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Entries in Oscar Trivia (294)

Tuesday
Mar012016

Pt 2: New Oscar Trivia, Stats, and Curiosities

Picking up where we left off after the headliner categories. But click not away. The below the line crafts and specialty categories are just as important and trivia-interesting. I promise.

FOR THE EYES

Production Design: Colin Gibson, Mad Max: Fury Road
Makeup and Hairstyling
: Mad Max: Fury Road
Costume Design: Jenny Beavan, Mad Max: Fury Road

Jenny Beavan previously won the costume category for another perfect film A Room With a View. Not since arguably Dianne Wiest has a two time winner won for such polar opposite achievements. Yes both of Wiest's Oscars are from Woody Allen pictures but those star turns couldn't be more different stylistically / emotionally / pscyhologically. Mad Max Fury Road is also the first sci-fi winner EVER in this category... unless you count Star Wars (1977) though some people prefer lumping Star Wars into the fantasy genre rather than sci-fi... and there have been multiple fantasy winners.

I can't think of any interesting stats to go with the Makeup and Production Design Oscars but they were richly earned, don't you think?

More after the jump including further Star Wars coincidences...

Click to read more ...

Monday
Feb292016

Pt 1: Winners. Trivia. Stats. (How'd you do on your predictions?)

It's time to sift through the debris! Let's clear away the rubble of Oscar night and seek out interesting trivia of note, check back in with our prediction triumphs and foibles, and more. We'll frame this with a complete list of winners if, by some extraordinary circumstance, you've missed knowing about them. If so can you account for your actions last night? What on earth is more important than the Oscars? (Except that event to help out citizens of Flint, MI poisoned by their own GOP led government so, well done, Ava DuVernay and others)

But first the sordid topic of punditry! In many ways this was a difficult year to predict the prizes with three(!) genuine upsets on the big nights (Mark Rylance, Sam Smith, Ex Machina) a Best Picture race that was truly difficult to read given precursor disagreements and the Best Film of the Year sidelined altogether (When it comes to the Academy's treatment of Carol... quoth Abby "I can't help you with that."). If you check in with the Oscar Chart Index, you'll see an overview of how well I did but it breaks down like so... I completed aced the Best Short categories (go me) but otherwise flailed about hopelessly because I had predicted 6 Oscars for The Revenant and 3 for Mad Max which is the opposite of what occurred. Not even my wishful thinking helped me get over my fear that Oscar just wouldn't know what to do with a genre achievement that gonzo. [more after the jump...]

Click to read more ...

Sunday
Feb282016

Take a Number: Here's the Order of Tonight's Statue Delivery

This was tweeted out by Jake Hamilton today. I assume it's accurate since it looks like the official program.

The hardest category to predict this year is, I mantain, Costume Design. I'd call it the only truly five-wide race. And it's fourth so some real suspense right off the bat. We'll also know very early whether a Kate & Leo reunion is coming since Supporting Actress is third... though I fully expect Alicia Vikander to take that one. [Final Predictions ICYMI

You'll also notice that they're not doing the short films all at once this year but (perhaps) pairing them with kindred spirit categories (animated short with animated feature, doc short with documentary, and live action short with foreign film... which makes sense since it's often a hodgepodge of foreign shorts that are nominated).

Are you feeling excited yet or merely panicked whilst preparing for your festivities?

P.S. Please enjoy this great Leonardo DiCaprio goodie from The Flippist.


Thursday
Feb252016

Bad Movies on Oscar Weekend

This weekend's release of Gods of Egypt got me thinking about the fact that we never get great movies opening on Oscar weekend. Studios must be betting that those of us watching the show are too busy prepping movie-themed party snacks to sneak in something special at the movies. Instead, they usually cater to an audience who'll likely be avoiding the big show. Hardly a new standard for release schedules, this weekend has been a dumping ground for forgettable cinema for some time.

Like the notorious poor quality of early months of the year, this weekend rarely gifts us with cult classics or enduring pleasures either. You have to go back 1997's Oscar weekend to find releases that still have vocal fans: TNT staple Selena (remember good Jennifer Lopez?) and Liar Liar (remember good Jim Carrey?). The previous year had David O. Russell's underappreciated sophmore film Flirting with Disaster, which did get some precursor love.

However, for something timeless and Oscar recognized, this weekend's biggest standout in modern memory is Pretty Woman. Julia Roberts performance as What Do You Want It To Be Vivian wasn't the most recent Oscar nominee debuting the weekend of the ceremony.

Let's see how far back we have to go to get an Oscar nominated film released on Oscar weekend!*

*full disclosure: I cheated, but you will totally agree why after the jump...

Click to read more ...

Tuesday
Feb232016

5 Days til Oscar. "5" being the Sacrosanct Number.

OSCAR VOTING CLOSES TODAY! CEREMONY THIS SUNDAY.

The Film Experience had quite a scare earlier this season when it was suggested that the Academy might change the number of nominees per category (ostensibly to promote diversity though it would send a terrible message of "now, you might be worthy with more slots. might not" We still don't know if they'll spring this ghastly proposition on us and whether it will ruin every chart and stat for the future. The varying number of nominees in Best Picture already makes for messy comparisons from year to year which used to be half the fun.

The sacrosanct number is 5 and it should not ever change. Any deviation from 5 feels blasphemous as in those years when Original Song or Short Films kept changing the number or the continued satanic tradition of denying the Makeup and Hairstylist branch two of their deserved nominations each year - the only category with 3.

So here's to five, the best number. Five forever. FIVE BY FIVE. Never change the number, Academy! Never.

Just for fun here are the 5 categories this year with the highest across-the-board quality

 

  1. Best Actress - All wonderful. And from mostly great films, too! 
  2. Original Score - When the worst nominee is __ you've got playlist heaven
  3. Adapted Screenplay - Mostly wonderful and filled with films about women: Brooklyn, Carol, Room. And the two most deserving screenplays are written by women, too: Phyllis Nagy & Emma Donoghue
  4. Cinematography - Don't quite understand what Robert Richardson is doing here again but he's no slouch in general and otherwise this is a list for the all time list of great lists in this particular category. 
  5. Visual Effects - It was a toss up for this fifth slot but it's worth including to point out that for once they didn't go "Most" and actually included two films with very convincing effects (Ex Machina & The Revenant) that would work without those visual effects, too. Worthy Best Supporting Visual Effects is a nice change of pace here.

5 of my favorite Oscar nominee interviews this season in case you missed any: Alicia Vikander (The Danish Girl), Deniz Gamze Ergüven (Mustang), Phyllis Nagy (Carol), Sandy Powell (Carol), and Jack Fisk (The Revenant)

 

Tuesday
Feb232016

Oscar Screenplay Records That Could Be Broken

Manuel here to talk Oscar nominated screenplays. We first greeted them by looking at their first lines of dialogue, we crunched the numbers about how 2015 was a good year for female scribes, ranked them by quotability, and this week we’re taking a more playful approach. Think of it as a way to find some levity as we near the Big Day.

Now, we know there are frontrunners (and some dark horses) but I put all of that aside and imagined a world where every screenplay nominee has a shot and offered some records that could be broken Sunday night.

IF Bridge of Spies wins
Joel & Ethan Coen would join the ranks of most awarded screenwriters of all time, tying Woody Allen, Billy Wilder, Charles Brackett, Francis Ford Coppola, and Paddy Chayefsky, all of whom have three wins, though Allen holds the distinction of winning all three for Original screenplays.

IF Ex Machina wins
It would be the first film with a Latin title to win (previous failed bids include Equus and Europa Europa)

IF Inside Out wins
It would be the first animated film to win a screenplay award (previous failed bids include Toy Story, Shrek, Finding Nemo, Ratatouille, WALL-E and Up in the Original Screenplay category and Toy Story 3 in Adapted)

more after the jump...

Click to read more ...

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