Nicole's Perpetual Elephant Love Medley

As if Nicole Kidman hadn't done enough for the mystique of elephants! Ten years ago in Moulin Rouge! (see previous posts) she famously lived, loved, and playfully sang on top of a giant bejewelled 'phant. Now she'll be interacting with the real thing on the silver screen. In early 2012 she'll be heading to Africa to film My Wild Life, a drama about the work of elephants advocate and conservationist Dame Daphne Sheldrick. Phillip Noyce (Salt, The Quiet American) will direct. Sheldrick's autobiography will be published in the spring and by this time next year (or thereabouts), if all goes according to plan, we'll see Nicole Kidman reenacting her adventures just in time for next year's Oscar race.

We assume that the bulk of the film will take place between 1955 and 1976 when Sheldrick (who was in her 20s and 30s at the time) and her husband were the co-wardens of Kenya's Tsavo National Park. Sheldrick became an expert on rearing wild animals particularly elephants and rhinos. According to The Hollywood Reporter the film has been gestating for longer than elephants themselves do (22 months if you need to know) and in previous incarnations Julia Roberts and Kate Winslet were both interested in playing Sheldrick. 

David and Daphe Sheldrick. No word yet on who will play David.I believe Sigourney Weaver was the last actress to get an animal husbandry biopic / Oscar nomination (Gorillas in the Mist, 1988)? It can't be too frequent an occurrence given that we don't see too many of those on the big screen. Even animal husbandry with super powers (Aquaman) never makes it to the big screen.

It occurs to me: the family Elephantidae must have secured good representation in Hollywood ten years back. Ever since Nicole & Ewan's "Elephant Love Medley" they've been getting bigger and bigger roles starting with key supporting parts in action movies (The Lord of the Rings and Ong Bank franchises). Lately they've taken to starring in documentaries (One Lucky Elephant - see previous post) and ampliying and romanticizing the charms of their leading ladies (Julia Roberts in Eat Pray Love, Reese Witherspoon in Water For Elephants). 

P.S. Here's a fun take on Moulin Rouge's "Elephant Love Medley" with the original songs dubbed in.

P.P.S. There really ought to have been a special Oscar for the song scoring / arranging / adaptation of Moulin Rouge!

TV @ The Movies: "Supernatural" ♥ Nicole Kidman?

Don't misunderstand . I don't actually watch Supernatural but you know how some nights you're bone-tired and whatever is on is what you end up half-watching. (I think my TV must have been on the CW due to Ringer). I always perk up when TV shows reference movies and wonder what possessed the writers. 

Sam (Jared Padalecki) and Dean (Jensen Ackles) discussing witches

In the episode the supernatural hunting brothers are investigating mysterious murders connected to this guy Don (played by James Marsters) and his wife (played by another Buffy alum Charisma Carpenter... so it's like Spike & Cordelia got married. Ewwww!)

Dean: So the scorned wife is into the dark stuff.
Sam: And Don's just in the dark.
Dean: Hmmm. it's kind of like Bewitched. You know Don is Darren and doesn't even know it. Lot of laughs 'till you cheat on your wife.

Sam: A Bewitched reference? Really?
Dean: [Lustfully] Dude. Nicole Kidman was in the remake. Redhead. Hellooooo.

This is the first time I've ever heard the BEWITCHED (2005) referenced in a positive way anywhere in my life !!! 

10th Anniversary Redheads: Tilda & Nicole

August 8th, 2001, ten years ago today, was a major day in the careers of two of our favorite screen redheads, Tilda Swinton and Nicole Kidman.

The Deep End, a gripping thriller about a mother (Tilda Swinton) who becomes entangled in criminal acts upon discovering her teenager's dangerous gay liaison, was for many moviegoers Tilda's debut. It was certainly her first leading mainstream-ish role, following closely on the heels of a breakthrough as the villain of Danny Boyle's The Beach (2000). For those of us who had already been hypnotized by her face in Derek Jarman's films or Orlando (1993), it was still something of a revelation and an obvious career pivot point. The Deep End proved that Swinton could carry a more mainstream narrative and that she could absorb awards season heat. Her performance won at least one minor critics awards and nabbed OFCS and Golden Globe nominations though Oscar would wait. Tilda would go on to continue her astonishing dual track career of headlining brilliant daring fare in arthouses whilst showing up in showy supporting roles in mainstream films which eventually led to that Oscar win for Michael Clayton. Didn't The Deep End make all of this possible... or least predict it?

Do you ever think about The Deep End these days?

Today's other actressy anniversary is less a breakthrough than an emancipation.

Ten years ago today Nicole Kidman and Tom Cruise finalized their divorce while Nicole's star was going supernova. Moulin Rouge! had become an unlikely hit earlier in the summer while the media continued to salivate over the Kidman/Cruise split. And the same week the  divorce was finalized Kidman opened her second box office hit of the summer, The Others which eventually broke the magic $100 million barrier. Summer 2001 was unarguably The Summer of Nicole's Ascendance.

In the past decade, Kidman has proved her screen worth and her star mojo so emphatically and so often that the Mrs. Tom Cruise days seem like a barely remembered dream, don't they? Ancient history that was in actuality only ten years past.

Are new Kidman and Swinton films still events for you?

Stoke Yourself For Stoker

JA from MNPP here, curious if y’all have been following the delightful casting news that’s been coming out bit by bit day after day for Oldboy director Park Chan-wook’s first English-language film Stoker. I mean just the fact that PCW is making an English-language movie’s exciting enough – not that I have trouble with subtitles, I'm fervently infatuated with every movie he's made, but it means one of my favorite directors is getting to round up some of my favorite Hollywood actors, which he’s doing in spades.

First, some background: Stoker’s script was written (under a pseudonym) by Prison Break actor Wentworth Miller, and is described as “a dramatic thriller about a young woman whose eccentric uncle comes back into her life after the death of her father.”

Attached to the script way back when it was first being talked about were Carey Mulligan and Jodie Foster, which already got us thinking something really good is going on with the script or Park's exciting enough all on his own to snatch up such solid names... hopefully both! Unfortunately scheduling got drawn out and Carey took off to star opposite Michael Fassbender in Steve McQueen’s upcoming film Shame (can’t blame her for wanting to go hang with Fassy for awhile) and Jodie went to work with Roman Polanski on Carnage (also can’t blame that). But Park & Co. managed no downgrade in their replacing – Mia Wasikowska and Nicole Kidman (making up for this) stepped right in. Now them's a two-fer.

The role of the “eccentric uncle” was rumored for awhile to be recent Oscar picker-upper Colin Firth, but somebody apparently decided to age the character down a whole bunch and the role went to the 50 year old Firth’s 33 year old Single Man boyfriend Matthew Goode instead. Even though he might not pack the immediate wallop that Firth does, Goode’s shown a lot of promise in the past – he was mesmerizing in The Lookout.

We don’t have word yet when filming begins, but we're thinking it must be soon since three more names have hopped on board over the past week – Lucas Till, who played Havoc in the recent X-Men movie; Alden Ehrenreich, a cute young thing that caught Steven Spielberg’s eye and can be seen in both of Francis Ford Coppola’s most recent efforts; and most awesomely Jacki Weaver, who shoulda won that Supporting statue last year for her terrifying turn in Animal Kingdom just for the way she arched her eyebrows and smiled that sinister Grinch’s smile. If you’re keeping count, that's three count ‘em three singular Aussie actress sensations for the price of one. Can’t beat that!