Friday, December 2, 2011 at 12:28PM ♪ Leave your troubles outside.
So life is disappointing? forget it.
In here life is beautiful...
The girls are beautiful...
EVEN THE ORCHESTRA IS BEAUTIFUL...
Cabaret, Joel Grey, Muppets, Oscars (70s), musicals Wednesday, November 23, 2011 at 5:00PM 
Stale Popcorn on the Giant Face of Chris Pine and weird twin hands on the This Means War poster.
Empire Ken Watanabe is in discussions for a role in the live action adaptation of Akira. Now, y'all know how much I hate the future existence of the movie but casting one Asian actor is not going to help. Just like the decision not to change the character names this will only remind people that this movie was super racist in its casting and opted out of Asian actors in the lead Asian roles.
Awards Daily Sasha is sticking by Viola Davis (The Help) for a Best Actress win for now, despite the people screaming "Streep Streep Streep"
The Wow Report the cast of Absolutely Fabulous in 2011.
New York Times 101 Notable Books of 2011. Whoa, get reading, you!
Twitch makes a plea for action flick Fast Five for Best Editing. For your consideration...
80s Flashback
Press Play is looking at movies about grief in a very personal way. I loveRunning on Empty (1988) so much so I'm always glad to see a piece celebrating its emotional potency.
Between the Pages a Little Shop of Horrrors Cake. Wow. I think it's suppertime.
Muppet Mania
Aint It Cool I suspect this total love mixed with declining opinion will start happening more and more withThe Muppets (2011) but the total love you first feel makes it well worth seeing.
Gold Derby Can the Muppets finally win an Oscar? They've been waiting even longer than Glenn Close ;) since their first nomination came in 1979.
Slate on the origins of the Muppets catchy signature nonsense "Mahna-Mahna"
In Contention the sound of the Muppets.
Akira, Chris Pine, Muppets, Oscars (11), Oscars (70s), Running on Empty, This Means War, books Tuesday, November 8, 2011 at 9:16PM 
Take off those berets and fedoras and pay your respects. The great costume designer Theadora Van Runkle, a three time Oscar nominee, passed away this past Friday of lung cancer at 83 years of age [src]. For those who don't immediately connect her name to her movies, know that her work was seismic.
Her most famous creations were actually those done on her very first feature Bonnie & Clyde (1967). She was able to do the picture only after Warren Beatty and the costume designers guild president screamed at each other for half an hour (she was not a guild member then) according to Mark Harris's invaluable tome Pictures at a Revolution: Five Movies and The Birth of New Hollywood. She had never done a film and at one tense point admitted to Warren Beatty that she had no idea what she was doing.
After Beatty vetoed her first period-specific ideas, she came up with the now legendary out of time ensembles that nodded to both the 1930s (when the story takes place) and contemporary 60s French New Wave that the project had always hoped to emulate (Beatty had originally wanted François Truffaut himself to direct).
You see people who are great beauties and never get anywhere. This was style."
-Theadora Van Runkle on Dunaway as Bonnie.
Van Runkle even claims that she was the one who brought the unknown Faye Dunaway to Beatty & director Arthur Penn's attention. "There's the girl you should cast!" though there are competing legends as to how Dunaway first came up in the long search for the girl.
Because of the tight budget, many of the costumes worn by other characters weren't actually Van Runkle's designs but costuming the titular pair was enough to win her a permanent place in movie history and her first Oscar nomination. She was later nominated for both The Godfather Part Two (1974) and Peggy Sue Got Married (1986).
Those Oscar nominated movies were hardly the only memorable gigs. Other showy movies included the infamously delirious transgendered farce Myra Breckenridge (1970), the ill-fated Mame (1974), the post-war romantic drama New York New York (1977) and the bawdy gaudy musical The Best Little Whorehouse in Texas (1982).
I'll always have a special place in my heart for her work on Peggy Sue Got Married. I love that too-shiny / too-tight gown that Peggy Sue is proud she can still fit into at her 25th reunion. Like Bonnie, Peggy Sue is straddling two eras, this time literally; a lovely mirage of the past clinging to a totally contemporary soul.
Good night and thank you, Theadora.
Tuesday, November 1, 2011 at 1:00PM Steven Spielberg's Close Encounters of the Third Kind turns 34 this month. On a whim recently we put in the 30th anniversary edition Blu-Ray* and gave it a spin. I hadn't seen the movie since I was a kid and my memory of it was hilariously incomplete and childlike.
a production sketch shown on the special edition DVD
I remembered, for example, the oft repeated five musical notes that always made me nostalgic for that old light-up Hasbro game "Simon Says" and I remembered all the glowing lights and alien children at the end. My third most vivid memory was Richard Dreyfuss's mashed potato replica of Devil's Tower in Wyoming (a shape to which all the characters are drawn). Strangely I had zero recall of the far more narratively pronounced massive sculpture he builds inside of his house of the exact same structure. Funny the things you remember. The mashed potatoes must have stuck in my child brain because little kids play with their food but they're fully aware that adults aren't supposed to.
To my great astonishment, given decades of familiarity with Spielberg films, the movie is miraculously open ended. It's also open sided and open fronted which is to say that there are dozens of emotional entry points and next to nothing in the way of force-feeding or exposition. You can feel whatever you want to feel about it all the way through without the director telling you how you should be feeling (aside from free-form "wonder" which he expects and earns) or explaining any of those feelings away. In short, were his filmography a bookshelf, this would a lonely inkblot nestled between dozens of how-to instructional textbooks.
Monday, October 31, 2011 at 12:20PM 
Happy Halloween! This month Team Film Experience has been celebrating those rare Oscar nominations given to horror films. Here's a true oddity from Robert Gannon. This mini-series was his idea! Take it away, Robert.
Here lies...the original costume designs of The Swarm. Three time Oscar nominated costume designer Paul Zastupnevich earned his second nomination for the epic killer bee film from 1978. As silly as the film is, the costume design is no joke.
Zastupnevich designed very detailed costumes for the entire cast of the film. They fall into three broad categories. The first is military uniforms, including the imagined design for the killer bee response team in orange and white jumpsuits. The second is business attire, worn by a large cavalcade of performers and professionals woven throughout the running time of the film. The third is casual civillian wear, designed in an American-hued palette of various reds, whites, and blues.
Taken separately, it may not seem that impressive. It's contemporary costuming in a horror/disaster film. But the true beauty of the costumes is seen in the second half of the film, where military personnel, business people, and casual civillians are all mixed together. It makes it quite clear that Zastupnevich had a great eye for categorizing character types. With such a large cast, it becomes essential to be able to pinpoint who everyone is. If nothing else, there is no confusion as to who is doing what during The Swarm.
This is the rare case of the Academy nominating the strongest element of an otherwise critically maligned film. It's rarer still that a horror film that was a commerical failure could gain any awards recognition.
Previously on Oscar Horrors...
Whatever Happened to Baby Jane -Best Actress in a Leading Role
The Fly -Best Makeup
Death Becomes Her -Best Effects, Visual Effects
The Exorcist -Best Actress in a Supporting Role
The Birds - Best Effects, Special Visual Effects
Rosemary's Baby - Best Writing, Screenplay Based on Material from Another Medium
Beetlejuice - Best Makeup
Carrie - Best Actress in a Leading Role
Bram Stoker's Dracula - Best Costume Design
Dr Jekyll and Mr Hyde - Best Actor in a Leading Role
King of the Zombies - Best Music, Scoring of a Dramatic Picture
Poltergeist - Best Effects, Visual Effects
Hellboy II: The Golden Army -Achievement in Makeup
The Silence of the Lambs -Best Director
The Tell-Tale Heart -Best Short Subject, Cartoons
