OTD: Vera Drake and Lily Tomlin

On this day (Sept 1st) in showbiz history...

1934 Metro Goldwyn Mayer releases their first animated short, The Discontented Canary. It wasn't Oscar nominated but they soon begin to crash Walt Disney's stranglehold on that particular category back then, with nearly annual nominations (for a time) beginning in 1939 (Peace on Earth) and regular wins in the 1940s thanks largely to the Tom & Jerry series. 

1952 Ernest Hemingway's The Old Man and the Sea is first published. It wins the Pulitzer and gets adapted to the movies twice, the first time as a feature in 1958 with Spencer Tracy and the second time as an Oscar winning Russian animated short in 1999 which was painted on glass. 

1977 Blondie signed their first major record company contract. Whatever happened to that Debbie Harry biopic we were supposed to get? Wasn't it going to star Kiki Dunst or was that just our TFE fantasy?

2004 Mike Leigh's marvelously humane and potent Vera Drake wins the Golden Lion in Venice. The film is nominated for 3 Oscars including a surprise Best Director bid. Imelda Staunton goes on to lose the Oscar to a far inferior performance. We've been demanding a recount ever since.

Happy Birthday to Them
Oscar Nominees: Lily Tomlin (Nashville), Rachid Bouchareb (Foreign Film nominations for Algeria: Outside the Law and Days of Glory)
In Demand: Zendaya (Spider-Man: Homecoming), Boyd Holbrook (Logan, Narcos)
Other Famous Types: Gloria Estefan
Foreign Stars: Fengyi Zhang (Chinese movie star), Lhumnita Gheorghiu (brilliant Romanian actress), Mohammed Assaf (Palestinian pop star) 

OTD: Who's "Bad"?

on this day (August 31st) in history as it relates to showbiz

1897 Thomas Edison patents his movie camera the "kinetograph"

1987 Michael Jackson's video "Bad" directed by none other than the master Martin Scorsese premieres. It is 18 minutes long (!) because Martin Scorsese never saw a lengthy running time that didn't make him salivate. The short gave Wesley Snipes one of his earliest gigs prompting the short's switch from black and white to color as Wesley riles Michael up with a "you ain't bad!" burn.

Princess Diana, Brokeback Mountain and more after the jump...

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"I only need one of you to help me"

...please decide between yourselves."

Cannes Look-back: "The Class"

As we await the Cannes closing ceremony with all its awards glamour, let's take a look back at a previous Palme winner which has connections to a competition entry this year.  Here's John Guerin...

The Class, Laurent Cantet’s 2008 Palme d’Or winner, left me both exhausted and inspired. An autobiographical chronicle of François Bégaudeau’s first year of teaching French language and literature at an inner-city high school in Paris, The Class is an entirely self-contained glimpse into the daily challenges, joys, dead-ends, nuisances, amusements, and tensions in one especially spirited classroom. Although The Class is spatially confined to the school building, the currents of the outside world frequently wash ashore and brush up against Bégaudeau’s attempts to lead a discussion of the imperfect tense or find meaning in The Diary of Anne Frank or do just about anything constructive.

Cantet and Bégaudeau, with the assistance of co-writer and editor Robin Campillo (director of the underrated 2013 Eastern Boys and this year's Queer Palme winner 120 Beats per Minute), smartly avoid clichés of the Exasperated Teacher genre and opts instead for ambivalence over didacticism; there is no breakthrough in Bégaudeau’s attitude from frustration to satisfaction, there is seldom a transformation of student rancor into exuberance, there is no “saving” exactly, but the film doesn’t descend into cheap cynicism either... 

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Pedro Party: What Have I Done To Deserve This? & Volver

It's a Pedro Party. We're celebrating Almodóvar each day as we count down to Cannes 2017. Here's Daniel Crooke.

Women hold the universe together according to the peacock-feathered films of Pedro Almodóvar, and never more earthily or elegant than in his mirrored portraits of multitasking matriarchs putting out the fires of the men around them: 1984’s What Have I Done To Deserve This? and 2006’s Volver. Both domestic dramas with a hint of the supernatural, they showcase a pair of imperfect pragmatists – respectively, Gloria (Carmen Maura) and Raimunda (Penelope Cruz) – caught in the crucible of their everyday lives with no signs of slowing down, spinning an interminable amount of plates only to wash them straight after so they can serve their families dinner on time. While their inattentive lazybones husbands bark orders from the couch and fail to see the strength beyond their busts – no matter, as they’ll soon both be dead– Gloria and Raimunda are the breadwinners, juggling odd jobs and managing the affairs of family and friends to simply keep the lights on.

Strikingly feminist with an emphasis on the superhuman virtues of intergenerational sisterhood, What Have I Done To Deserve This? and Volver display two working women hustling on the verge with no time for a nervous breakdown...

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