Off to see "Thor: Love and Thunder"

TAIKA WAITITI AT THE THOR LOVE AND THUNDER AUSTRALIAN SPECIAL EVENT SCREENING SYDNEY AUSTRALIA 27TH JUNE 2022. © Scott Ehler for Getty ImagesWish us luck!  Kidding. The buzz is strong with this one...

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Review: 'Doctor Strange in the Multiverse of Madness'

by Nathaniel R

In the recent What If? series on Disney+, which is based on the comic book series of the same name, Marvel's writers could fashion any kind of variation on traditional heroes (and villains) and storylines without any actual consequences for the large familiar canon. Zombie avengers? Sure! Peggy Carter as Captain America? Why not! The What If? series of the 1970s was not quite the beginning of the Multiverse in comics but it was close enough. These thought experiments were always pitched as alternate realities (as opposed to pure fiction) though it took awhile before the effects were felt. The multiverse essentially became a shortcut to any type of retconning any storyteller wanted to do; Contrary to all that dialogue in Loki, Marvel has no "sacred" timeline given all the reversals, resurrections, reboots, and switcheroos. The multiverse virus was even more of an epidemic in DC comics, Marvel's top competitor.

Unfortunately if What If is essentially fan-fiction without the fans, then Doctor Strange in the Multiverse of Madness is arguably stingers without a movie. The latest MCU movie is positively awash in cameos and teases for future installments, resulting in a film that feels very much like an incoherent feature-length mid-credits scene... 

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Yes No Maybe So: 'Nope', 'Deep Water', and 'Multiverse of Madness'

by Nathaniel R

No sooner did we get caught up on trailers with Jurassic World and such than the Superbowl hits which brings with it a new wave of teasers and trailers, not all of them airing during the game (that's expensive!) but here are the latest via our Yes No Maybe So™ habit. Join in the trifurcated breakdwon in the comments...

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Box Office: 007 Money and 2021's Highest Grossers

All you need to know about this very strange ecosystem shift in moviegoing is that an Icelandic language film (Lamb) made the overall top 10 despite having a per screen average of just $1,715. These are odd times we're living in when only blockbusters are making bank and even those aren't operating at close to full strength. There used to be 25-30 movies in wide release at any given time but there were literally only 8 in release this weekend here in the US. One wonders how the economics will all play in the future decade since streaming isn't as profitable as the traditional theatrical market and films have always been budgeted for pre-COVID realities. Will we see production values decrease in the next decade as Hollywood starts trying to make things on the cheap or just much higher subscription prices for streaming services?  What did you see this past week/weekend? More notes are after the jump.

Weekend Box Office October 8th-10th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
No Time To Die	Lamb
1 NO TIME TO DIE 🔺  $56 Deborah's Review	1 LAMB 🔺 $1.0 in 583 theaters Cannes Capsule
2  VENOM LET THERE BE CARNAGE  $32 (cum. $141.6)	2 THE JESUS MUSIC [DOC] $150K in 270 theaters (cum. $857k)...

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I'll Link You Last

• AV Club Sue Mengers superagent biopic in the works with Jennifer Lawrence to star and Paolo Sorrentino behind the camera. You may recall that Sue Mengers got this treatment on Broadway already with the play "I'll Eat You Last" starring Bette Midler
• Collider in unexpected casting news Luiz Guzmán is the new Gomez Addams in a future live-action Netflix series spun off from The Addams Family
• MNPP the first poster for Parallel Mothers is never going to make it to the US
• Celebitchy Looks like Michael Fassbender and Alicia Vikander had a baby during those couple of years when neither of them were in the press or on the screen 

Gemma Chan, Beanie Feldstein, West Side Story's non-reopening on Broadway, South Park forever more, Clue memories, Zola tweets and more after the jump...

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