Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Oscars (15) (391)

Thursday
Feb262015

Eddie is a Danish Girl

Straight from the Oscar stage to the hair and makeup room...

In case you've forgotten The Danish Girl, which had a difficult development period going through different stars and directors (it went through, I kid you not, FIVE Oscar winning actresses before and three directors) is coming out late this year though we had originally been told 2016. That's presumably to give Eddie Redmayne a chance at back-to-back Oscars (I know it's so gross to mention this already. It can't be helped!). The biopic is from Tom Hooper (The King's Speech and Les Miserables) and is the story of transgender Einar Wegener and her transition and surgery to become Lili Elbe "The Danish Girl" with the encouragement of her then wife Gerda. Alicia Vikander, the wonderful Swedish actress from Anna Karenina and A Royal Affair, is playing Gerda so watch for her in Best Supporting Actress. NooooOOOoooooooooo Oscar talk. It can't be helped.

So let's see it's another biopic about a complicated marriage where the wife has to stand by her man who becomes not what she expected him to be after she falls in love with him? Way to mix it up, Eddie Redmayne! I kid I kid. I hope it's good and I hope Eddie is more sensitive and better at handling the difficult press that comes with this sort of thing (especially now that we have real trans actors playing trans roles on TV) than Jared Leto was. The film is really piling on the gorgeousness because Eddie & Alicia's co-stars are Amber Heard, Ben Whishaw and Matthias Schoenaerts. Costumes are by the superb Paco Delgado who was Oscar nominated for Les Miz and also did genius work on Blancanieves and fun subversive stuff for Pedro Almodóvar a couple of times.

Tuesday
Feb032015

Thoughts I Had... While Staring at the Best Actress Luncheon Photo

They are my sunshine... my only sunshine... they make me happy when skies are gray ♪ ♫

Oscar did real good by Best Actress for once, huh?

It's almost like they color-coordinated their outfits and all agreed that Julianne should be the focal point. But will any of them actually vote for her or does everyone in the Academy vote for themselves?

Spice up your life [From left to right: Posh, Sporty, Ginger, Scary, and Baby]

Have you voted yet on who SHOULD win?

COMMENT FUN #1: Which clip should they use for each Actress at the ceremony?

COMMENT FUN #2: Quick --  trade roles for these actresses. If they had to play someone else's role who would it be? I'm betting Pike could do early onset Alzheimers since she has that ability to completely empty out her face. Enigma! We've already seen Marion in a differently abled wheelchair bound romance so it's easier to picture her as Mrs. Hawkings. Hmmm what else.

I'm the one standing in the background painted gold [/fantasy]

I've also added in the "how'd they get nominated?" percentages* on the chart for your pleasure

 

*for entertainment purposes only. No one can know the deepest hearts of Oscar voters. Perhaps not even Oscar voters themselves. 

 

Monday
Feb022015

Sundance: Oscar Hopeful "Brooklyn" is Beautifully Old-Fashioned

Nathaniel's final review from Sundance

Late last year while interviewing Yves Belanger on his lensing of Wild (2014) and his ongoing working relationship with Jean Marc Vallee I noticed he had a non-Vallee project on his forthcoming filmography called Brooklyn. He spoke highly of the experience, an about face from Wild's all natural light mandate. He said it was much more stylized lighting, an 'old fashioned romantic drama'. He hoped people still wanted to see that sort of thing.

If the reaction at Sundance is any indication (and a word of caution: Sundance fever is 50/50 for the real world at best) the people will welcome it with open arms... and tear ducts.

Click to read more ...

Sunday
Feb012015

Sundance Award Winners: Slow West and Earl and That Diary Girl

Michael and Nathaniel are both safely back in New York but a few more Sundance reviews are forthcoming as well as an Oscar discussion about the first possibilities for the new film year. The festival closes up tonight for another year and last night, they announced the winners. As with last year when Whiplash one both the Jury and the Audience award, one film took both again this year: Me and Earl and the Dying Girl, based on the best seller by Jesse Andrews. Can we expect a similarly Oscar friendly trajectory? 

THE WINNERS

U.S. DRAMATIC

Grand Jury Prize & Audience Award  Me and Earl and the Dying Girl, Alfonso Gomez-Rejon
Michael's review coming later today. It's said to be a bit Fault in the Stars-ish young people and terminal illness only better. 

Directing Award The Witch, Robert Eggers 
Michael's rave review. A 1630s set horror film about a religious family in Salem. 

Waldo Salt Screenwriting Award The Stanford Prison Experiment, Tim Talbott
Nathaniel's Review. This one is based on the infamous 1971 college psychology experiment that's inspired other movies before it.

Special Jury Award – Excellence in Cinematography Diary of a Teenage Girl, Brandon Trost
Michael's review & Nathaniel's quick take. Michael liked it a bit more but expect a lot of talk about it when it's released. With Bel Powley, Alexander Skarsgard, and Kristen Wiig

Special Jury Award – Excellence in Editing Dope, Lee Haugen
Nathaniel's review. The editing has crackerjack timing and is deeply commendable for the first half but why is the second hour so much less taut?  

More after the jump...

Click to read more ...

Friday
Jan302015

Sundance: Lily Tomlin's "Grandma" is a Sharp-Tongued Joy

Nathaniel reporting from Sundance. Or, rather, from Manhattan, while still thinking of Sundance and possibly my favorite film from that trip...

The first chapter of Grandma, an ornery new female-driven comedy, is called “Endings” a counterintuitive opening title, perhaps, but appropriate. Elle Reid (Lily Tomlin) doesn’t have much taste for beginnings. A year and half before our story begins, this "writer-in-residence," who had a brief period of reknown as a feminist poet,  lost her life partner of nearly 40 years to cancer. She’s still bitter about it. We know that her new girlfriend of four months Olivia will soon be shown the door because she's played by Judy Greer who is contractually obliged to never have more than 3 scenes in a movie. [More...]

Click to read more ...