Esther Williams @ 100: "Thrill of a Romance"

Team Experience is celebrating Esther Williams' Centennial.

by Nathaniel R

"Do you mind if I watch, too?" a businessman in a parked car shouts from outside a swimming pool -- a pretty swimming instructor, has asked her students to watch her do a swan dive. "Not at all," she says with a dulcet tone and flirty smile. Moments later the businessman is grilling the child to tell him everything he knows about his teacher including where she lives (!) This is the opening scene from 1945's Thrill of a Romance and courtship was, um, different. Who knows about this fictional swimming instructor but the actress playing her was already used to being gawked at, even before movie cameras arrived.

Esther Williams, the athlete turned movie star, was born on this day one hundred years ago in Inglewood, California. By the time she was 16 she was a national swimming champion with Olympic dreams. A couple of years later she was a star in the Aquacade (paired with another swimming champion, Johnny Weismuller, already a movie star). MGM signed her in 1941 and she became a popular WW II pin-up girl in her endless swimsuit photos. Meanwhile the movies back home were making her yet more famous. 

Which brings us to Thrill of a Romance (1945)...

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Bo Burnham's 'Inside' is going to cinemas this week (so let's rank the songs)

By Glenn Dunks

Was Promising Young Woman your first interaction with Bo Burnham, playing the too-good-to-be-true doctor? Was it his directorial debut Eighth Grade with its acute insight into social media culture of young adults? Or was it maybe his career as a stand-up comedian, a sort of Weird Al Yankovich for the millennial age? Maybe it was Inside, Burnham’s quarantine inspired one-man musical Inside, which is now receiving a one-night only screening in theatres across the United States on the July the 22nd.

I have watched the Netflix special several times already, as well as multiple trips to its various musical sequences while the soundtrack remains on constant repeat. I think it’s brilliant for all the reasons Cláudio explained (and more). A true swing-for-the-fences achievement that makes elaborate use of its lo-fi trappings, straddling a delicate line between sarcastic mockery of cultural taboos and politically aware understanding of the times that are indeed changing.

Inside became instantly famous for a lot of reasons, landing six Emmy nominations despite being released on the very last day of eligibility. So to celebrate its brief detour to theatres, I am going to rank all 20 songs that appear in it! Keeping in mind, of course, that there isn’t a single dud out of the bunch. 

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Cannes Diary #1: Adam Driver singing, journalists spitting, and other minor inconveniences

TFE is thrilled to have a correspondent on the ground in Cannes this year. Please welcome back Elisa Giudici.

by Elisa Guidici

It's my first day of my first year as a press pass holder at Cannes Film Festival. Let me tell you that as an Italian, I am so proud of how Venice Mostra handled their Covid-19 edition last season. Cannes had an extra year to plan how to be efficient, safe and as Covid-free as possible. How did the organisation spent these months?.The ticketing system to avoid long queues before screenings? A hot mess. The website? Almost always down. Covid tests? Bizzarre, but at least free for pass holders...

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Cannes Review: The unsteady but miraculous "Annette"

by Cláudio Alves

It all starts in the recording studio, as Leos Carax and his daughter - to whom this achingly personal film is dedicated - observe the Sparks working their magic. The reference to supernatural powers when writing on artistic marvel is overused, but it does seem fitting for Annette. Here, performance can invoke a new reality, singing it into existence. That's what the film's team does in this metatextual prologue. As the Sparks exit the recording booth, the camera and the Carax duo follow, with the movie stars joining along for good measure. As they ask "May We Start," they also admonish the audience, heed them, warn them, and set the stage for what's to come. Adam Driver and Marion Cotillard depart in separate vehicles at the end of the song, no longer themselves. The ritual of performance has begun – they're now Henry and Ann…

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Pfeiffer Pfriday takes on "The Fabulous Baker Boys"

by Nathaniel R

Have you been listening to the podcast "Pfeiffer Pfridays"? Each week Jerry and Michael revisit, or screen for the pfirst time, a Pfeiffer movie. Sometimes they have guests in tow. They're not going in chronological order but hopping around. This weekend marks their 30th episode so they're making whoopie and covering one of the greatest pfilms of the 1980s: The Fabulous Baker Boys. Guest starring... me!

We get into it, not just the Pfeiffer ascendance into the pantheon of it all, but the Bridges brothers character arcs, Jennifer Tilly's hilarious supporting role, the movie's Old Hollywood glamour, the screenplay, the cinematography, and the 1989 Oscar race.