Streaming: Netflix is still a mini-haven for foreign films

The Wailling was the 3rd most popular South Korean movie in the US last year after Train to Busan and The Handmaidenby Brian Zitzelman

The accepted mindset is that Netflix Instant is no longer a paradise for cinephiles. There are countless things to binge, sure, but large swaths of those are the service's original series and TV series from other networks. For moviegoers interested in material beyond the recent blockbusters or Hollywood fare, the pickings are much much slimmer than they once were. For example, those spurred to view the work of Meryl Streep after her powerful speech at Sunday's Golden Globes have only five streaming options, two of them being documentaries. A Hepburn fanatic, be it for Katharine or Audrey, has but two pictures to choose from.  

Yet there remains one avenue where Netflix secretly and continually excels; foreign cinema...

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Are you watching "One Day at a Time"?

By Nathaniel R

Have you taken a break from all the awards season madness, to watch Netflix's remake of One Day at a Time? I didn't think I'd like it due to a laugh track (which, I am not excusing) but it's a good enough show that I survived the canned giggles and often enough covered them audibly with my own. It's a straightforward remake of the 70s sitcom but for the following changes...

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An Interview with the Founder of the Seattle Film Critics Society

Please welcome Brian Zitzelman, our newest contributor. He's a member of the newly formed Seattle Film Critics Society and for his first post he's interviewing the founder of that society Michael Ward. A little inside peak for you. - Editor

Michael Ward of "Should I See It"by Brian Zitzelman

Beyond being a genuinely kind, smart man, Michael Ward has done what few have; he's created a film critic's society. The Seattle Film Critics Society to be exact.  

Despite being home to a near month-long film festival, a multitude of cinemas devoted to older movies and generally being pretty comfortably snobby about the arts, the city of Seattle hasn't had a proper Film Society for over a decade. Mr. Ward changed that with months and months of work dealing with studio reps here and cavalcades of other oddities. In between tallying the final votes and writing sensationally for his own site Should I See It, I spoke to Mike about the joys, troubles and curveballs of what it takes to develop something that’s usually an established institution in other parts of the country. 

BRIAN ZITZELMAN: Let me start with the obvious question; How happy are you to have this first year of the Seattle Film Critics Society behind you?

MICHAEL WARD: Well, it feels premature to say that we have a full year under our belts. We are still working with a team to complete the infrastructure but I am comfortable in saying that lots of people have put in lots of time to make this a reality. We are planning on voting in a Board of Directors in February 2017, and at that point, more than two years of hard work will definitely have paid off. 

Moonlight took 6 prizes including Best Picture at the first official Seattle Film Critics Society awards

Can you walk us through the whole concept? I think most people assume every major metropolitan city has its own film critics circle, especially those with a history of the arts like Seattle. 

While this iteration of a Seattle Film Critics Society is new, there was an organization that existed from 2001-2004. Unfortunately, when they disbanded it was an ugly dissolution, and people are still reeling from how that all apparently went down.  But you're absolutely right Brian, most major cities have a film critics society or organization which most people typically only hear about during awards season...  

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Which Former Co-Stars Would You Most Love to See Reunite?

Our Souls at Night (2017)

This urgent question has been brought to you by a new image of Robert Redford and Jane Fonda in Our Souls at Night, a Netflix movie coming in 2017...

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Doc Corner: China Comes Into Focus in Documentaries

by Glenn Dunks

Two weeks ago (I had to take a week off to help put on an award show!) when discussing Zhang Zanbo’s The Road, I mentioned the rise of documentaries not just by Chinese filmmakers, but about China in general. A fascinating convergence in the rise of China as a global and controversial super-power with the rise of documentary filmmaking as a populist artform. It seems appropriate then to look at a recent trio of documentaries that focus on China and that each tackle a compelling and important subject: women’s sexual rights, animal poaching, and the destruction of the Earth...

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