"The Hours" Discussion Pt. 1: Nervous Hands, Ravenous Kisses

[Editor's Note: for the centerpiece of our 10th anniversary celebration of The Hours, I asked Joe Reid and Nick Davis if they'd like to talk about the movie and it turned out they already had. A heretofore unpublished conversation. I'm sure you'll enjoy it as much as I did! - Nathaniel ]

JOE REID: Three (!) years ago, I had planned out an end-of-decade feature for my own blog, wherein I would converse about my favorite films of 2000-2009 with a selection of writer friends. The logistics of it got away from me, but I did manage to get started. One such conversation lost to history was with my fellow Film Experience Podcast panelist Nick Davis on the subject of The Hours. With the ten-year anniversary of The Hours upon us, I thought I'd dig up this abandoned reflection and let it see the light of day.

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JOE: The Hours is absolutely on the list of movies from the past decade that I truly, unabashedly loved. I suppose there's something chromosomal about a movie starring Meryl Streep, Nicole Kidman, and Julianne Moore (and Toni Collette, and Allison Janney, and Miranda Richardson). But it's more than just watching all these fantastic actresses hand off scenes to each other for two hours. It's also the suicides and the repression!  

Of course, after signing you on to correspond with me on this entry -- and many thanks for that, by the way -- I checked up and found that your feelings on it were decidedly more ambivalent. Is this an "every time I watch it I feel differently about it" kind of thing, or is it always the same kind of mixed bag for you?

 As for me, while there are a BUNCH of aspects of The Hours I'm hoping we can touch on, for some reason, my most recent screening of the movie made me anxious to mention two things: kitchens and hands. I couldn't stop watching Nicole Kidman's hands, either when Virginia is gripping her pen with a desperately tight claw grip or deep inhaling those cigarettes. And Meryl Streep separating egg yolks as she's unraveling in her kitchen has always been a favorite image.

And that brings me to the whole kitchen thing...

kitchen melodrama and sapphic smooches after the jump...

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Only the Actors Like It?

On Oscar nomination morning one of the biggest surprises for me was that The Master won 3 nominations in acting and none elsewhere. That after a disappointing showing with the Screen Actors Guild which had suggested that maybe actors didn't completely warm to it.

So it got me to thinking about Oscar players that only won acting nominations... and three or more no less.

The first and only similar case that came to mind without research was the alzheimers biopic drama Iris (2001) which also won three acting nods (Judi Dench, Kate Winslet, and Jim Broadbent) ...and nothing else. It went on to win Best Supporting Actor for Jim Broadbent who was having a great year having also starred in two other Oscar players that year - Bridget Jones Diary and Moulin Rouge!. This little tidbit is sometimes forgotten now but Iris was actually a quartet (unlike The Master's trio) and the actor playing the young Jim Broadbent in that film ended up as Lord of Downton Abbey! Hugh Bonneville for the win.

Coincidentally (or not) Iris, like The Master, was a Weinstein-backed film.

Can you think of any other multiple nominees that were nominated in the acting categories only? (Do you remember Iris? Or did Away From Here steal its thunder entirely as alzheimers dramas go.)

"Come to bed, Laura Brown"

Programming note: Actressexuals unite! We'll be celebrating The Hours 10th anniversary Friday, January 18th through the 22nd. We'll look back on its Globe winning night, it's Holy Trinity of Actresses and much more. (Suggestions welcome in the comments). Pass it on and join in the fun - we'll link up to any off-blog celebrations of this great film that week, too.

P.S. The Hours is available on Netflix Instant Watch making things much easier for discussions that week!

Interview: Kerry Washington on "Django" & Diversity

Kerry Washington and I were both blindfolded if not gagged when we spoke about Django Unchained. Metaphorically, you'll understand. Neither of us had yet seen Quentin Tarantino's latest revisionist revenge flick when we found a window in her schedule to talk but talk we did.

Kerry Washington as "Broomhilda" in Django Unchained

Amusingly we had quite different feelings about not having yet seen it. I was desperate to attend a screening. Kerry was, apparently, not. When I asked her if she enjoyed watching her films she laughed with a "No!" and a shudder...

It's a process I force myself to endure. Usually not more than once.

For the rest of us the prospect of seeing one of the screen's most stunning actresses is a lot more enticing than 'something to endure'. Since Kerry's big screen roles have rarely been as sizeable as her talent, a key role from an A list auteur is something to treasure while we have it.

In Django Unchained, Kerry found herself in the unusual position of playing a relatively non-verbal part considering the dialogue heavy nature of Tarantino pictures. She plays Broomhilda von Shaft, the wife of freed slave Django (Jamie Foxx) who aims to rescue her from the sadistic plantation of Calvin Candie (Leonardo DiCaprio) where she currently resides.

Our conversation about Django, her TV work, and the politics of her screen career is after the jump.

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10th Anniversary: Nicole Kidman On Her Oscar Win

Today is the 10th anniversary of the release of The Hours. That's just another reason to feel merry today and remember that gratitude isn't just for Thanksgiving. Especially not when it comes to the gift of cinema. We celebrate the movies all year long but we get extra weepy about the greatness of the artform right about now when drowning in awards and top ten lists .

Christmas 2002 brought three very special actresses together

Not that The Hours is an especially festive or celebratory movie but each Christmas does seem to bring us a super-depressing Best Picture Event (this year's iteration: Les Misérables). The Hours tracks three parallel women Virginia Woolf (Oscar winning Nicole Kidman), Laura Brown (Oscar nominee Julianne Moore) and Clarissa Vaughan (Meryl Streep) who are connected by difficult personalities, anxious spirits ("I feel as if I'm unravelling"), and Woolf's masterpiece "Mrs Dalloway" which she is writing and Laura and Clarissa are reading in the braided plots. 

The 2002 Best Picture nominee is a beloved classic to actressexuals the world over and, as such, I know it's close to the heart of many of you. When I spoke with Nicole Kidman recently, we took a time machine detour to talk about her winning year. (I thought I'd save that piece of our conversation for a surprise Christmas gift for you. Surprise!) The Oscar winner herself was totally taken aback when I mentioned the approaching anniversary. "Wow. That was ten years ago?!?" 

Indeed it was, Nicole, indeed it was. 

NATHANIEL R: You've been invited back to the Oscars with Rabbit Hole recently but what's your most vivid memory of that winning journey with The Hours?

NICOLE'S PERSONAL MEMORIES AFTER THE JUMP...

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