Buzz Linkyear

• Interview here's a dream pairing Interview has Ben Whishaw and Andrew Scott in conversation on sexuality, chemistry and imagination
• Letterboxd Edgar Wright is programming a series at Alamo Drafthouse for next week. Wild thrilling Technicolor masterpiece Black Narcisssus is among the movies so you can see it on the big screen where it belongs!
• Variety How's this for a strange story? That Joan Rivers miniseries which was to have starred Kathryn Hahn has already been cancelled because they hadn't secured the life rights from Melissa Rivers (D'oh!)

More after the jump including Ryan Gosling's next project, Trainspotting, Last Night in Soho, Eternals, and a movie about Toy Story's Buzz Lightyear...

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Would you rather?

Would you rather...

• grab a hot dog w/ Margo Martindale in Iceland?
• soak in Iceland's geothermal Blue Lagoon w/ Michelle Yeoh?
• feed raccoons w/ Liev Schreiber?
• relax between reps w/ Lupita Nyong'o?
• referee an arm-wrestling match between Brie Larson & Jacob Tremblay?
• accompany Jessica Chastain to the fruit market?
• indulge Charles Melton in Matrix cosplay?
• visit Bulgaria with Maria Bakalova?
• take a swim in Capri, Italy with Eiza González?
• ...or think about Chester on Genera+ions with Justice Smith? (Seriously why aren't you watching that show? It's phenomenal. I'm going to be gutted if HBOMax cancels it)

Pictures are after the jump to help you decide. 

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Streaming Review: Boss Level

by Ben Miller

 

Groundhog Day is becoming its own genre of film.  Groundhog Day as a horror film -> Happy Death Day.  Groundhog Day as a sci-fi war film -> Edge of Tomorrow.  Groundhog Day as an existential romantic comedy -> Palm Springs.  Joe Carnahan's Boss Level continues this new tradition as the violent action film edition. It does this while maintaining a fun tone and never crossing over into offensiveness.

Frank Grillo stars as Roy Pulver, a former special forces soldier who wakes up every morning with people trying to kill him...

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Almost There: Michelle Yeoh and Zhang Ziyi in "Crouching Tiger, Hidden Dragon"

by Cláudio Alves

History repeats itself, especially when it comes to the Academy Awards. Throughout its 92 years, very few Asian actors have been recognized, even when their films were otherwise embraced. This year, the victim of the insidious trend was Parasite, which won the SAG for Best Ensemble but couldn't muster enough support for a single acting nomination at the Oscars. Thinking back to the last non-English speaking Asian production to score a Best Picture nomination, we see the same phenomenon.

In 2000, Ang Lee's Crouching Tiger, Hidden Dragon conquered a remarkable 10 nominations, including for Picture and Director but none of the nods were for acting. In the end, the blockbuster won four of its categories. Despite the acting branch's oversight, Michelle Yeoh and Zhang Ziyi received many nominations elsewhere, including the BAFTAs. The younger actress even conquered the Independent Spirit Award for Best Supporting Actress…

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Review: Last Christmas

by Chris Feil

A sure signal of the coming holiday season at the movies is the arrival of unpretentious lighter fare like Last Christmas. This year’s offering falls in line with the easy charms of such previous entries as The Holiday and Almost Christmas, but also arrives with a somewhat affably strange lump of ingredients. Inspired by the Wham! song and packed with a slew of George Michael songs, the Paul Feig-directed film is co-written by Emma Thompson (with Bryony Kimmings and Greg Wise) and offers up timely context within a classic romcom structure. It’s a sugar high of a movie that remains grounded in some substance, not exactly tidy but satisfyingly more than meets the eye.

Emilia Clarke plays the disillusioned would-be singer and Yugoslavian immigrant Kate, couch-hopping between friends that she quickly burns out with carelessness and working in a Christmas-themed giftshop. She avoids her family, particularly her domineering mother (also played by Thompson), and is increasingly testing the patience of her demanding but doting boss (Michelle Yeoh). Kate’s self-destructiveness comes after a serious illness has left her not with renewed gratitude, but with a diminished sense of self she has internalized into constant misbehavior. But her main challenger in the struggle comes when a charming man on a bike named Tom (Henry Golding) wanders in and out of her life.

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