Godzilla Finally Gets A Word In

In celebration of his historic Oscar win, Godzilla has returned to the Film Experience to give his acceptance speech...

Thanks to Nathaniel for letting me come back to say a few words, and to Cláudio for interviewing me in the first place. Sugar Cube’s great company. As you might have guessed, I wasn’t really able to attend the Oscars in person to support Godzilla Minus One - too big to fit in the Dolby. I have a few prepared statements I wanted to read...

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A Dozen Takeaways from Oscar Night

by Nathaniel R

John Cena presenting Best Costume Design. Screenshot from ABC

There are 23 categories at the Oscars but always about 2,038 things to discuss. What to focus on? Here's an attempt to focus with a baker's dozen of things that stood out for yours truly. Overall it was a fun and well paced night. But your mileage may vary. Would you add any particular moment to this list?

In no particular order...

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Oscar Night Winners: "Oppenheimer" and "Poor Things" Reigned

by Nathaniel R

Emma Thomas (Oppenheimer producer) hugs Emily Blunt after winning Best Picture. Screenshot from ABC

Another Oscar season has come and gone and we'll dig into the ceremony in a bit which for the first time in known history came in under its alloted air time.  Moving it an hour earlier was a good move! But for now the winners list. Oppenheimer emerged as the night's champ as everyone on the planet predicted but it proved less than a giant sweeper. Sweeps just aren't popular at the 21st century where spreading the wealth is the semi-norm for wins, if not nomination tallies. Still, since the first year of the "Expanded Era" (2009) when we saw an expansion of the Best Picture field and new voting rules, its seven wins place it in a tie for most Oscars with 2013's Gravity (which did not win Best Picture) and 2022's Everything Everywhere All At Once. 

The only other films to win multiple Oscars last night were Poor Things with 4 statues includly a tough race in Best Actress and The Zone of Interest with 2 statues including a not totally surprising (on account of how often the work was discussed) but still highly unusual win in the Best Sound category. More to come!

COMPLETE LIST OF WINNERS IN ALL 23 CATEGORIES

Picture Oppenheimer
Director Christopher Nolan, Oppenheimer
Actress Emma Stone, Poor Things
Actor Cillian Murphy, Oppenheimer
Supporting Actress, Da'Vine Joy Randolph, The Holdovers
Supporting Actor Robert Downey Jr, Oppenheimer
Original Screenplay Anatomy of a Fall
Adapted Screenplay American Fiction
Cinematography Oppenheimer
Costume Design Poor Things
Production Design Poor Things
Film Editing Oppenheimer
Visual Effects Godzilla Minus One
Makeup and Hair Poor Things
Original Score Oppenheimer
Sound The Zone of Interest
Original Song "What Was I Made For?" Barbie
International Feature The Zone of Interest 
Live Action Short The Wonderful World of Henry Sugar
Animated Feature The Boy and the Heron
Animated Short War is Over!
Documentary Feature 20 Days in Mariupol
Documentary Short The Last Repair Shop

Split Decision: "The Holdovers"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Abe Friedtanzer and Cláudio Alves on The Holdovers…

ABE: Cláudio, it is always my pleasure to talk about films with you even though I know our tastes rarely overlap. In fact, when I met you in-person at the Toronto International Film Festival last year, you noted that we were barely seeing any of the same films. I was only in Toronto for three and a half days and saw a whirlwind eighteen films in that time, the best of which was The Holdovers. My editor decided to hold my review for the theatrical release, which proved somewhat underwhelming, but fortunately there was plenty of awards acclaim for the film to keep my enthusiasm up about this gem.

I remember seeing Sideways twenty years ago and very much enjoying it as I was just starting to really get into film (and The Film Experience as a reader), and it's great to see Alexander Payne reunited with his star Paul Giamatti for a role that's perfect for him. He's one of the best parts of this film but there are so many, at least in my opinion. Cláudio, tell me about your experience of seeing the film and what did and didn't work for you...

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Almost There: Margot Robbie in "Barbie"

by Cláudio Alves

Everybody complains about comedic performances not getting their due on awards season. But of course, the instant such work becomes a serious contender, the knives come out. These achievements are generally dismissed, as if straight drama was inherently superior to broad comedy. I'm not accusing anyone in particular, but it is a phenomenon that can be felt across cinephilia, especially when it involves a movie like Barbie, which tapped into the zeitgeist and somehow became one of the year's defining movies. I thought about writing on the reaction to Ferrera's Best Supporting Actress nomination or how the tides have turned on Gosling as the season unfolded. Yet, Robbie was perfect for the Almost There Series, so here we are. 

With the 96th Academy Awards mere days away, the dust should have settled after the collective psychosis that followed the movie's "snubs" in Best Director and Best Actress. At least, I hope cool heads prevail as I dive into Margot Robbie's portrayal of Stereotypical Barbie…

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