Six notes on the first season of "Luke Cage"

Y'all remember that I wasn't too excited about Netflix's new Marvel show Luke Cage. As previously noted, I had the same trouble getting into it that I have always had getting into Superman movies -- invulnerability is antithetical to conflict and therefore dull in action franchises. But, that obstacle aside, I gradually finished the season -- the arrival of Claire Temple helped. Rosario Dawson was wonderful as always... and with Sonia Braga in tow this time, though the show didn't give the latter much to do. The increasingly complicated and cross-purpose agendas of the characters and plot helped, too. Well, that and the the fact that the show sparked interesting online discourse. That's always a plus.

After the jump five favorite things about Season 1 (spoilers obviously) and a response to the articles on "racial empathy gaps"...

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Doc Corner: Netflix's Big Oscar Push

A flurry of documentaries are having their premieres on Netflix and in their own way serve as glowing examples of the positives and the negatives of the streaming platform. Netflix made an impression very early in their life as original content providers; the Academy’s documentary branch has already warmed to their productions and acquisitions. They deserved the statue for The Square in 2012 (losing to music doc 20 Feet from Stardom), and proved their keen eye (and deep pockets) were no fluke with subsequent nominations for Virunga (losing to Citizenfour), What Happened Miss Simone?, and Winter on Fire (both losing to music doc Amy) 

This year it’s entirely feasible to imagine an Oscar line-up with five Netflix titles. I can't imagine the doc branch ever letting that happen, but they have the product and it’s looking entirely possible they could finally win in a memorable and game-changing first. But what about the films themselves: Into the Inferno, Amanda Knox, and Audrie & Daisie?

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Now Streaming: Luke Cage's Day Off - A True Story

The following titles are now streaming for your pleasure. We've freeze framed them at entirely random places and shared the first thing that came up as is our whimsical practice. Do you have any desire to see (or revisit) these based on this evidence? 

NOW STREAMING ON NETFLIX

Breakfast at Tiffany's (1961)
LOL. Totally forgot about this sly partners in crime shopping scene. Have you seen this recently? It's so great but for every cutaway to Mickey Rooney (sigh). Nominated for five Oscars including Best Actress. (It's actually kind of a surprise that this hasn't been remade since it was originally envisioned for Marilyn Monroe and could have obviously been an entirely different sort of movie.)

seven more after the jump including Marvel's Luke Cage and a 1940s Best Picture winner...

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Ava DuVernay's "The 13th" Gets A Trailer

NYFF is about to officially kick off this Friday, and one of the festival's biggest question marks is Ava DuVernay's documentary The 13th. The opening night selection explores our current prison-for-profit system's exploitation of African Americans and its ties to the 13th Amendment, which abolished slavery except under terms of punishment for crimes. The festival was something of a surprise opener for the fest (and rare doc to do so) and here is our first glimpse of what DuVernay has in store for us:

Expect an expansive and passionate timely critique from one of out most vital filmmakers. What's more is that you won't have to wait much time past its debut to see it if you're not lucky enough to attend - Netflix will make the film available to stream October 7 as well as giving it a limited theatrical run. Netflix has had some luck breaking through in the Documentary Feature race at the Oscars, so we'll also be waiting to see if DuVernay's added cache could make it a contender this year.

Spike Lee Coming to Netflix

by Kieran Scarlett

It was recently announced that Netflix has ordered ten episodes of a TV series adaptation of Spike Lee’s 1986 debut feature film She’s Gotta Have It.  Lee will direct all ten episodes.  The age of prestige television truly allows for more fluid movement (at least behind the camera) from film to TV and back again. Spike Lee’s last few features (despite good notices for Chi-raq) have had trouble catching fire outside of the arthouse the way his earlier work has, for this reason or that. He’s certainly a polarizing figure and resistance to his work is built in to certain audiences.

Tracy Camilla Johns and Spike Lee in SHE'S GOTTA HAVE IT (1986)

Have you seen She’s Gotta Have It? It’s a very fascinating piece, both on its own and in the larger context of Lee’s filmography. There’s a beautifully bare-bones energy to it that one would expect from a debut, but it still retains Lee’s voice, vigor and artistry. It’s also has a refreshing focus on female characters in a way that even ardent fans of Lee’s work can’t argue is missing from much of his filmography.

Lee’s previous notable foray into television gave us the beautiful and vital “When the Levees Broke: A Requiem in Four Acts,” his in-depth and personal HBO documentary about Hurricane Katrina and its aftermath (if you haven’t seen it, get thee to HBO on demand as soon as possible). Spike Lee adapting his voice for television is definitely something that could yield interesting results.

“She’s Gotta Have It” is expected to premiere on Netflix next year. Will you be watching?