It's Guild Week. The week when many artists get their hopes up for nominations since the guilds have so many categories for their particular craft unlike Oscar's mere 5 for the altogether. But since we love costumes, the more the merrier. Congratulations to the nominees who we'll discuss after the jump...
Entries in precursor awards (240)
The American Society of Cinemotagraphers have voted on the best of 2015's theatrical features. It's a year that can only be described as a filthy rich in terms of this artform. One only has to peruse the work of lower profile contenders that didn't make it to feel staggered by the abundance of worthy creative work being done in the field.
But the rising talents -- and even some of the older giants -- in this arguable new golden age of the artform will have to wait another year for ASC and possibly Oscar honors. The guild went with a murderer's row of international legends this year. The ASC Nominees hail from five different countries (UK, Poland, Mexico, their average age is 62½ and between them they've amassed 31 Oscar nominations, 5 Oscar statues, 8 BAFTAs, and 5 Spirit Awards. That's a whole lotta statuary honoring their influential careers.
Cinematography history and more on the nominees after the jump...
Here's Murtada with many questions about this year's possible BAFTA nominations.
The first indication that the BAFTA nominations are upon us - besides Awards announcements every two seconds - is the nominations for the Rising Star Award. This year’s crop include two 2015 British breakthroughs in Bel Powley (Diary of A Teenage Girl) and Taron Egerton (Kingsman), two stars of major blockbusters in John Boyega (Star Wars:The Force Awakens) and Dakota Johnson (50 Shades of Grey) and one Oscar front runner in Brie Larson (Room). Their usual eclectic mix for this voted by the public award. Vote now if you are a UK resident.
But more importantly let's look at what Friday morning may bring by examining some trends from the last few years of BAFTA and what they could mean after the jump......
Of the guild nominations each year the Writer's Guild, which should be the most fascinating to we writers, is often the least. That's no mark on their taste but on their guilds bizarre exclusionary practices. More than any other guild they eliminated many cherished films each year for "not a member" reasons. So it's worth noting that "snubs" are not ever snubs so much as "probably weren't eligible." situations. And when you really love a film that wasn't nominated you can just tell yourself that even if it isn't true. Why trouble yourself?
If you're just joining us, we previously interviewed Phyllis Nagy who is nominated today for her Patricia Highsmith adaptation Carol. We'll also be sharing an interview with the nominated screenwriter of Spotlight sometime soon. Amy Schumer is the big winner this year nominated for both TV and Film efforts. You can see the WGA nominees in 3 film categories, and 25 other categories (television/newmedia/radio) after the jump...
The omissions included Carol (take a breath, everyone) and Room, both also left out from the ADG nominations. We may be passionate fans of Carol around these parts, but the miss here is a sign that our pony still has to capitalize on its momentum to continue in the race. Room on the other hand is a tiny, non-American produced film that was probably overestimated to show up in a group that has leaned populist enough nominate the likes of Star Trek and Skyfall.
Speaking of blockbuster candidates, The Force Awakens also missed out here. While thought to potentially upset here, the franchise's Oscar hopes can now likely be put to bed for major categories. Here are our nominees:
The Darryl F. Zanuck Award for Outstanding Motion Picture
- The Big Short
- Bridge of Spies
- Ex Machina
- Mad Max: Fury Road
- The Martian
- The Revenant
- Straight Outta Compton
The biggest surprises are Ex Machina and Sicario, also surprising at the ADG - are you sensing a trend? While they are not major Best Picture threats for the Oscar race, their place here shows passionate support brewing and certainly raises their profile. Straight Outta Compton, whose ensemble was recognized by SAG, is one of the bigger financial successes here and a nice nod to Universal's outstanding year at the box office.
Check after the jump for who got the biggest boost...
Coco here, ready to talk about the Art Directors Guild and their wacky nominations.
Usually we reserve the term category fraud for when lead performances are nominated in less competitive supporting categories, but the Art Directors Guild suggests we expand the definition. The Guild divides its film categories into period, fantasy, and contemporary, which makes senses. But this year's nominations suggest the division between the three categories are rather arbitrary. (The Film Experience is on the record saying that categories only matter if you follow the rules, so maybe the ADG should read this piece by our beloved Nathaniel.)
Anyway, here are the nominations:
Production Design (Period Film)
Bridge of Spies - Adam Stockhausen
Crimson Peak - Thomas Sanders
The Danish Girl - Eve Stewart
The Revenant - Jack Fisk
Trumbo - Mark Rickner
Thomas Sanders's gothic sets are gorgeous, but Crimson Peak is a movie about ghosts. The production design is not historically accurate either unless gigantic bleeding houses used to actually exist in the real world. How is this not in "fantasy"?
The question one everyone's mind has to be "Where is Carol?" Judy Becker's designs are not only richly detailed, but they're integral in a film that's all about its precise visuals. It's worth remembering, though painful: Todd Haynes previous 50s masterpiece, Far From Heaven, did not get an Art Direction nomination from this guild or from the Oscars (!!!).
Meanwhile, Trumbo continues its inexplicable love affair with awards voters.
The ACE Eddie Nominations are out and as usual there are some real head-scratchers. The guild nominations that precede Oscar noms tend to throw something or other for a loop in terms of perceptions of what the industry loves. Or perhaps it's less complicated than we always assume and it's merely that those who vote on awards just don't see that many movies. Guild types are often more busy making movies than watching them after all.
One head scratcher: I'm not sure how we've ended up in a world where Joy, David O. Russell's latest ode to Jennifer Lawrence, is nominated for its editing. I don't mean to pick on the picture as I actually think it's far better than its reviews imply and am happy to have company with Nick and Jose on this; it seems fairly obvious that the nation's film critics are working through their David O. Russell issues now that he's made a woman's picture. But for all of Joy's underdiscussed strengths the editing is not one of them. This is no mark against any of its four editors who've done great work in the past but it's fairly obvious that they're struggling with a film that is so multi-toned and multi-authored and possibly unfinished and trying to make the most of its competing impulses and weird detours. The picture struggles to find its rhythm throughout.
But let's not pick on Joy because people have been way too mean to it. The nominees and more thoughts are after the jump.