Tuesday, November 8, 2022 at 6:00PM By Christopher James
Tilda Swinton confronts the ghosts of her family's past in Joanna Hogg's new film "The Eternal Daughter."
The AFI Film Festival ended this past Sunday on another packed day. There were plenty of interesting films to catch, from the latest auteur projects to remakes of classics. Without further ado, let's dig into the final titles...
Sunday, October 16, 2022 at 10:06PM by Nathaniel R
Modering a Stephanie Hsu Q&A at Middleburg Film Festival
Here's the thing with weekend festivals. They are brutal with either/or decision-making. At the longer festivals you can promise that you'll catch up with a film later (or delude yourself into thinking you can... which has the same effect). At weekend festivals there's often only one chance to see a particular film. And the whole thing can feel over in a flash. I'm typing this on day four, closing day, because I haven't been able to get to it before now. On Day two I wasn't able to squeeze in many movies between one moderation gig (a special screening of Everything Everywhere All At Once with Stephanie Hsu, pictured above) and two sit down interviews but at least both of the movies were must-sees in terms of the Best Actor Oscar race...
Wednesday, September 14, 2022 at 1:08PM by Baby Clyde
Kate Hudson is the standout in "Glass Onion: A Knives Out Mystery"
The day had finally come. My most anticipated film of the whole festival. The one we’ve all been waiting for. A veteran star on the comeback trail. A critical darling steering the ship. There’s talk of awards but will the public and pundits be on board? I for one couldn't wait to find out, but The Return of Tanya Tucker featuring Brandi Carlisle was in the evening. I had other movies to see first.
And it started early. To my horror the screening of Glass Onion started at 9am. NINE AM!!! What was I thinking? It was worth the effort, though...
I wasn’t a big fan of the first Knives Out. Too convoluted by far. Too pleased with its own cleverness. Having been totally confused on first watch I saw it again earlier this year and still came away just as befuddled. Glass Onion, though, is a meticulously plotted and a huge improvement. The all-star cast are uniformly great. The relentless Elon Musk/Joe Rogan ribbing is a bonus delight. Great start to the day. It certainly woke me up.
Brian Tyree Henry & Jennifer Lawrence in "Causeway"
Next up was Causeway, JLaw’s return to serious acting after three years off and some dud of a comedy from last year I’ve done my best to forget (did you?). She’s pretty great in this small-scale character study but ironically it may be that her star power unbalances the tiny, understated indie. Very smart career move even if it seems unlikely to garner her another Oscar nod. Then again she got in for Joy so anything’s possible.
From there I went straight into Living a very subtle, quiet period drama with the great Bill Nighy making a serious bid for awards. To be honest I nodded off for a while in the middle and think I may have missed some crucial plot points. This is no reflection on the film, I was just tired (9am remember!). I suspect Academy voters may be taking more notice than I.
Now we come to the main event. As a Black man from London, I don’t think I’m her usual audience, but I adore Tanya Tucker. Although she’s barely known in the UK for soe reason I’ve been obsessed with her for decades. Many years ago, when Iived with my twin brother Jompy and best friend Kitty Supreme we played her songs to death. We loved every tale of revenge and heartbreak all being sung by a teenager who sounded like she smoked 40 a day.
In 2019 I flew straight from Toronto to NYC to see her in concert and then crashed the Meet and Greet (There was no way I was leaving without getting a photo with my heroine). Kitty Supreme was well jel. I can’t be objective about this doc. I loved every minute of it. My face hurt from smiling. It’s a behind the scenes look at her triumphant comeback after 17 years away from the recording studio. Shepherded by current Country superstar it’s beautiful to watch her coaxing a clearly nervous Tucker back to doing what she does best, with sensational results.
A notorious 70’s wild child who acquired drink and drug problems to go along with her forty Top 10 country hits. A pioneer who’s never received the respect she deserves is finally getting her due.
A lot of people are talking abou The Whale but I'm waiting to see it at the London Film Festival in a few weeks. The last time I saw a Darren Aronofsky film at TIFF it gave the man sitting next to me a nosebleed.
Film of The Day: My girl Tanya wins this one to go along with her 2 overdue Grammys!
Oscar Buzz: Academy Award nominee Bill Nighy has a nice ring to it, but will voters take to a very subtle performance in the very quiet film that is Living? Glass Onion could definitely repeat its predecessor and score a Screenplay nomination. It would be wonderful to see the stand-out Kate Hudson back in the Supporting Actress race after 22 years away from that party. Meanwhile Academy Award nominee Bill Nighy has a nice ring to it, but will voters take to a very subtle performance in a very quiet film?
Star Spot: The entire cast of Glass Onion was in attendance this morning with Daniel Craig’s horrendous hangover causing much hilarity. I also randomly saw Jordan Peele getting out of a car and most importantly I was able to apologise to Tanya for crashing her Meet & Greet three years back. I offered to pay the $50 she was owed but she graciously declined.
Saturday, January 22, 2022 at 12:31PM 
To remake a masterpiece is to invite comparison and risk redundancy. Still, filmmakers regularly throw themselves into the pit, asking for trouble. Oliver Hermanus is the latest maverick to tempt fate, joining the ranks of directors who have remade the work of Akira Kurosawa. This time around, the subject is one of the director's most beloved classics, Ikiru. It's the story of a stalwart bureaucrat who finds meaning in the last months of his life, discovering purpose in the shape of a playground when faced with the inevitability of death. The original flick is a sentimental jewel and a showcase for one of Kurosawa's favorite actors, Takashi Shimura. In 2022, the Japanese thespian shoes are filled by Bill Nighy, taking on a new version of the role that reimagines him as a British civil servant in 1952 London.
While I can't speak for worldwide critics and cinephiles, I confess myself happily surprised by Living. No matter how distasteful the prospect of a Kurosawa remake feels, these modern artists have devised a worthy reinterpretation…
