Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Netflix (317)

Tuesday
Dec192017

"A Christmas Prince" We Never Knew We Needed  

By Spencer Coile

It’s time to get into the Christmas spirit, readers! With a recent push from Netflix for prestige filmmaking – in 2017 we received Mudboundand First They Killed My Father, among many less heralded offerings – everyone’s favorite streaming site is now getting festive with their new original film, A Christmas Prince. At first glance, it may seem like a sweet and predictable little RomCom, but within a week, you'd be hard-pressed to find someone on the interwebs not talking about it. 

Why has this sugary, Hallmark-esque film received this hailstorm of attention? Perhaps it is because, in a bit of marketing genius to generate buzz about the film, Netflix tweeted this: 

Could this constant viewing possibly mean that A Christmas Prince is actually... good? No, A Christmas Prince is not "good." However, it truly is an experience I recommend...

Click to read more ...

Saturday
Nov182017

Wrapping Up: Stranger Things 2 

By Spencer Coile 

Stranger Things 2 dropped to Netflix three weeks ago, and already, most fans have consumed it in its entirety. In fact, many people finished it within the first weekend. I covered the first half of the season shortly after watching it, but because I choose not to binge the series in one sitting (just not my style of viewing), I was able to let the story and characters really sink in. 

Now, having finally finished Stranger Things 2, I can safely say that the second half of the season eclipses the first half -- making it a solid addition to the cultural phenomenon that is Stranger Things. After the jump, take a look at some brief thoughts about the season as a whole: what works, what doesn't, and what season three will hopefully bring... 

Click to read more ...

Monday
Oct302017

Stranger Things 2: Does It Live Up to the Hype? 

By Spencer Coile 

In 2016, the first season of Stranger Things premiered with little fanfare. Although critically well-received, it was not the cultural icon it is considered today. Roughly about one month after it dropped on Netflix, though, everyone (and I mean everyone) was buzzing about the sci-fi show that oozed 80's nostalgia. It was a total genre piece, one that many assumed the Television Academy would not honor, but that did not stop it from picking up steam throughout the television season. After its SAG win for Best Ensemble, it went on to pick up 19 Emmy nominations (winning 5).

And still, its momentum continued to build -- between merhandise, soundtracks, Halloween costumes in excess, and even a #JusticeForBarb movement that no one saw coming, Stranger Things solidified itself as a show that everyone needed to see.

This last Friday, Netflix premiered the second season of Stranger Things. Unlike the series' first season, many were holding their breath in anticipation, building yet more hype, and setting lofty expectations after such a stellar first outing from The Duffer Brothers. Would it be as good a second time around? 

Click to read more ...

Wednesday
Oct252017

Mindhunter (4-7)

by Nathaniel R

Continuing our look at Mindhunter. Let's discuss the middle bulk of the first season, shall we?

How would most men feel if they were being intimate with a woman and they sensed that she wasn't enjoying herself... [no response] Come on, be scientists.

Click to read more ...

Tuesday
Oct242017

Doc Corner: 'One of Us' and 'Thy Father's Chair'

by Glenn Dunks

Not content to let scientology corner the market in controversial religion exposes, directors Heidi Ewing and Rachel Grady focus their attention on New York’s Hasidic community in their latest feature. A dramatic change of pace after last year’s celebrity bio-doc Norman Lear: Just Another Version of You, the filmmakers return at least somewhat to the themes of their most famous film, the Oscar-nominated Jesus Camp. Yet despite the potential cross-over to be found in the pair that seek to uncover the alarming practises of organised religion, One of Us is a much different beast.

Unlike that earlier film, which trained its cameras on the inner-circle of a camp for raising the next generation of evangelicals, One of Us observes from the outside, following the stories of three individuals who have attempted to extract themselves from the community and tell some often haunting and traumatic tales of their times within it...

Click to read more ...