Did She Do It?

by Cláudio Alves

Between Messi charming his way through the Nominees Luncheon and last Sunday's BAFTA victory in Best Original Screenplay, Anatomy of a Fall is entering the Oscar voting period with an upswing of exposure and widespread love. Justine Triet's Palme d'Or champion has proven a beguiling mystery, sustained by a performance that leaves the viewer drowning in ambiguity. According to Sandra Hüller, she was directed to play a writer accused of murdering her husband as if she were innocent, but the film never discloses whether Sandra did it or not.

Indeed, when perusing reviews, online reactions, or just conversations between cinephiles, nobody seems to agree. Some find it evident that she's guilty, while others believe there's no way her husband's death was murder…

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Who came in sixth at the 96th Academy Awards?

by Cláudio Alves

The last minute campaign for ORIGIN didn't work. But did the film come close to a nomination?

Every year, the aftermath of the Oscar nominations announcement is full of talk about "snubs," much outrage, speculation on who was closest to the lineup and which of the nominees took that last spot. This season, the reactions reached rare levels, igniting pure chaos all over social media and even prestige publications. Four days after it began, it seems like the animus is starting to quiet down – or maybe that's just wishful thinking. Alas, as reason's regained, here's hoping the conversation can be had with a bit more level-headedness and a little less fire. Hold that thought, for I've prepared a collection of polls about every one of the year's Oscar races so that The Film Experience readers can decide for themselves.

From Director to Live-Action Short, let's vote on who was the likelier sixth-placer, so close to the nomination but still left looking from the outside in. And, of course, in Best Picture, one must figure out what movie placed eleventh…

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Who Should Win?

A round of applause to all of the newly minted Oscar nominees for their achievements! Hooray. Now, it's time to begin the daily "Who should win" voting on the individual charts. Vote daily for your favs in each category. (The charts will become more robust as we add details) ...and while you're doing the first round of voting why not sign up for the substack It's not active right this second but Oscar season is a good time to make it into a weekly thing. 

Okay VOTE on the charts... PICTURE | DIRECTOR | ACTRESS | ACTOR | SUPPORTING ACTRESS | SUPPORTING ACTOR | SCREENPLAYS | VISUALS | MUSIC | INTERNATIONAL | ANIMATION AND DOCS

Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

The Gotham nominations caused quite a stir among the Film Experience readership. Going through the comments section, the matter at hand is category fraud: who is and isn't guilty of perpetrating it going into the awards season? For instance, I would have categorized Ryan Gosling as a secondary lead in Barbie, but I've been convinced by the comments that he fits better in supporting. Other cases discussed included Binoche's Gotham-nominated work in Taste of Things, Whishaw in Passages, Hüller in Zone of Interest, and beyond. 

So, why not relocate that discussion here while having fun with polls? You get to vote, deciding on each performer's rightful placement…

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Chaplin vs. Keaton vs. Lloyd

by Cláudio Alves

Today marks a century since Harold Lloyd delivered his most legendary work to movie theaters. Safety Last! is a silent comedy classic, featuring such riveting stunts as the famous climax that finds our hero hanging from a clock. Though no other Lloyd picture has a comparable legacy, the man's filmography is a treasure trove for slapstick lovers with an inclination for bespectacled hunks. If you have any doubts, jump over to the Criterion Channel, where a new 42-title collection showcases the man's work from the late 1910s to the advent of sound and 1936's Milky Way. If you're not entertained, see a doctor, stat.

But of course, maybe Lloyd's not your preferred flavor of silent comedy. Amid the classic loving community, it seems everyone has a favorite from the three big names that defined Hollywood slapstick and continue to live in the public imagination. So, because this is a day for foolishness, why not indulge in pot-stirring drama and futile competition? Between Charlie Chaplin, Buster Keaton, and Harold Lloyd, who's your pick? Maybe it's…

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