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Entries in Kristen Stewart (100)

Saturday
May262018

Tweetweek: Book Club, Solo, and More...

This made me giggle

...and this is the truest of the true!

More after the jump including going viral, famous parents, hot takes on Solo and Book Club, and one haunting Cannes leftover...

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Saturday
May192018

The Tweet that Jack Built at Cannes

IF ONLY

Other tweets after the jumpvincluding little bits of Meryl Streep, jokes about Titanic and Infinity War and Cannes battles and general Cannes mania (it all ends today)...

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Friday
May182018

Cannes Carpet #3: Thandie, Ava, Jane, and lots of Kristen Stewart

by Nathaniel R

Kristen, Laura, Jane, Thandie

We've already gawked at Cannes beauty thrice (Jury Arrival, Red Carpet Collection 1, Red Carpet Lineup 2) and now the final group of 16 delicious gowns before closing night. (And yes we'll eventually get to Cate Blanchett!). Let's start with these four: Kristen Stewart, Laura Harrier, Jane Fonda, and Thandie Newton...

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Wednesday
Apr182018

Beauty Break: Cannes 2018 Jury

by Nathaniel R

"Avengers Cannes Jury Assemble!" Australia's champion actress Cate Blanchett, as you know, is presiding (and only the 9th actress to have the honor) but who will be joining her on the Croisette? The beautiful people are after the jump...

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Monday
Oct302017

The Furniture: Framing the Unseen in Personal Shopper

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Personal Shopper is a film about ghosts, and where to find them. Maureen (Kristen Stewart) is a bereaved twin, waiting in Paris for a sign from her recently deceased brother, Lewis. But it doesn’t come easy, not in the least bit due to some unpleasant cross-currents in her professional life. She acquires clothes and accessories for Kyra (Nora von Waldstatten), a celebrity who has an irritating penchant for holding onto things she was meant to return. Maureen jets across the city and rockets under the English Channel on her behalf, toting jewelry boxes and garment bags.

All of which is to say that the material of this film is transient and fleeting, the inevitable intangibility of the personal shopper’s trade. And, of course, it is also about the translucent transience of ghosts, especially ghosts that struggle to make contact. Olivier Assayas has created a layered projection of Maureen’s psychology that refuses her the simple clarity of the mirror. Instead, she seeks her brother and herself in all of the wrong places, only slowly understanding the nature of presence.

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