Team Top Ten: Biggest Awards Season Flops

Amir here, to bring you our newest edition of Team Top Ten. Festival season is in full force. Telluride just wrapped. Venice is going strong. And in just two days, Toronto will set the awards season ablaze (Nathaniel and I will be there covering the flames). So we thought we’d vote on something that captures the spirit of the season.

Sort of.

Looking ahead at this point, there are a lot of films that look like surefire Oscar contenders. Inevitably, some of them will miss out on nomination morning, but at this very moment, everyone’s got their hopes high. Even in a year where unfortunate circumstances led to widespread discussion of racism in America, one can’t expect Mandela, 12 Years a Slave, Lee Daniels' The Butler AND Fruitvale Station to be nominated, but all four films are certainly gunning for it. So has been the story with many films in the past couple of decades, since the Oscars became the most glamorous political race on the planet and the Weinstein’s at Miramax supercharged awards campaigning.  

We’re looking back today at the films of the past 25 years – let’s call it the Campaigning Era – that looked like major Oscar players this far out in the year, or hell, even five minutes before nominations were announced in some cases, but failed to make a dent of any size. This is Team Experience’s Top Ten Awards Season Flops. Note that this is not a qualitative judgment - some stank, some were superb. But, for one reason or another, they fell short of what The Golden Man deems "Best". In simple terms – borrowed from Team Experience member, Nick Davis – these are the ten films that have the largest gap between their Oscar hopes and their Oscar outcomes. Without further ado… 

Bobby and 9 more dashed-hopefuls after the jump...

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Posterized: Disney/Pixar

My review of Monsters University will be up tomorrow but for now, let's revive our supposedly weekly (ahem) series Posterized to look back at all 13 Pixar Features and discuss their chronology and, the fun part, their hierarchy. AND... I just keep gilding this CGI lily,  how they compare to the first 13 DISNEY Animated Features. Yep, throwing a little curveball into the frequent "ranking Pixar" conversations, I am.

Toy Story (1995) 3 Oscar nominations. Won an Honorary Oscar. Basically changed the (showbiz) world forever. [my ten favorite moments from this classic]
A Bugs Life (1998) 1 Oscar nomination (Score, Musical or Comedy)
Toy Story 2 (1999)  1 Oscar nomination (Song). It was right about here that people started arguing for an Animated Feature Oscar category (Tarzan and The Iron Giant were also released this year) but that wouldn't happen for another couple of years. 

And then...

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Team Experience: Great Losers, Actress Edition (Pt. 2)

As long time readers know The Film Experience started out as a one-man show. That man being myself, Nathaniel R. (Remember in Ye Olden Times when posting two goodies a week made you a prolific must-read web star? I still remember David Poland's Hot Button which did just that!) Over the years the royal "We" has stopped being royal and become literal... both from necessity of content-need and desire of companionship - writing can be lonely! I still do the bulk of the posting but now there are a handful of regular columnists and a dozen more occasional voices. Seeking out perspectives other than one's own keeps you fresh and alert. 

So I love these Team perspectives (and I love Amir for dreaming them up / hosting them!) even when they cause me pain. Of course, I get to vote too but, being a Benevolent Dictator, my vote only counts once. DAMNIT. Which is to say that though I loved reading the "Team Top Ten: Oscar's Greatest Losers Best Actress Edition" I was more than a little freaked out not to see a picture of unravelling Deanie in her bathtub staring back at me needily.

the best performance of 1961: Natalie Wood in Splendor in the Grass

Where is Natalie Wood in Splendor in the Grass?!?" 

I bellowed internally.

Then I imagine this reaction was shared by many of you 'out there in the dark' albeit with a rotating snubbed actress /film causing the indignation. As it turns out Natalie Wood did make lists other than my own but not enough to secure her a top ten placement. Natalie and other divas who missed the list are after the jump...

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Monday Monologue: "The Perfect Servant"

Editor's Note: I am pleased to announce that Andrew Kendall of Encore's World has joined "Team Experience". Here is his first post, looking back on a truly fine performance in Best Picture nominated Gosford Park (2000) - Nathaniel R

I would not say that finding a monologue (or monologue adjacent) scenes for Monday Monologues is an impossibility, although it can get somewhat difficult when so many films seems to revel in single sentence conversations and the like. Finding a monologue in an ensemble film, though, is particularly daunting. For with ensemble films, at least in theory, no one character takes precedence and as far as ensembles of the last three decades are concerned I would rank Gosford Park near the top. Maggie Smith, Clive Owen, Emily Watson, Bob Balaban, Kristin Scott Thomas, and even Ryan Philippe all battle for my top honours depending on the scene even as the “resolution” of the film rests on a scene between two of the quieter characters of the film.

More often than not cinematic monologues tend to take on the role of a confessional – the character is bursting over with something, a secret, a regret, a plan – and it needs to be expelled. [more]

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Reader Spotlight: Zé Vozone

We're getting to know The Film Experience community with little spotlights on YOU the readers. Here's Zé from Portugal who you've talked to in the comments section as he's a regular.

What's your earliest movie memory?

Zé: The dinner scene in Indiana Jones and the Temple of Doom, what with the beetle hors d'oeuvres and the "chilled monkey brains". I live for Kate Capshaw's histrionics in that scene and throughout the whole movie.

Your three favorite directors?

Zé: Roman Polanski, David Lynch and John Cassavetes 

When did you start reading The Film Experience?

During the 2006 Oscar season. I had always been a huge movie and awards buff and in that year I was particularly outraged that Helen Mirren (who I nevertheless thought was wonderful in The Queen) was steamrolling what I thought was one of the best Lead Actress line-ups ever. So more than ever I started looking up "second opinions" on the matter and eventually ran into The Film Experience, where you had just awarded Meryl the gold medal for Prada. I loved the weekly charts for each category and the more I explored the more I came to appreciate such a witty, unpretentious and most of all passionate take on cinema, its history and the inevitably love/hate affair we have with The Academy Awards. 

I've always loved the special care you give to actressing without ever disregarding other aspects of moviemaking. I do admit having a bit of nostalgia when I go dig for old posts. Speaking of which, the quartet with you, Joe, Katey and Nick on podcast is one of the msot delightful online experiences out there. I still crack up thinking about that mess of the 2008/2009 awards season and those back-to-back Globe/SAG podcasts, with Nick being pissed off at Salma Hayek for going all "there she is. my sister. my friend. it's an honour to be presenting this movie on which my soulmate's in" to everything Penelope Cruz-related and how Meryl reenacted the running through the woods scene in Mamma Mia! after beating Kate Winslet at the SAGs. The best!

Nick is too funny. Speaking of that moment... which 3 movies make you running screaming like Meryl, filled with crazy joy? 

I have to go with both Before Sunrise and Before Sunset. Can we count them as one? They're so different though... I watched both back to back when Sunset came out and I was like 16, and for a while I was in the narrow camp which preferred the whole naive and carefree vibe of Sunrise. As the years have gone by though it's been Sunset that keeps hitting home. I don't think I've seen any other movie where a feeling and the chemistry between the two leads remains so intact 9 years after the first was made. It's mesmerizing that they made that specific format work.

Zé's first actress crush reveals...awesome taste!

Same Time, Next Year used to be a (random) favorite of mine when I was a kid. I watched it like a gazillion times and again the uncomplicated nature with which those two characters so genuinely enjoyed each other's company really moved me. Ellen Burstyn was the first of my (many) actress crushes. I was 8 or 9 when I watched Alice Doesn't Live Here Anymore for the first time, and that was probably the moment the Oscars really started meaning something to me as my mom told me she had won.

I can't not talk about Eternal Sunshine of the Spotless Mind. At first I found it extremely depressing even though I kept watching it. I thought that ending was so disencouraging, that yeah you just have to deal with the fact that you can't live without a relationship which is way past its expiration date. But now I have a brighter take on being dependable and that needing someone is can actually be a sweet thing.

I'm seeing a weird pattern in these three... so I'm going to say The Witches. "You may remove... YOUR VIGS!"

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