Posterized: Spike Lee

by Nathaniel R

Currently in love with this image of Spike Lee and Topher Grace on the set of BlacKkKlansman. But let's get to the point. After a long hiatus, we're back with a new season of our Friday series "Posterized"... I know it's Sunday. Shush. What better way to kick off than with the films of Honorary Oscar Winner Spike Lee? His latest joint, BlacKkKlansman, which we've reviewed, is new in theaters. We hope you'll go as it will surely prove to be one of 2018's defining films. But for now on to his filmography as a whole.

People often disagree on what his best work is aside from Do The Right Thing (1989), his consensus masterpiece. That's probably because he's a natural risk taker so naturally his output is uneven.  For the purposes of this exercize we had to limit it to traditional features because Spike Lee has always done everything: short films, commercials, music videos, tv movies, miniseries, documentaries, segments within movies, filmed stage shows. The two most acclaimed pieces not included below are his Emmy-winning docuseries When the Levees Broke: A Requiem in Four Acts (2006) for HBO and his Oscar-nominated documentary4 Little Girls (1997). How many of his joints have you seen? All the posters are after the jump...

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Why aren't poster photos taken on set? The eternal mystery.

Mamma Mia: Here We Go Again has a new eye sore poster. Every single cast member has been photographed separately and then composited together like some Ensemble Frankenstein Monster. The poor beast is then tasked with imitating pure joy before it has learned to control its facial muscles.

It's easy to imagine some photoshop artist creating their own mini-narratives to keep them interested while hunched over their computer jamming all the stars together. Do I spot a romantic comedy between Colin Firth and Stellan Skarsgård whose eyelines are matching up?

Why does this type of poster keeps happening? Why aren't poster images and promotional photoshoots done on sets on the days when busy actors are already all assembled together? If you want to see the full poster just click on Cher's sassiness to your left. I didn't want to sully up the front page.

Oh and go ahead and tag yourself in the comments. I am Lily James' left foot that's eager to jump into the water. 

Wasp and the Wasp and the Wasp

This blog will not be acknowledging the existence of any more Ant Man and the Wasp trailers that ignore Michelle Pfeiffer. Supposedly there's a split second  of her in the new trailer but that split second features a character in potential 'old Wasp' costume covered from head (helmet) to toe and that's no way to look at the world's most beautiful movie star. 

We've also fixed the new Ant Man and the Wasp poster to better reflect our needs...

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Little Crazy Boy in Mask, Why Are You Crying?

Chris here. Remake/reboot culture isn't going to be slowing down anytime soon, and you should be girding our loins for some bizarre iterations if you aren't already. Take this fall's revamp of Halloween which has been taken over by... David Gordon Green? The director is primarily known for intimate dramas and character studies, like last fall's Stronger. While Jamie Lee Curtis's return to the franchise has stoked a high level of anticipation, Green's place in the franchise remains a giant question mark. And from the looks of the first teaser poster, the director has brought his signature ennui and it looks just as weird as that sounds - like a "sorry for your loss" greeting card with a serial killer on it. In the comments, tell us what is making Michael Myers so downtrodden!

Captain Marvel Begins. Infinity War Promises. Black Widow Waits.

by Nathaniel R

Brie Larson training with a real pilot

As you've undoubtedly heard given that half the internet (at least) is a conveyor belt for Marvel Studios propaganda news, Captain Marvel began shooting yesterday. Brie Larson headlines Marvel's first female driven superhero film. Despite the company's cultural prominence they didn't get to female heroes first. That honor actually belongs to the all but forgotten Supergirl (1984). If you only want to count the modern superhero film era (i.e. post X-Men, 2000) the honor belongs to the much-reviled Catwoman (2004), which was followed by the also-reviled Elektra (2005), and the also-also reviled My Super Ex Girlfriend (2006). If you want to only count the post-Marvel Studios world (i.e. 2008's Iron Man,was ground zero) they still didn't manage "first!" dibs but we shouldn't dwell on their priority problems. Thankfully Warner Bros / DC's Wonder Woman (2017) was beloved and hopefully signalled a turning point in the fate of the female hero subgenre...

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