NOW PLAYING

in theaters


new on DVD/BluRay


review index

HOT TOPICS



CLASSIC OF THE MOMENT

THE FILMS OF ROBERT WISE
(CENTENNIAL CELEBRATION

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
THE GUEST Review

"Best known as pudgy British aristocrat Matthew Crawley on Downton Abbey' Pudgy? How very Dowager Countess of you.- par

""from Jimmy Stewart to Terminator" - HA! LOVE this! And boy I loved this movie, I hope all the Downton fans flock to the theaters to see it." - jose

 

 

Beauty vs. Beast

 

Lester thinks you should vote for him in AMERICAN BEAUTY poll
 VOTE!
 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Subscribe

Entries in precursor awards (157)

Monday
Dec162013

Online Film Critics Society chooses 12 Years a Slave

Tim here - I won't keep you very long, since it's just another damn critics' award, but the OFCS has announced its winners this morning, with 12 Years a Slave winning five times, including only the second award that Michael Fassbender has received from any group to date. The asterisk here is that Her wasn't made widely available to the membership at large before the conclusion of voting, and it's the kind of film that tends to do well with OFCS.

The full list:

Best Picture: 12 Years a Slave
Best Animated Feature: The Wind Rises
Best Film Not in the English Language: Blue Is the Warmest Color
Best Documentary: The Act of Killing
Best Director: Alfonso CuaronGravity
Best Actor: Chiwetel Ejiofor12 Years a Slave
Best Actress: Cate BlanchettBlue Jasmine
Best Supporting Actor: Michael Fassbender12 Years a Slave
Best Supporting Actress: Lupita Nyong’o12 Years a Slave
Best Original Screenplay: Her
Best Adapted Screenplay: 12 Years a Slave
Best Editing: Gravity
Best Cinematography: Gravity

Special Awards:
Best Sound Design and Best Visual Effects to Gravity
To Roger Ebert, for inspiring so many of our members

Top Ten films Without a U.S. Release:


Closed Curtain
Gloria
Like Father, Like Son
Our Sunhi
R100
The Rocket
Stranger By the Lake
We Are the Best!
Le Week-End
Why Don’t You Play in Hell?

Monday
Dec162013

"Critics Choice" Nominees - 19 Years of American Hustling

If they made a biopic of the BFCA it would be called 12 Years a Pundit... er, excuse me. 19 Years a Pundit. The BFCA (of which, full disclosure, I am a member) is in its 19th year of Oscar prognostication movie awardage and this year we've fallen hard for 12 Years a Slave and American Hustle both of which won three acting nominations and 10 additional nominations each. The "Critics Choice" list is the last big set we'll get before Oscar sounds off in one month's time.

So what have we got here?

Click to read more ...

Sunday
Dec152013

Podcast: Awards Week Blowout Special

Nathaniel is back from his Iceland trip and going regional with JoeNick, and Katey for a one hour discussion of the barrage of film critics prizes from New York, Detroit, Boston and San Diego. And another thing: are LA's "ties" okay with this panel? 

Afterwards we pick on the Screen Actors Guild and their bizarre All is Lost joke (no Redford in actor but a stunt ensemble nomination when there's only one character and Redford did his own stunts?!)  and the team splits on the quality of Rush, recently resurgent thanks to SAG. Then we're on to the  Golden Globes for a discussion of the troublesome Comedy/Drama divide (read Joe's article for context) and we pick the best and worst of their nominees.

Also discussed: Jennifer Lawrence's backlash, Greta Gerwig's surprise, Forest Whitaker's acting, Leonardo DiCaprio's elusiveness, 12 Years a Slave's power, Philomena's luck, Dallas Buyers Club's ensemble, Wolf of Wall Street's editing, and Fruitvale Station's potential.

You can listen here or download the conversation on iTunes

Awards Week Blowout

Sunday
Dec152013

"12" It Is For Detroit (Short Term) & the AAFCA (Years a Slave)

The Detroit Film Critics Society should really grant me honorary membership given that I'm a Motown export. Although, had I never left home I probably wouldn't have ended up where I am today as a *cough* wildly successful internationally reknowned superstar film blogger (shut up) so I won't press the issue. I'm feeling Michigan pride at the moment because the DFCS has given Brie Larson not one but two of their acting prizes for her work in Short Term 12.

Detroit's favorites and more awards hoopla after the jump...

Click to read more ...

Wednesday
Dec112013

SAG Nominations Are In!

Good morning Oscar watchers. This morning brings one of the biggest precursors of the season: the Screen Actor's Guild. These days the eventual Oscar cross-over is usually somewhere between "very hot" (19/20 for 2009) to "very warm" (17/20 in 2011 and 2010) so you can guarantee a large number of the below nominees will show up on Oscar ballots in January.

What are we thinking will cross over? What will fall out? Will tomorrow's Golden Globe nominations (!!!) erase whatever momentum that some of today's nominees have amassed (we're looking at you August: Osage County and Lee Daniels' The Butler)?

Click to read more ...

Sunday
Dec082013

Los Angeles chooses Gravity and Her in a tie

Such a big day for critics' awards - not only are Boston's picks so fresh that the steam is still coming off of them, the Los Angeles critics have announced. In most years, they can be relied upon for the least mainstream picks of any major group - famously, they bullied Universal into acknowledging the existence of Terry Gilliam's functionally unreleased Brazil by heaping awards on it in 1985 - though this year they broke hard for Gravity and Her, which between them took nine wins or runner-up slots out of 11 categories in which they were eligible. Ties in three major categories, which is admirable, I guess, in the sense that it's not nice to pick favorites, but it's a little disappointing as an awards-watcher.

Full list below the jump.

Click to read more ...

Sunday
Dec082013

Boston Chooses 12 Years A Slave, Enough Said?

The Boston Society of Film Critics' (BSFC) very first Best Picture prize went to Martin Scorsese's Raging Bull (1980) and over the next 32 years they've mixed smart off the path choices with future Oscar darlings. In the past decade they seem to have mellowed and mainstreamed and unless you count a tie in 2008 (Wall•E shared the prize with Slumdog), it's been well over a decade since that grabby run when they thought outside the box consistently (1998-2001) when they were giving Best Film prizes to great movies like Out of Sight (2 below the line Oscar nods) Three Kings (0 Oscar attention) and Mullholland Dr (1 Oscar nod) which were obviously not going to play big with the Academy. (During that period they were also making interesting calls in non Oscar-baiting performances so something about the membership must have changed thereafter.

This year they've wrapped their Bostonian arms around native New Yorker Solomon Northrup in a big way giving 12 Years a Slave three top prizes. They were also kind to Nebraska and Enough Said which each won 2 prizes. Full list of winners with commentary after the jump

Click to read more ...

Wednesday
Dec042013

'Great Gatsby' and 'The Rocket' Lead the "Australian Oscars"

Glenn, Team Film Experience's resident Australian, here. In all the hubbub surrounding the big wins for American Hustle and Her, it went unnoticed (not surprisingly, but also not without reason) that the nominees for this year's AACTA Awards were announced. Australia's own "Academy" (renamed from the Australian Film Institute several years back) went big for Baz Luhrmann's The Great Gatsby, which is hoping for a tech resurgence later in the guild-stretch of the Oscar season, and Kim Mordaunt's The Rocket, which is still holding on hope for an Academy foreign language short-listing. Other famous names like Rose Byrne, Hugo Weaving, Mia Wasikowska, and Naomi Watts also appear across the 14 categories recognising Australian films.

Catherine Martin and her team of production/set/costume designers are - let's face it - the only likely Oscar cross-over here for their work on The Great Gatsby so it's hard to picture her losing. That would give Martin a total of seven awards from her home country. One for every single nomination she's received. You don't get much better than a 100% win ratio, do you? Are we thinking she'll be adding two more Academy Awards to her weighed-down shelf of achievements? At this stage I actually think it's entirely possible. 

The full list of nominees are...

Best Film

  • Dead Europe
  • The Great Gatsby
  • Mystery Road
  • The Rocket
  • Satellite Boy
  • The Turning

Click to read more ...

Page 1 ... 2 3 4 5 6 ... 20 Next 8 Entries »