MST3K Returns For a New Audience

by Chris Feil

This Friday marks the return of cult favorite Mystery Science Theater 3000, the spoof equivalent of sharing a movie theatre with a patron who won’t stop talking back at the screen. This time the crowdfunded production heads to Netflix, with many classic episodes also back on the streaming service as well. For some the original series is more of an acquired taste, but for its devoted cult, there is much to rejoice again.

The premise was simple: painfully bad films are forced upon two robots (the gumball machine-like Tom Servo and metallic rooster Crow) and one human (Joel Hodgson, then Mike Nelson, and now Jonah Ray) in a plot for world domination by some crackpot scientist...

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Doc Corner: Is 'Five Came Back' Netflix's Oscar Moment?

by Glenn Dunks

It can sometimes feel like we’ve seen WWII from so many perspectives that there can’t possibly be new ways to convey the weight of its tragedy. That Five Came Back, a new three-part mini-docu-series on Netflix, manages to succeed at doing this is just one of its many virtues. Adapted from Mark Harris’ book of the same name by Harris himself and directed by Laurent Bouzereau, this is a three-hour documentary about the work of five of Hollywood’s biggest directorial names of the 1930s who enlisted to support the American war effort the only way that they knew how: through film, and the personal battles they fought in order to do so.

They were Frank Capra, John Huston, George Stevens, William Wyler and John Ford – the latter of whom gets the biggest laugh labelling documentaries in the 1930s as “silly things that rich kooks made” – each of whom left behind successful careers without the promise of anything when they came back.

If they came back at all. The series charts their early efforts before America’s entering the war after Pearl Harbour in 1941 before digging more deeply in the works that they produced from the front lines on the ground and in the skies....

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"Chewing Gum" Season 2 is Here!

Chris here. One of the delights of this television season has been Chewing Gum, Netflix's wacky sex-crazed British import. Written by and starring Michaela Coel, the series follows Tracey as she haphazardly tries to lose her virginity in a conservative household. Think of it like a dopier alternative to Amazon's Fleabag, but just as much of a breakthrough for its writer-star. The silly and sweet comedy came to stateside Netflix only in October, and thankfully the wait for the second season has been short: it arrives today!

But why is Netflix launching so quietly? If you want a trailer for the season, you'll find some from its British launch but none from the streaming service. Lately, Netflix has become a dumping ground for all too much great product they don't properly promote - like this year's Sundance Grand Jury Prize winner I Don't Feel At Home in This World Anymore. This show may have not made waves like other new shows, but Chewing Gum has the makings of a cult phenom - all led by the distinctive voice and brilliant physical comedy of Coel.

And better yet: each season is a lean six episodes! If nothing else, you have a raunchy palette cleanser for your Big Little Lies obsession! Have you caught up to Chewing Gum?

Netflix for April - Screengrab Roulette

As we do, we've spun a handful plus of new to Netflix titles and posted whichever screengrab we landed on - no cheating. Do any of these make you want to see the movie? ALSO: Which of the "new" streaming titles would you most want to read a write-up on this month? I'll obey your consensus command. 

You're in luck my little immigrant. This is America!

An American Tail (1986)
Ouch. That line of dialogue isn't aging well. (I feel like Don Bluth doesn't get the credit he deserves for being basically the only independent animator who managed to frequently get pictured made before the current animated boom which sees so many animated pictures from so many corners each year. He turns 80 this year.)

Complete list after the jump...

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Grace and Frankie, Season 3: Return to Form

By Spencer Coile

A good series is not born overnight. Oftentimes, the pilot episode is not indicative of the quality a show might have down the road. Even if it is incredible, the series still runs a risk of running off the rails in subsequent seasons (Desperate Housewives). Still, there is something especially rewarding about a series that, after two lackluster seasons, can come back swinging in its third. And after indulging in half of its third outing, it is safe to say that Grace and Frankie has carved out a very unique space for its viwers. 

Picking up shortly where season two left off, season three to Grace and Frankie finds its two leading characters developing their own sex toy business geared toward older women. Of course, this is all easier said than done. After all, they still are an odd couple. Meanwhile, their ex-husbands Sol and Robert, neogotiate issues of retirement, gay culture, and coming out at such an old age. And of course you cannot forget all of their children, grounding all of the "adult" happenings with a strange twinge of immaturity. 

But what makes the latest offering from Grace and Frankie better than its previous two seasons? 

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