Blueprints: "Hereditary"

This week, Jorge dives into how the setting and character introductions made this one of the most unsettling movies in years.

Horror films are far scarier when they are grounded by real fears. Sure, a ghost flying towards you or the sight of a little girl head’s spinning are objectively terrifying. But when a character's terror reflects the way we have felt at dire points, the horror movie seeps into our own lives, suddenly tangible. 

Hereditary is as much of a family melodrama as it is a horror film. Its scariness doesn’t rely on a supernatural force (although there is one), or on gory and violent imagery (though there’s definitely some of that). The horror taps into the dynamics and secrets of family life. It takes regular fraught human emotions and raises them to unbearable levels...

Click to read more ...

C O N S I D E R - Actors of 2018, First Half of Year

With the year half over, it's time to look back on the first six months of the year and what treasures they brought us. Here are the 18 performances by male actors that we liked the most thus far this year. It should probably suffice to say that this list was much easier to come up with then the forthcoming female list since the competition wasn't as fierce. (Four key films I missed that might have played into these categories were The Rider, Lean on Pete, You Were Never Really Here, and Paddington 2)

5 LEADING ACTORS
(Jan 1st through June 30th releases)

Daniel Giménez Cacho as "Don Diego de Zama" in Zama
Though I didn't much care for this film, Giménez Cacho, the talented Mexican/Spanish star (of Blancanieves and Cronos fame... and the unseen narrator of all time Mexican classic Y Tu Mama Tambien) delivers as the frustrated sickly officer of the Spanish crown longing for a transfer that may never come.

Alden Ehrenreich as "Han Solo" in Solo
Mimicry is overrated. It's better to get the spirit of a thing than to duplicate the tics. He manages the former though the script fights against it, refashioning Han as a hero at the beginning. 

Click to read more ...

Release date shuffle. The backloading begins with "Boy Erased" and "On the Basis of Sex"

by Nathaniel R

Ah.... statue lust. It invariably shoves everything into the last two months of the year. This just in: Focus has pushed back both of its key contenders this year: Boy Erased, the gay conversion drama, is moving the beginning of its platform release from September 28th until November 2nd and On the Basis of Sex, the biopic on Ruth Bader Ginsburg, is moving its limited launch from November 9th until December 25th. Though pushing back a little seems kind of wise for On the Basis of Sex (put a little distance between yourself and RBG) Christmas seems like a step too far. Or is that just me? 

We expect a few more Oscar contenders to push back into December. Why? Well, despite statistics being in favor of releasing in October or November if you'd like to win e--  The Shape of Water (2017) was actually the first Best Picture winner to begin its release in December since Million Dollar Baby (2004) -- common beliefs are hard to shake and Hollywood has long viewed a December berth as the be-all and end-all of awards strategies. There is a good reason for that though we hate to admit it: despite December being tough for Best Picture wins in the modern era (momentum needed!) it is and basically always has been easier to get nominations if you release in December. Try to imagine, say, The Post, being nominated last year had it come out in September. It doesn't happen. But in December it had so much pre-release hype as an assumed frontrunner that it was able to weather lukewarm precursor attention and snag the nod.  

Wings (1927) the first best picture winner. It still holds up. For fun here's a list of when every Best Picture ever first opened in theaters excluding festival debuts obviously. (Some of the dates are a bit fuzzy, of course, that's especially true for ye olden times when listings are harder to come by and sometimes it's hard to tell the difference between event premieres and the actual beginning of a platform release...

Click to read more ...

Welcome the Academy's Class of 2018!

Chris here. It's that time of year again for Oscar to welcome its new members into the fold. And the class of 2018 is the largest batch of inductees ever: 928, ahead of last year's previous record of 774. Among the names you will find last year's nominees like Daniel Kaluuya, Timothée Chalamet, and The Big Sick's creative duo Kumail Nanjiani and Emily V. Gordon, as well as beloved folks awaiting that first nomination like Melanie Lynskey, Sean Baker, and Ann Dowd.

These invitees (remember, some people do decline to join) show further attempt to diversify the ranks of the Academy across all categories. Should all accept, the Academy membership for women and people of color will both increase towards last year's goal to double both by 2020. One exciting stat is that 9 branches feature more female invitees than male, including actors, documentary, and producers.

The full list is after the jump, so do share the names you are most excited to see! Here's the cast of Big Little Lies adorably celebrating Zoë Kravitz's invitation to kick off the excitement (but there's tons more adorable well-wishing on The Academy's Twitter page):

The cast of #BigLittleLies welcomes the our newest member invitees —including @ZoeKravitz—to the Academy. #WeAreTheAcademy pic.twitter.com/qooOqsnyTk

— The Academy (@TheAcademy) June 25, 2018

Click to read more ...

Yes No Maybe So: Welcome to Marwen

by Salim Garami

What's good? The trailer for Robert Zemeckis' new film Welcome to Marwencol just dropped and it's quite the interesting mix of live-action and animated. It loosely follows the true story of Kingston artist Mark Hogencamp's terrifying attack by neo-Nazis and his attempts to rebuild his life in the aftermath. Turning to his creativity he built a 1/6-scale model town based on WWII Belgium and filled it with his friends and assailants. Zemeckis' film not only dramatizes the real-life tale of Hogencamp trying to pull himself back together but overlaps it with animating the dolls with his usual inclination towards effects-work. It's also the second time Hogencamp's story was commit to film after the 2010 documentary Marwencol.

Let's break down the Yes No Maybe So after the jump...

Click to read more ...