Oscar Rule Changes. It's about time with the Makeup & Hair, Academy

They finally listened! Or, rather...

We are now allowing ourselves to freely fantasize that our annual griping here at TFE for the past forever years that Makeup and Hair deserves as many nominations as any other filmmaking craft, planted the seeds that eventually led to discussions on the other coast. The Academy announced that there will be five nominees going forward in the category starting this next season. (We've already adjusted this year's April Foolish Prediction Chart). Should we go power-mad, loyal readers??

Alas, nope.  The other rule change we've requested for a long time, didn't happen...

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Review: Brie Larson's "Unicorn Store"

by Anne Marie

With Captain Marvel crossing the $300million mark at the box office, Netflix has capitalized on Brie Larson's booming popularity to acquire her 2017 directorial debut. Unicorn Store is a coming-of-age comedy that happens to also star buddy and co-Avenger Samuel L. Jackson. And while Larson fans will enjoy watching the actress glitter (sometimes literally) across the screen for an untidy 92 minutes, ultimately the star's freshman effort comes off as more style than subsance.

Written by Samantha McIntyre (Married), Unicorn Store tells the self-consciously magical story of a twenty-something failed artist named Kit (Larson), who gets a second chance when she's offered the chance to fulfill her childhood dream...of owning a unicorn. After she fulfills some obligations, of course. The premise is purposely absurd, and for the most part, Larson adeptly navigates between the more magically bizarre scenes of straw-dying and stable-building, and the more quotidian (and creepy) B plot wherein Larson’s character tries to prove herself at a temp job with a predatory boss...

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Streaming Roulette April: The Dirt, Monster House, and Now Apocalypse

As is our practice we've selected a couple handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!) for this quick preview. At the bottom of the page, check out full listings for Netflix, Hulu, Amazon Prime, and HBO for April 2019. And please do let us know if you're dying to discuss any of the films. Maybe we'll select one to write up? Okay, let's go...

Holy shit. Barnabas!

Now Apocalypse, Season 1 (2019) on Hulu (with Starz add-on)
Pictured there are the four leads of Now Apocalypse all of them gorgeous / funny / frequently naked in the first TV series from Gregg Araki of 1990s new queer cinema fame. Araki's preoccupations haven't changed much (or at all!)  since the 1990s. A twinkish lead with floppy dark hair? Check. Constant drug use? Sex. Filthy language and explicitly sexual humor? Check. A preoccupation with supernatural kinds of rape? Check. A dumb but impossibly sweet and sincere straight hunk? Check. Impossibly hip but somewhat chilly woman with black hair? Check. Sexual fluidity for every character even those with a pronounced label or gay or straight? Check. Slutty female best friend with most of the best lines? Check. End of the world fantasies and paranoia? Check. Older predatory queers in abundance? Check. Aliens or supernatural occurences? Of course! The show is way too repetitive in the early episodes (lots of flashbacks to previous episodes which is weird for streaming shows since you've literally usually just been watching what you're now flashing back to) but about halfway into the season the short episodes start  to come together in fun ways, including a hilarious and much smarter way of folding back in on itself with an in-series webseries, wherein the characters are reenacting the early episodes and playing themselves badly or being played unflatteringly by actors hired to play them. 

She never blinked during the interview.

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Doc Corner: Orson Welles x2

By Glenn Dunks

It has been suggested that Mark Cousins is a very unique brand of filmmaker. In that regard, he makes a perfect filmmaker for a project about another very unique brand of filmmaker: Orson Welles. I have not seen Cousins’ much-loved The Story of Film: An Odyssey nor any of his other film-centric documentaries so I can’t speak to how his latest fits into his oeuvre, but I do know that I was pleasantly surprised to discover that The Eyes of Orson Welles was not a typical bio-doc about Welles.

Instead, it takes the novel approach of using his work in another medium, his love of drawing and painting, to approach his cinematic output and his character as a man more broadly...

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Streaming Roulette, Early March 2019

by Nathaniel R

As is our practice we've selected a couple handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up) for this quick preview.  Do any of these screencaps make you wanna watch the movie? At the bottom of the page, check out full listings for Netflix, Hulu, Prime, and HBO for the first half of March. Okay, let's go...

Ohmygosh, he is dreaaammmmy.

The Notebook (2004) on Netflix
Wait James Marsden is the other man in this movie? (You may recall I told you I hadn't seen it when Kim was writing up its famous kiss last month. Somehow I didn't know that Rachel McAdams had to choose between Marsden and Gosling? Tough life, that girl leads.) Oh and did you hear that weird story about how Netflix changed the ending to The Notebook in the UK? I wouldn't have known the difference but bizarre. How is that even legal?

[eery music]

What Lies Beneath (2000) on Hulu
You guys... never look at a pristine empty bathtub while holding a ouija board...

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