1998: The women of "Beloved"

We're revisiting the 1998 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternates to Oscar's ballot.

Another week, another lone Costume Design nominee that deserved far better attention than it got. Yes, Jonathan Demme’s Beloved is visibly uneven in several passages, to include the entire last hour. Yes, there’s a whole lot of discourse around Oprah as producer/actress/cultural icon at the time that I completely missed. Broadly speaking, it’s so disappointing that Toni Morrison’s works have had so few adaptations for screen, even as the author herself was a constant source of insightful interviews and the focus of several documentaries. But even on its own terms, Beloved is a genuinely risky, textured piece of filmmaking, honoring Morrison’s astounding novel without softening its most difficult themes. It’s also filled to the brim with fiercely etched performances from its supporting actresses. Kimberly Elise, Thandiwe Newton, LisaGay Hamilton, Beah Richards, all approach tremendously difficult roles with ferocity and candor...

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Gay Best Friend: Cleo (Queen Latifah) in "Set It Off" (1996)

A series by Christopher James looking at the 'Gay Best Friend' trope

Queen Latifah stood out in the ensemble thriller "Set It Off" as Cleo, a butch lesbian bank robber.Be gay, do crimes.

The film business was born with stories of outsiders committing crimes just to survive. The entire gangster genre is built on that premise. Bonnie & Clyde captured the zeitgeist by making robbing banks seem cool. F. Gary Gray’s 1996 thriller Set It Off gives us a very different view of the Bonnie & Clyde story. The film focuses on four inner-city black women each pushed to the brink by a financial system working against them. Rather than lay down and take it, they band together and start robbing banks just to get by. The cast, which includes Jada Pinkett (before Smith), Queen Latifah, Vivica A. Fox and Kimberly Elise in her first role, is uniformly excellent, building a dynamic that believably has lasted decades.

For the purposes of Gay Best Friend, we’ll take a look at our butch firecracker, Cleo, played with great ferocity by Queen Latifah in the midst of her Living Single fame...

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Q&A: Actors Who Should Be More Famous, Broadway Crossovers, and Animal Horror

Hello everyone!

Nathaniel, eternally cat-sittingWe haven't done a Q & A in so long so let's jump right in. In order to actually do these more often I'll answer just five or six questions at once. Hopefully this will stir up more focused comment parties, too!

PAR: Julianne Moore, Michelle Pfeiffer, and Annette Bening enter the thunderdome. Only one leaves. Who? - par

A: LOL! I hope you aren't being cruel and just making me sacrifice two of my all time favorites at the altar of, well, my Pfavorite. But if we're talking about cage matches in post-apocalypse desert landscapes my answer is The Bening. Moore would break down into crying jags in no time, becoming too vulnerable. Pfeiffer would seem like easy prey put up a very spirited and scary pfight but you know that The Bening is all wile and steel and surprise maneuvers. How else did she conquer Hollywood and Warren Beatty and continue to become even more incredible as an actress the older she got despite being brilliant right out of the gate?

STEVE G: What film out of Cannes 2018, that wasn't previously on your radar, are you most excited to see?

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On this day: Liz's first Oscar, Daffy's debut, and Juliet from the house of Capulet

On this day in history as it relates to showbiz...

1865 Mary Surratt arrested as a conspirator in the assassination of President Lincoln. Robin Wright played her in the movie The Conspirator

1912 Opera singer/actress Martha Eggerth (For Me and My Gal) born in Budapest. She died just a few years ago

1918 Great actor / star William Holden (Picnic, Sunset Blvd, Sabrina, Network)  born in Illinois...

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Welcome to the Academy!

Every time I see a grumpy post on the internet about how the Oscars don't matter or the Oscars are irrelevant or passe or [insert gripe here] my face contorts into a 'oh, that's cute' type of look, the one you might give the very naive if possibly well meaning transfer in your high school comedy.

I love her, she's like a Martian.

The Oscars have always mattered. The very fact that people can't stop bitching about them, for 80 some years now, suggests that they still very much do and always will. The Oscars have been synonymous with movie greatness for so many generations that whether or not any greatness is actually happening in their selections is the point of discussion. It's also why one wishes the governing body of AMPAS wouldn't act like such nervous jittery freshmen themselves, forever worrying about what they're wearing ('does this rule-change make me look fat?') and if they're listening to the right music ('no, yeah, i totally love that ____. Didn't you see my expanded BP playlist?!'') .

The Oscars are the cool table that everyone wants to sit at and 276 new kids (after the jump) have been invited to do just that.

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