Team Experience: Joyful News and the Best/Worst Oscar Branches

by Nathaniel R

Later today a special edition of the podcast as Murtada, Nathaniel and Nick discuss the Oscar nominations. But, for now, our final group survey on the nominations so we can then move on to the nitty gritty of each category as well as return to new and old movies,  Film Bitch Awards, regularly scheduled programming, and all of that good stuff. We asked the team two more questions about the nominations and they answered like so. Please let your own voice be heard in the comments.

WHAT NOMINATION GAVE YOU THE MOST JOY TUESDAY MORNING?

JORGE MOLINA: I woke up my entire neighborhood when Marina de Tavira's name was called out. I was expecting a surprise Supporting Actress nomination, but not her. Marina's performance is such a striking and beautiful contrast to Yalitza Aparicio's (whose nomination was a lesser but equally great surprise), and one that reflects much deeper things about female and class relationships in the movie. It's not a big performance, but it's so nuanced and raw. I couldn't be happier she's getting the recognition, and that she's only the second supporting actress to be nominated for a foreign film ever! Viva Marina!

CHRIS FEIL: No single craftsperson deserves their nomination (or eventual win) more than costume designer Ruth E. Carter (Black Panther). I don't make the facts, I just relay them...

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Beauty Break: Here's to Cinematic Eye Candy!

The visual categories for the 2018 Film Bitch Awards are now fully announced. Click on over to peruse the nominations for Costume Design, Cinematography, and Production Design aka the best cinematic eye candy of the year. Cinematic eye candy is more than just delicious for the eyes. These crafts also strengthen characterization, theme, mood, storytelling, and emotional impact when the artisans are really inspired. After the jump, because five little poster doesn't feel like enough images from the 12 most beautifully shot movies this year that we called out in Cinematography (though only five can be nominees).

A BAKER'S DOZEN OF THE MOST BEAUTIFULLY SHOT MOVIES OF 2018. 
Presented in alpha order after the jump...

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Final Predictions: All Visual Categories

We're almost to the nominations, can you believe it? So we're furiously trying to wrap up our predictions. Let's do Costume Design and the rest of the eye candy categories.

COSTUME DESIGN
My favourite tech category should give three-time winner Sandy Powell a historic THIRD double-nomination in a single category with both Mary Poppins Returns and The Favourite feeling secure for nominations. It also feels like there's little chance that Black Panther could miss, and we expect voters will want to take this opportunity to finally hand Ruth E Carter her Oscar (this will be her third Oscar nomination, tying her with Viola Davis and Octavia Spencer for most Oscar nominations for a black woman). Those are the locks...

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Guild Nominations En Masse!

by Nathaniel R

Today is a big day. It's Globe fallout day but also the day when  the guilds start announcing en masse. Today we heard from the writers, the editors, and the art directors guilds to give us more clues as to which films the industry is gaga for. The only films that scored at all three guilds were A Star is Born and Roma, which NOT COINCIDENTALLY feel like the two most likely films to win Best Picture on Oscar night, give or take Black Panther.

The nominations are all after the jump...

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Blueprints: "A Simple Favor"

This week Jorge dives into martinis and missing persons, to examine the mythos of a perfect woman in the fall's most delightful surprise.

First impressions are important, and writers usually either build upon or subvert the first thing we see about a character: the clothes that they’re wearing, the setting that they appear in, the way they carry themselves, and the adjectives they use. All of these elements can tell us who a character is before they even say a word. 

A Simple Favor is all about image and perception. The image we present to the world, and the part of ourselves that we keep hidden. The way we are versus the way we are perceived. In particular, the film is about Emily’s image. Not only her physical looks (which are hugely important), but the aura and lore that she has created around her. The idea of Emily...

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