Give Me All Your Linkin'

Me Says a gushing fan moment with Cate Blanchett. Adorable
Gold Derby rumor: David O. Russell's Joy will compete as a drama at the Golden Globes. That makes Best Actress Comedy or Musical a race between (if they campaign this way) hmmmm: Lily, Maggie, Blythe, Meryl, Sandy, Bel, Melissa and... wait, is that it? Elizabeth Banks?
Variety Suffragette's director Sarah Gavron will be honored with something called the "Juice Award" at Hamptons Fest. Sounds messy
AV Club Cinemax, perhaps emboldened by its success with The Knick, is clearly aiming for bigger original series now. They've picked up the rights to George R.R. Martin's werewolf noir Skin Trade. 
Empire yes, somehow there is going to be an Expendables 4. They will never end even though I've yet to meet anyone who thinks they come anywhere close to living up to their potential in concept! 

The Guardian profiles the Welsh foreign language film Oscar contender Under Milk Wood which stars Rhys Ifans. Yes, it's based on the same play that brought us the Liz Taylor movie
Twitter is Michelle Pfeiffer really making a movie with Keifer Sutherland named Kyra? If so, why? She has such weird unfortunate taste in projects/co-stars whenever she deigns to work
Empire so happy to report that Brie Larson is in demand enough at this point (5 plus projects on the way) that she's starting to get Jennifer Lawrence's sloppy seconds. She may take over the part in The Glass Castle which is a Destin Cretton project (Short Term 12 reunion - woot). This is very good news as she's a better actress and people, at least up to now, have not had the urge to cast her in roles for which she isn't well suited
Moviefone asks YA novelists to suggest YA novels they'd like to see on the screen. Have any of you read these?

Finally...
For those of you who are enjoying or soon to enjoy Madonna's Rebel Heart tour you should consider buying Matthew Rettenmund's amazing Encylopedia Madonnica 20th Anniversary Edition. I am trying to read it slowly rather than bingeing it in one sitting (tempting if impossible). When I first met Matthew some years ago one of the first things I said to him is "Why wasn't there a sequel to Encyclopedia Madonnica?" which is one of my fav pop culture books. The 20th anniversary edition puts the original to shame. It is MASSIVE (597 pages in the limited edition) and features loads of rare photos as well as super fan art. One of my favorite things about the book is the nifty one word quotes from nearly 100 celebrities Rettenmund asked to describe Madonna in one word that are superimposed on the edges of pages here and there like colorful graffiti. That's typical of the OCD detail of the book.

Full disclosure: I am in the book as one of the twenty-fiveish (I think?) Mega-Fans who get spotlight profiles. 

A photo posted by Nathaniel R (@nathaniel_tfe) on Oct 11, 2015 at 8:56am PDT

What is "Joy"?

We know of course that Joy, the David O. Russell / Jennifer Lawrence reunion, is a biopic about Joy Mangano, the female entrepeneur who founded the miracle mop. But the advertising thus far, both teaser and poster, aren't selling these details. They're telling the non-film-news obsessed virtually nothing. They're only selling Jennifer Lawrence and a vaguely seasonal vibe. The teaser poster, pleasantly crisp, blue, and straightforward, is ultra simple - the superstar looks up into snowfall.

That may well be enough of a pitch given JLaw's bankability these days. That weird blink and you'll miss the barely released and oft-delayed Serena aside, she's proved golden. Or maybe it's the combination of Jennifer Lawrence with David O. Russell that's golden? You can't credit her for the box office of X-Men -- contrary to salary demands in tinseltown and casting practices, too, it's the franchises not the name actors who are the stars of franchises -- though she certainly helped The Hunger Games toward phenomenon status since she unarguably carried those pictures. But in her two previous pairings with Cooper & De Niro & Russell (Silver Linings Playbook and American Hustle) the grosses have been spectacular given that the films are a) not franchise or high concept b) made for adults without the safety net of "Oscar Importance" even if they end up doing very well with Oscar voters and c) they're fun without being broadly pitched as "COMEDY". All of which make them feel like very rare beasts in the current market. 

But how long can this team keep coming up with winners? David O. Russell has had three consecutive Best Picture nominees (it wouldn't be fair to him to count Nailed/Accidental Love as breaking up this continuum) with the grosses climbing each time out. The two most recent have featured all three of Joy's stars. Is this team's luck about to run out or is this streak still to peak? To continue the hot streak, Joy will need a Best Picture nomination and a gross of over $150 million. What's your prediction on the matter?

"Joy" is a Tease

The movies for adults are coming. The movies for adults are coming.

One of the greatest things about summer movie season is that about halfway through it, when you're totally sick of all the explosions and super powers and CGI and lack of great "characters" for actors to really sink their teeth into, invariably the actressy and Oscar-type trailers and posters begin to emerge as "this too shall pass" appetizers. This morning we get our first look at David O. Russell's Joy which reunites him for a third round with his Silver Linings Playbook stars Jennifer Lawrence, Bradley Cooper and Robert DeNiro. Yet again 24 year old Jennifer Lawrence is playing a role that might well be better suited for an actress ten years her senior  (she's playing the character from 20-40 I believe) but what can you do? Since Russell likes to work with the same actors repeatedly (one of our favorite traits in any director unless it starts hampering their creativity *cough* Tim Burton) he's also invited back Elisabeth Röhm (so good in her small part as Jeremy Renner's wife in American Hustle) and some recurring background players, too.

We're not doing a Yes No Maybe So since this is but a teaser (it's mostly music montage) but it looks promising and perhaps I've underestimated it Oscar-wise? The entire reason I resisted it is that I hate to go with the totally obvious a year in advance as most pundits do, because history does not actually support Oscar favorites staying Oscar favorites each and every year. There is far too much volatility within each Oscar season for that to happen (thank God AMPAS isn't the Emmys!). No filmmaker or star or craftsman dominates continually in their category unless their names are Meryl Streep and John Williams. 

Here it is. What'cha think?

Linkbusters

The Daily Beast the sexual politics of Ghostbusters, 30 years later
The Wire the career of Lorraine Toussaint before Orange is the New Black 
BFI let's kill the buzzword "hybrid" when it comes to documentaries 
/Film there might be a sequel to Neighbors... which wouldn't surprise anyone
Variety Kino-Lorber has picked up one of Sundance's buzziest titles A Girl Walks Home Alone At Night, an Iranian vampire movie, for US distribution (Glenn's review icymi)

In Contention on an new animated contender from GKids, Boy vs. World 
Pajiba celebrates Emily Blunt's greatness as an action star in Edge of Tomorrow
Guardian The director and his muse will try for more Oscars in 2016 with a biopic called Joy about the creator of the Miracle Mop. She was 12 years out of college with 3 children when all this stuff happened. Eventually Jennifer Lawrence will be old enough for the parts David O. Russell keeps casting her in.  
MTV Channing Tatum still super excited about Gambit prospects. Everyone wants their superhero dollars
AV Club rumors abound that it's either Benedict Cumberbatch, Tom Hardy or Jared Leto for Doctor Strange. I worry that Marvel has no clear vision of what they want. What connects any of those actors beyond fame? Very different gifts and styles. (I love Hardy as an actor but he seems like a terrible fit for that character)

Off Cinema
Variety on the explosion of new TV shows in summer now that the game has changed
Cinema Blend Steven Spielberg wants to turn Bryan Cranston's tony winning performance into a tv miniseries
Playbill shares the Tony "In Memoriam" segment that strangely didn't air 
Playbill collects all the Tony performances in one place (seriously, it's like no one even needs to watch live tv anymore) 

And finally I just want to say a big congratulations to Peyton Reed for his new gig.  I've been rooting for him ever since the one-two punch of Bring It On and Down With Love, two stylish, absorbing, joyful, funny movies with a real vision behind them. I was bummed when his proposed retro version of Fantastic Four was cancelled in the Aughts and for what: A low-rent generic lousy f/x heavy version? But it's been so long since he was in the news that I figured his career was over. But now he'll direct Ant-Man. There's been a lot of online sniping calling him a hack, even from sites I otherwise like, but those writers should really think before they type and consider his filmography. There's some "for hire" business yes, but he's a good director. It's an unexpected choice but a good one... even if I'm still deeply suspicious of the project considering Wright's departure and Marvel's current game plans.