha Morton's head off in 'Elizabeth: Full Throttle'

That's a pretty wide stance... is she running? Doesn't the whole play take place in a kitchen? The posters already panicking "open it up. open it up"

Period frizz is the enemy: See also La Pfeiff in that age that was innocent.

 Liv Ullman is flawless in Bergman movies. I did see her last directorial gig Faithless (2000) and I liked it as an actor's showcase but not more than that.

Green is my favorite co-- no, second favorite color. Purple.

I wish this were directed by Jane Campion but then she's always the first choice with ladies in bulky dresses out in the elements

This is the French poster to your left. Which to prefer?

Redheads are so hot right now. If Ariel were alive and still had her legs she'd probably compete for Isla Fisher and Amy Adams's parts. But not for Jess's.

I saw a play with Sienna Miller once called After Miss Julie which is just basically Miss Julie for Brits instead of Swedes with some politics. So I've never understood why there's another one. But then I've never seen Miss Julie performed and am no expert on it. And this has Jessica Chastain so level up. 

I forgot to say anything about Colin Farrell.

 

Wednesday
May212014

It's All About Jessica Chastain

Somehow Jessica Chastain is taking over Cannes week news despite not having a film in competition (though The Disappearance of Eleanor Rigby is eligible for the Camera D'Or for her friend/director Ned Benson). She was nearly gone with the wind at a premiere the other night...

That's less a Marilyn than a Dorothy, don'cha know.

And then, the adorable starlet held court with students at the American Pavilion in Cannes, answering questions about her career.  And all this Cannes activity was swirling about during the big tornado of confusing news that she'd been offered the lead role in Season 2 of True Detective. Oh no wait a minute, actually she hasn't or she said no and they're pretending she wasn't offered. Or something.

We don't know.

Given that an Oscar statuette seems right around the corner, and she already does stage work maybe she'll have her sights set on the Triple Crown and hit the small screen as well?

I think it's worth noting that in the future EGOTs and Triple Crowns (TFE's preferred accomplishment since Grammys are such a different non-acting beast and who needs 'em?) will be much easier to win for actors with all the lines blurring between media and new shorter modes of television and new "limited run" stage shows becoming the norm. The length of the contracts is one reason, among others of course, that movie stars didn't used to regularly stick their toes in other mediums all that often. Now the water's the perfect temperature. 

If she was in fact offered it, do you think Jess should have said yes to True Detective? We still don't know the female lead but if you could have your choice of movie actresses for the miniseries, who would it be?

Sunday
May182014

Cannes Beauty: Jess & Jess

BFFs Jessica Chastain and Jess Weixler (best known for Teeth and The Good Wife but she plays Chastain's sister in The Disappearance of Eleanor Rigby) hit the Cannes Film Festival. Great gowns, yes?