Podcast: a conversation about list-making and polarizing Best Pictures

with Nathaniel R & Nick Davis

On this week's podcast, we check in with Nick Davis as he completes his "top 100 of the decade" list and also discuss the Oscar race, the shortened season, and the more polarizing nominees for Best Picture. 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Making Lists and Best Pictures

Did Scorsese actually score five nominations?

by Cláudio Alves

Officially, Martin Scorsese received two nominations for this year's Oscars. He's a contender for Best Picture, as a producer, and the Best Director statuette for his long-gestating epic The Irishman. However, there's a fellow nominee whose movie is noticeably indebted to the old master's filmography. So much so, that some would go as far as to say that these other project's nominations are due to nostalgia for the Scorsese of yore as much as they are to this new movie's actual quality.

We're talking about Todd Phillips and his triple nomination for the Joker…

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New Oscar Trivia courtesy of the fresh Oscar nominations

Here are some fresh statistics to ponder given the new round of Oscar nominations. If you can think of more records broken or equalled let us know in the comments so we can add them. Refresh your screens for updates!

ALL TIME RECORDS...

• Thelma Schoonmaker, received her 8th nomination for editing The Irishman. That's an all time record but she has to share it since Michael Kahn (who, like Thelma, is three time winner in the category: Raiders of the Lost Ark, Schindler's List and Saving Private Ryan) has also received 8 nominations in his career, most recently with Lincoln (2012) when he broke their previous tie for "most nominated".
• Little Women (2019) is now the most nominated adaptation of Louisa May Alcott's book ever filmed...

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Women and Best Original Score

by Travis Cragg

Hildur Guðnadóttir already has an Emmy and a Globe. Is an Oscar next?Watching Icelandic composer Hildur Guðnadóttir walking up to receive her Golden Globe for Joker was one of the more interesting moments of last weekend's ceremony. My streaming service in Australia suddenly decided to log me out just as the presenter came on stage, so I was cursing the world and rebooting!  Once the anxiety was over, and Hildur was walking up to accept her trophy,  it was time to reflect on a woman winning the equivalent Oscar. The Globe win for Score doesn't always transfer to an Oscar win (sometimes the winner isn't even nominated -- as with All is Lost and First Man in recent years) but could Guðnadóttir repeat?

Has a woman ever won the Oscar for Best Original Score before? Turns out it has happened, but only with double-category caveats…

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BAFTA lacks diversity (in all sorts of ways) and goes all in on "Joker"

by Nathaniel R

I've made it no secret over the years that I think BAFTA is the worst of the major awards organizations. They always appear to have watched an extremely limited pool of films (even less than Oscar's tunnel vision screener stack) and they regularly ignore British fare unless it's tipped to be hot at the Oscars (like 1917). This year is no different. They threw all their weight behind Joker (an astounding 11 nominations) and three of the films which feel like possibilities to win the Oscar for Best Picture: The Irishman, Once Upon a Time..., and 1917 (their one UK-produced love). Those four movies handily dominated the nomination count.

We also have to call bulls*** on BAFTA executives blaming the film industry for their lack of diverse nominations this year. Their acting nominees are all white this year and their directing nominees all male. They've responded saying:

"We'd have liked to have seen more diversity in the nominations, it does continue to be an industry-wide issue. I think more films need to be made, and entered, giving people a chance to see them. We'd absolutely like to see more diversity, but I also don't want to take away from those celebrating today."

As you all know, since I've been chastised for it before, I'm not always happy about where the complaints about diversity are focused. In some years the Oscar voters have been (I feel) wrongly targeted when there just weren't a lot of options for them. This year however there is no excuse as there are multiple lauded actors of color from films like Us, Dolemite is My Name, Waves, The Farewell, Luce, Harriet, Hustlers, and Parasite. And it's also been a great year for female directors given Little Women, Hustlers, Atlantics,A Beautiful Day in the Neighborhood, and The Farewell.

The full list of nominations with commentary are after the jump...

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