Stage Door: Broadway's Beach Vacations

by Dancin' Dan

It may be April, but New York City is once again covered in a blanket of snow in a winter that won't stop. But thankfully, Broadway is providing not one, but two beach vacations you can take for (slightly) less than a plane ticket to somewhere warm. Escape to Margaritaville and Spongebob Squarepants could not be more different on the surface (although both feature a volcanic explosion as an important plot point), but they do provide some pretty wonderful escapism for anyone longing for warmer climes...

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Beauty Break: He is Risen

Did you love Jesus Christ Superstar Live!? John Legend was in spectacular voice as Jesus and kudos also to Tony nominee (and one of my favorite Broadway stars) Norm Lewis as Caiaphas. But the scene stealer of the night was Tony nominee Brandon Victor Dixon who stole the show as Judas Iscariot. He was a glittering reminder, particularly in disco chainmail in the closing fantasy sequence (since Judas had already committed suicide), that live performing is a unique skill set. Imagine your average movie star trying to keep up that much physical and emotional energy for two plus hours while leaping around a stage and singing at the top of their lungs. If anything Dixon's energy only grew as the night wore on. Just stunning. (I'm not talking about his body, but that too.)  

Though Jesus Christ Superstar! was in some ways an odd dated musical choice for a mainstream family event (it's not remotely 'funny' for one)  it was the best produced "Live" musical since that became an annual thing. The set design and direction were amazing, culminating in a major wow of a finale. Still don't love the Andrew Lloyd Webber score and can't fathom why people doing the orchestrations for Lloyd Webber revivals never think to subvert the oh-so-70s electric guitar sound (also a weird issue with the 1996 Evita movie) but you can't have everything.

Since this particular production had all kinds of gorgeous men in fine voice and equally fine body, let's end this Easter weekend sharing photos of the hottest men to have ever played Jesus in the movies or on television before John Legend's go at it. The gallery is after the jump...

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Film Bitch Awards Finale - The Medal Ceremony

by Nathaniel R 

Cue trumpets and confetti!  The 18th annual Film Bitch Awards have finally reached their conclusion with the "best scene" page fully up and complete with nominations and medals for BEST KISS, BEST ACTION SCENE, and BEST MUSICAL SEQUENCE and the like.

64 movies were honored over our 40 regular categories for the 2017 film year. Lady Bird and Get Out led this past year's crop with 13 nominations each and 10 and 9 medal wins respectively. Other top ten entries that scored multiple medals were Call Me By Your Name, Baby Driver, and Atomic Blonde. The films that made the strongest showing without scoring in headline categories or the top ten list were: Phantom Thread, The Greatest Showman, and Blade Runner 2049.

Some curiousities: The Florida Project won only gold medals, never a silver or bronze. Oscar's best picture winner The Shape of Water was nominated in six categories but only took home one medal (gold for Production Design). And the film that Oscar completely ignored that performed strongest here was --  no surprise I suppose -- France's Oscar submission BPM with 8 nominations, 1 gold, 1 silver, and 4 bronze medals.

Part 1 - Film, Director, Picture
Part 2 - Acting Categories 
Part 3 - Visuals
Part 4 - Music and Sound 
Part 5 - Non-Traditional Acting Categories
Part 6 - Character Prizes
Part 7 - Best Scene Work *NEWLY COMPLETED*

...and in case you missed it, the top ten list write-up. We hope you enjoyed all our 2017 coverage. Now on to 2018 as Spring begins!

Stage Door: "My Fair Lady" through the Years

by Nathaniel R

Tony season is (nearly) upon us so we're reviving the Stage Door column toward the end of March. But before we start reviewing shows, a history lesson.

Julie Andrews and Audrey Hepburn as Eliza Dolittle

My Fair Lady began its classic life in 1956 as a Broadway musical. No, that's not quite right. It began its life as George Bernard Shaw's play Pygmalion, which premiered way back in 1913, over a century ago! That play inspired the stage musical by Lerner & Loewe. On March 15th previews will begin for the latest Broadway revival. Lauren Ambrose (Six Feet Under) headlines as Eliza Dolittle, with Harry Hadden-Paton as Professor Henry Higgins, two time Tony winner Norbert Leo Butz (♥︎) as Eliza's father, and showbiz legend Dame Diana Rigg (The Avengers, On Her Majesty's Secret Service, Game of Thrones, etc...) as Higgins' mother. 

This will be the sixth major incarnation of the hit musical. Let's recap...

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Interview: Greta Gerwig on what kind of filmmaker she's going to be

by Nathaniel R 

Greta Gerwig directing the prom scene in Lady Bird. Look, she's even dressed for the occasion!The first time we spoke to Greta Gerwig in 2013 for Frances Ha it was over the phone. Her voice was so animated it felt like an in person interview. She was learning the accordion because of that seismically magical moment in the French film Holy Motors and revealing to me that she didn't think being an "actor-for-hire" in other people's work would be her path. Little did I know -- though perhaps she did -- that the exquisite Lady Bird was coming. In between she wrote and starred in Mistress America (2015) and gave what is arguably her best performance in Mike Mills 20th Century Women (2016). The rest is of course current celebration and future history: Lady Bird proved a mainstream breakthrough as a writer/director. It's up for five Oscars including two for Greta Gerwig herself as a writer and as a director.

This time, speaking in person, that familiar voice is just as lively but her laughter even more infectious. She radiates as much joy from talking art in real life as she often has creating it onscreen as a performer.

When I ask her her how the accordion is coming, she admits she's "rusty" and that it hasn't been a movie that inspired her lately but 'certain books' though she leaves them unnamed. Whatever feeds your soul as an artist, that's where you go.

on set directing Timothée and Saoire in Lady Bird (2017)

I reminder her about that comment about acting for others not being her path and she says "I know..." in a goofily apologetic way, like she always knew where she was heading but just hadn't told us.  Our interview is after the jump...

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