The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
With only two weeks left in the year, how do we cover the five remaining years of Judy Garland's life? I've tried as much as possible to deliver beautiful numbers and biographical details as near as I could verify in between bits of high-spirited hagiography. Unfortunately, the complicated myth built by talent, timing, and Hollywood studios only amplified after her death, making fact and fiction nearly impossible to untangle...
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
Full disclosure: I am in the middle of finals hell, wherein I have to write roughly 45 pages and grade exactly 48 exams before I can finally collapse at home for the holidays. So this episode is an especially selfish choice on my part. Since it's been a rocky year, I thought the best choice would be to post the entire episode, so that we could come together over a warm Christmas computer and spend the holidays with Judy.
The Show: The Judy Garland Show Episode 15 The Songwriters: Various, arrangement by Mel Torme The Cast: Judy Garland, Mel Torme, Liza Minnelli, directed by Dean Whitmore
The Story: Call me a sap (and I am), but I cannot watch Judy Garland sing "Have Yourself A Merry Little Christmas" while she and her children watch fake snow fall out of a studio set window. In a season that seems to demand yearly special televised events, The Judy Garland Christmas Show ranks as one of the most special Like every episode of The Judy Garland Show, there are some nasty rumors that have risen to the level of legend: that Judy and Mel were fighting, which caused her to flub his name and two song lyrics, that Judy refused to rehearse, that she was high, etc. But somehow the backstage antipathy doesn't diminish the near-camp joy of Judy and co. sitting around a mid-century fireplace singing the songs that she made famous. Much of it has to do with her kids: as the Luft siblings and Liza make appearances, their improvised bits may be stagey, but their affection for their mother is real. Gaffes, bad jokes, and creepy Santa dancers notwithstanding, The Judy Garland Christmas Show remains a classic staple of holiday television.
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
Episode 3 of The Judy Garland Show (which would eventually air in its eighth week) was an episode of personal importance for Judy. Her oldest daughter, Liza Minnelli, was joining her for a family-themed show. Liza was only 16 at the time, but she'd already begun building an entertainment resume. While in high school (or rather, while skipping high school) Liza appeared on a Gene Kelly TV special, The Jack Paar Program, Talent Scouts, her mother's London Palladium concert, and was in rehearsals for her Off-Broadway debut in Best Foot Forward. However, young Liza somehow found time in her every-busier schedule to put on a family act.
The Show: The Judy Garland ShowEpisode 3 The Songwriters: Jule Styne (music) and Stephen Sondheim (lyrics) The Cast: Judy Garland, Liza Minnelli, directed by Bill Hobin
The Story: Two observations stand out watching this clip: 1) These are two talented women who love to perform and 2) These are two talented women who love to perform together. There's something delightfully meta-textual about their decision to sing a song from Broadway's most dysfunctionally overbearing stage mom. As Judy watches Liza, Garland exudes nothing but pride and excitement to share the stage with her daughter. Likewise, teenage Liza - not yet fully confident in her own overwhelming talent - takes her cue from her mother.
Though they're both polished and skilled performers, this song does not come off as a professional production number. Every improvised forehead touch, handhold, or giggle renders a public performance into a personal mother/daughter moment, exposing that vein of reckless vulnerability that made both women incomparable performers. Anyone who grew up in a musical household will recognize this kind of musical intimacy. This is a mother and a daughter goofing off around the piano at home, or belting showtunes in the car on the way to school. Liza and Judy sing together with real affection and private joy. It just happens a TV camera caught it on tape.
Anne Marie is tracking Judy Garland's career through musical numbers...
Believe it or not, 1946 actually represented a change of pace in Judy Garland's career. Judy only had three credits to her name that year: one starring role (The Harvey Girls), one cameo delayed by reshoots (Ziegfeld Follies), and one appearance in a biopic (Till The Clouds Roll By). In fact, this change of pace was a conscious choice on the part of Mr. & Mrs. Minnelli. If Judy looks like she's glowing a bit more than usual under those arclights, that's because Judy Garland was pregnant.
The Movie:Till The Clouds Roll By(1946) The Songwriter: Jerome Kern (music), Buddy G. DeSylva (lyrics) The Players: Judy Garland, Robert Walker, Van Heflin, June Allyson, Lucille Bremer, directed by Richard Whorf & Vincente Minnelli
The Story: Till The Clouds Roll By is a Jerome Kern biopic, which (in the true MGM style) fabricates or glosses over nearly all of the composer's life in favor of a Technicolor musical extravaganza. Judy plays Marilyn Miller, a megawatt Ziegfeld Follies star whose heyday was encompassed the 1920s. At her peak, Miller had had musicals and songs written for her on Broadway, including "Look For The Silver Lining," from Kern's musical Sally. Miller was even beginning to break into Hollywood when illness, substance abuse, and alcoholism forced her into retirement in the early 1930s. Marilyn Miller died in 1936 at age 37, another sad showbusiness story. None of this makes it into the movie, though. Besides, Judy was so focused on the upcoming birth that she may have missed the all-to-prescient warning of the woman she portrayed.
When Garland filmed her two songs for the Jerome Kern biopic, she was already four months pregnant. MGM covered up the pregnancy by fitting her clothes a little looser, and inserting a sink, some dishes (and some dancers' hands) between Judy and the camera. Five months later (nine months before the movie was released) Judy and Vincente welcomed into the world a bouncing baby talent: Liza May Minnelli.
Jason from MNPP here, willkommen and bienvenue, happy to see you! I trust you've all left your troubles outside? Today is the 84th birthday of the Master of Ceremonies himself, Herr Joel Grey, and so we're feeling frisky for some time inside the Kit Kat Club. As an aside, have any of you read Grey's recent autobiography? I highly recommend it if you haven't -- he's lived a hell of a life and doesn't hold back. (I recently shared my favorite tidbit from the book over at my site.)
Grey originated the role of the MC on stage (and won a Tony for it) and was the only person carried over from the cast to the film (much to Bob Fosse's chagrin), which led to him also winning the Oscar for the role. (This came up recently when Patty Duke, who also won both a Tony and an Oscar for the same role, passed away.) Standing beside him that night and clutching her own statue was of course a little somebody named Liza Minnelli - maybe you've heard of her? But darlings, now we must choose...
PREVIOUSLY The new Captain America movie is out in about three weeks and we gave you guys the chance to make your Civil War wishes known --wellh the titular Captain stomped right over his fellow Avenger Iron Man to the tune of just under 90% of the vote! It's a blow-out for Cappy! Said Sawyer, taking these results to their (logical? harsh?) extreme:
"Cap all the way. I can not abide Tony Stark. I hope he dies in this movie."
Wednesday, December 21, 2016 at 7:33AM 
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
