Review: GLOW (Season 3)

By Spencer Coile 

Despite its criminal underperformance at the Emmys this year (only scoring 5 nominations), the second season of GLOW was a marvelous piece of television. After an equally impressive first season, season 2 found the Gorgeous Ladies of Wrestling coalescing into a tighter ensemble. It was no longer just a vehicle for stars Alison Brie, Betty Gilpin, and Marc Maron. Each gorgeous lady had a rich history waiting to be told. Against the backdrop of grungy L.A., set to a mix of 80’s synth pop, GLOW pulsated with life, energy, and plenty of risks waiting to be taken. 

Season 2 ended with an offer for the ladies to adapt their syndicated show to an act in Las Vegas. Starship’s triumphant “Nothing’s Gonna Stop Us Now” begins to play as they board the bus that will land them in completely uncharted territory. With this notable shift in scenery, does GLOW season 3 pack the same punch? Pun intended...

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"Kathy Griffin: One Hell of a Story" and "The Great Hack"

by Eurocheese

Kathy Griffin: A Hell of a Story’s one night only theatrical event (Wednesday, July 31st) and Netflix’s disturbing expose on digital exploitation The Great Hack couldn’t be more different in tone, but they would make an interesting double feature. I couldn’t have imagined either film would exist just a few years ago. In a decade, I wonder what we’ll be saying about both of them...

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Streaming Roulette, July: Reese doesn't live under the silver lake anymore

As is our practice we've selected 8-10 titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!). It's our way of previewing new titles streaming in the first half of JULY 2019. (★ means we recommend catching them.) Please do let us know if you're dying to discuss any of the films and maybe we'll write about them.  

Ready? Let's go...

Why did I get stuck with the janky old broke hobo Spider-Man? 

Spider-Man: Into the Spider-Verse (2018) on Netflix ★
Watched this again on a whim with a friend who was curious because it won the Oscar. He's not into animated movies or superhero movies and he totally enjoyed it. Thus are its many inventive delights. It really holds up to viewing number two. Jam-packed with details you can easily miss on the first round.

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Links: Madame X, King Richard, and Book Club 2?

• IndieWire the problem of too much television for Emmy voters
• Vanity Fair Book Club is getting a sequel with its quartet of stars returning. VF wants Andy Garcia back as well and we concur.
• Variety an ouch ouch pan review of Nicolas Winding Refn's new TV series (which he keeps saying is a movie)
• Variety this seems like a bad-omen move. Amazon is only giving their chief Oscar hopeful The Report (starring Adam Driver and Annette Bening) a two week theatrical window before it streams...

[More after the jump including Madonna's Madame X, Daredevil's longshot fight sequences, news on King Richard, and Catherine O'Hara visiting Broadway...]

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Review: When They See Us

By Spencer Coile

Ava DuVernay, notable for her righteous films like Selma and 13, is unafraid of holding a mirror up to a culture that has condemned the subjects of her work. Her Netflix limited series, When They See Us is a piece of television that is rooted in the history and the humanity of its subjects. Following a contentious court battle, five boys (all either Black or Hispanic) were convicted of a crime they did not commit.

Accounts of the Central Park Five have been speculated and picked apart for decades, including necessary think-pieces, documentaries, and protests. After all, they were exonerated of all their crimes in 2002. When They See Us presents the timeline of this case; interrogation to court to their eventual release. These are all facts that a simple Wikipedia search would produce. What makes DuVernay’s work so astonishing, though, is the way she imbues this narrative -- one that is deeply embedded in our public consciousness - with traces of anger, and above all else, grace.

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