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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in precursor awards (161)

Saturday
Mar012014

Spirit Award Winners

The first national live television broadcast in the US took place in 1951 but sixty-three years later, certain awards shows are unaware that this technology has been invented yet. The Spirit Awards will be broadcast on IFC tonight at 10PM EST the tent in Santa Monica will be cleared and we'll know all the winners and we'll have probably have lost interest completely, this being Oscar weekend when time is precious and tight.

That's Greta Gerwig left on the red carpet (that's where the stream froze so that's the expression you get!) where she said...

The Spirit Awards are my jam."

The best moment on the red carpet was definitely birthday girl Lupita Nyong'o evading questions about what she's doing on Monday once the Oscars are over.

I'm getting away from here."

She wouldn't say why, what for, or where. Smart girl.

THE WINNERS

Click to read more ...

Sunday
Feb232014

Podcast: Should Win / Will Win 

It's the final podcast before the Oscars! Join Nathaniel R, Katey Rich, Nick Davis, and Joe Reid as we reveal both our predictions and our preferences, one category at a time. 

00:00 Directors, BAFTA, Bette & P¡nk
09:00 Should Win / Will Win Intro, Sound Categories, Doc, Animated, Foreign categories
23:00 Visual Categories
39:00 Screenplays & Acting
51:30 Director & Picture
55:30 Exit Question

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... which of our ballots most closely resembles yours?Hunger, Shame, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Should Win / Will Win

Monday
Feb172014

All the BAFTA Acceptance Speeches

I would like to thank the academy... the audiences... the clipreels... the cast and crew... the parents of the cast and crew... the podium... the microphones... the cameras... the gown-makers... and anyone or anything else that made awards shows and acceptance speeches possible. My deepest gratitude...

Sincerely, Awards Show Addict

Sunday
Feb162014

BAFTA Winners & Gowns

Since they aren't broadcasting the ceremony live across the pond -- we'll get an edited tape-delayed version -- we aren't watching. We'll only give BAFTA its due once it joins us in the 21st century. If you're waiting to be "surprised" during the tape delay abridged stuff, don't click to continue this post. If you are as unwilling to care about things you can't watch live as we are, and don't even value themselves enough to include the audience (even in the UK it's not live), than click away to read the winners with some commentary

And gowns!

Click to read more ...

Sunday
Feb092014

More Prizes for Best Pic Nominees: 12 Years a Slave, Gravity, & Her

From the USC Scripter nominees we discussed Friday the group chose 12 Years a Slave as the best adapted screenplay of the year. Since their prize goes to both the screenwriter and the original author that means John Ridley gave the acceptance speech but Solomon Northup was also a winner. He's been dead for 151 years so one wonders where his prize goes? I hope to the Faces of Solomon group.

But it wasn't all good news for the masterful slavery drama. It lost its Art Direction, Period  prize to the much showier Baz Luhrmann film The Great Gatsby. Catherine Martin, Baz's wife and creative collaborator is drowning in such prizes. She's won the ADG and the Oscar both before in this category for Moulin Rouge!

ADG AWARDS FILM

So pleased this won it's prize! K.K. Barrett is a marvel

Contemporary Film K.K. Barrett, Her
Fantasy Film Andy Nicholson, Gravity
Period Film Catherine Martin, The Great Gatsby

It's worth noting that all three of those production designers are Oscar nominated as well. They're competing against Adam Stockhausen for 12 Years a Slave and Judy Becker  for American Hustle.

Television & Special Extra Film Prizes are after the jump...

Click to read more ...

Monday
Jan272014

Podcast: Sundance Debrief and DGA Reactions

On this week's special cross-country podcast recorded live from Utah, Nathaniel welcomes back Katey Rich in New York, Nick Davis in Chicago, and special guest Guy Lodge, also in Chicago en route to London. Guy and Nathaniel share their Sundance favorites, the chief crossover being Richard Linklater's Boyhood

Other Topics include: The Producers Guild of America and Directors Guild winners and what that might mean for 12 Years a Slave and Gravity come Oscar night, categories where we'd enjoy ties on Oscar night, and favorite "overheard" bits in movie theater lines regarding Dallas Buyers Club and Philomena

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments! 

Which tie would you love to see this year?

Sundance Debrief and Oscar Ties

Sunday
Jan262014

Cuarón Takes DGA

In non-surprising awards news Alfonso Cuarón has won the Directors Guild of America prize for his long-in-the-making sci-fi epic Gravity. Though I've long been predicting him to win the Oscar, the Best Picture race still seems competitive. It's insane that 12 Years a Slave, a magnificent film and a historically significant drama in several ways, isn't steamrolling but it isn't. My guess is that even if Gravity sweeps the craft categories, Best Picture will be a nail biter down to the last envelope opening. The most famous 'dominated the Oscars but still lost Best Picture' year is, of course, 1972. Cabaret won 8 Oscars but The Godfather beat it in two of the top 8 categories Adapted Screenplay & the big kahuna Best Picture. The end result: they were both winners. Cabaret took home a lot of Oscars and has the impressive distinction of being the biggest winner among all Best Picture losers. (There are some who think that 2002 was heading toward a similar outcome had The Pianist had another month to gain momentum on Chicago) 

Will we see another split year? No predominantly black film has ever won Best Picture which is depressing and bad news for 12 Years a Slave but no sci-fi film has won either which isn't exactly points in Gravity's favor. 12 Years has to convince voters who are resisting it to see the picture (if you ask me, AMPAS voters who won't watch all the Best Picture nominees each year before voting really ought to have their memberships revoked) and it needs to find a second wind with the media who have a predictable way of turning on frontrunners each year. I fear a Brokeback Mountain situation where the less evolved voters just won't give a seminal work its due because of the subject matter. Am I too pessimistic?

Gravity has the potentially easier task in that it only needs to convince voters that it isn't lightweight and that it won't age poorly (I'm not convinced on the latter). And, since it hasn't truly been the frontrunner at any point, it doesn't have much backlash to conquer. I'm leaning toward predicting Gravity to just (nearly) sweep the whole thing.