If you haven't yet caught the latest essay from Angelica Jade Bastién (who has written here a few times) check it out at the Atlantic. It's called "Hollywood Ruined Method Acting" and it goes at the increasingly torturous PR campaigns that surround modern "accomplishments" of screen acting. As as usual Angelica is quite insightful about acting and sexism. Bless her for citing Montgomery Clift's contribution to acting, non-method styles that are just as valuable (see Brad Pitt) and the various incredible female actors (like Gena Rowlands) who are pushed aside due to the obsession with masculinity. Marlon Brando gets all the credit and don't think it's not because of the machismo and swagger.
I'd quote the article but instead I'll quote Jason's reaction which made me giggle:
I was nodding my head in agreement so furiously I was spitting out vertebrae by its end
Hello! It's your host Nathaniel checking in from a screening frenzy. I'm at the Nashville International Film Festival briefly to serve on their New Directors jury but coming back to you, dear readers, on Monday night. Meanwhile here in New York, Jason and Manuel have already lept into Tribeca Film Festival reporting.
For this week's Q&A column I asked readers for a few animal questions since Monty, my baby boy and the world's first Oscar predicting cat (unfortunately he was never a very committed pundit), has been ill. While he's on the mend (hopefully) it's hard to pull my thoughts away from our four legged friends. Herewith 9 reader questions, some animal themed some not...
JAMES: Ever named a pet after an on-screen animal (or human)?
My cat is named after Montgomery Clift and unfortunately the name suited him because he has been quite a moody thing from his teensiest days until now. He was found in the streets of the Bronx, as far as I know, as a tiny mewling mama-less thing and I got him way too young from the shelter. But even grumpy as he is, he is always right next to me no matter what room I'm in and every once in a while he looks at me like I'm Elizabeth Taylor and snuggles up and it's all worth it.
(I was actually going to get a second cat years ago and name it Liz but for various reasons it didn't happen.)
HAAJEN: Which animal should be paired with Julianne Moore, Juliette Binoche and Jennifer Law in a movie?
What a weird freaking question that I love. It's like when Kidman's familiar was a monkey in The Golden Compass. So I'm going to say black panther for Julianne, seagulls for Juliette (I always picture her in the salty air near water -- is this a ghost image of Lovers on the Bridge (1990)?) I would also pay to see JLaw in the Clint role in a remake of Any Which Way You Can (1980) if only because I can't imagine the outcome of an absolute war to steal scenes between JLaw and an Orangutan.
Naturally I have no photos to support this so please enjoy this photo of Idris Elba with a fake tiger.
It is extremely easy to enjoy.
PEARL: What are your thoughts on Barbra Streisand and Barry Levinson embarking on yet another production of Gypsy for a start up studio? My spirit animal (fox) says they likely face a difficult and painful journey.
Alexa here. Montgomery Clift would have turned 95 years old this week. To celebrate, I dug out this 1949 issue of Movie Stars Parade of mine and re-read the interview. The Monty revealed by the publicity machine is surprisingly close to the Monty of my imaginings: intuitive, self-loathing, tentative, magnetic. [More...]
The Smackdown may have ended but here's one last 1948 piece from abstew on TFE's favorite classic dramatic actor to close out the year of the month. - Editor
Before there was Brando and James Dean there was Montgomery Clift. And while those actors are often credited for bringing a new type of leading man to the big screen, through a mix of masculine machismo with feminine vulnerability, without Clift paving the way, the future of acting might have looked far different. The country was just emerging from the hardships of WWII. After seeing the travesties of war firsthand, they were ready for something more realistic and Clift was the answer to the change they were seeking. Having worked as a stage actor for over 10 years (where he made his Broadway debut at age 15 in the Pulitzer Prize-winning There Shall Be No Night), Clift was a serious actor that had honed his craft and emerged fully-formed in Hollywood with his first two films, both released in 1948, the western Red River and the post-war drama The Search.
Having caught Clift in a production of the Tennessee Williams play You Touched Me!, director Howard Hawks convinced the young actor to bring his unique set of skills to his western. John Wayne, an actor so synonymous with the genre that he was practically its patron saint, was already headlining and Hawks felt that Clift, who didn't even know how to ride a horse, would bring a different energy and dynamic to the stoic western figure. Wayne needed some convincing and laughed at the thought of the slender Clift being able to hold his own in the film's final throw down confrontation against him. But Clift, ever the professional, worked tirelessly to master the demands of the role and gives a performance that pays homage to cowboys past but is entirely its own creation. [More...]
Lest you forget, we have two Smackdowns this month. The first, already published, was for 1979 and for the second half of the month our retrospective love will be devoted to 1948 when these five women were nominated for Best Supporting Actress
Barbarba Bell Geddes, I Remember Mama
Ellen Corby, I Remember Mama
Agnes Moorhead, Johnny Belinda
Jean Simmons, Hamlet
Claire Trevor, Key Largo[winner]
Readers are the final panelist and your votes count (collectively) so between now and June 25th get your votes in with 1 (ouch) to 5 (total perfection) hearts for each. Please only vote on the performances you've seen (points are proportional so it doesn't affect the widely seen or the underseen).
To give you some context for the year, let's go over some high points of 1948...
Montgomery Clift becomes a superstar right out of the gate with his first two films: The Search and Red River
Great Big Box Office Hits: 1) The Red Shoes, 2) The Three Musketeers, 3) Red River, 4) The Treasure of the Sierra Madre 5) When My Baby Smiles at Me 6)Easter Parade 7) Johnny Belinda 8) The Snake Pit 9) Ingrid Bergman as Joan of Arc and 10) Erroll Flynn in The Adventures of Don Juan
Oscar's Best Pictures: Johnny Belinda (12 noms / 1 win), Hamlet (7 noms/4 wins), The Snake Pit (6 noms / 1 win), The Red Shoes (5 noms / 2 wins), and The Treasure of the Sierra Madre (4 noms / 3 wins). The Search starring Montgomery Clift probably just missed the cut-off with 4 major nominations, 1 win and a special Juvenile Oscar. Johnny Belinda and Sierra Madre shared the Golden Globe honors while Hamlet won Oscar's top prize
Happenings: Hollywood is still under the thumb of the HUAC hearings and many valuable players have already been blacklisted and/or jailed at this point; Post World War II anti-semitism is a mainstream topic which results in a Best Picture win early in the year for Gentleman's Agreement and then the banning of another film, David Lean's Oliver Twist, due to perceptions of anti-semitism in the character of Fagin (Alec Guiness); The US Supreme Court rules against religious instruction in public schools; Alfred Kinsey publishes "Sexual Behavior in the US Male"; Mahatma Gandhi is assassinated; a subway fare hike in Manhattan kicks it up to a whole dime.
Other Arts: Truman Capote's "Other Voices, Other Rooms" and Norman Mailer's "The Naked and the Dead" are published, Pulitzer winners include James Michenere's "Tales of the South Pacific," Tennessee Williams "A Streetcar Named Desire", and W.H. Auden for "The Age of Anxiety," Ed Sullivan and Milton Berle both begin their historical television superstardom this year with the variety shows "Toast of the Town" and "Texaco Star Theater" both of which will be retitled to reflect their star's name; "Mister Roberts" wins the first Tony Award for Best Play and "Kiss Me Kate" premieres on Broadway and will win the next year's inaugural Best Musical category.
Some Magazine Covers for Context Various movie queens, a reference to Shirley Temple's baby (her first child was born in January of '48), hot topics like Alfred Kinsey and Mahatma Gandhi, and more...
Mix Tape (Born in '48) Olivia Newton-John, Stevie Nicks, Grace Jones, Kenny Loggins, Andrew Lloyd Webber, Donna Summer, Jackson Browe, and Steve Winwood
Actors We ♥♥♥♥ Hard at TFE that were born in '48 Bernadette Peters, Dianne Wiest, Barbara Hershey, Kathy Bates and Christopher Guest
Other Key Showbiz Figures From '48's Fine Vintage Joe Dallesandro, Samuel L Jackson, John Carpenter, Gérard Depardieu, Bonnie Bedelia, Margot Kidder, Bud Cort, Kate Jackson, Mercedes Reuhl, Phylicia Rashad, Linsday Crouse, Mimi Kennedy, Nathalie Baye, Nell Carter, George RR Martin (author), Ben Burtt (sound genius), Colleen Atwood (costume designer), Javier Aguierresarobe (cinematographer), Edward Lachman (cinematographer), Lindy Hemming (costume designer)
Showtune to Go: Nat King Cole's "Nature Boy" is released which will later play a key role in one our mutual favorite films of all time Moulin Rouge! (2001)
Thursday, August 11, 2016 at 3:42PM 
If you haven't yet caught the latest essay from Angelica Jade Bastién (who has written here a few times) check it out at the Atlantic. It's called "Hollywood Ruined Method Acting" and it goes at the increasingly torturous PR campaigns that surround modern "accomplishments" of screen acting. As as usual Angelica is quite insightful about acting and sexism. Bless her for citing Montgomery Clift's contribution to acting, non-method styles that are just as valuable (see Brad Pitt) and the various incredible female actors (like Gena Rowlands) who are pushed aside due to the obsession with masculinity. Marlon Brando gets all the credit and don't think it's not because of the machismo and swagger.
