An Interview with the Founder of the Seattle Film Critics Society

Please welcome Brian Zitzelman, our newest contributor. He's a member of the newly formed Seattle Film Critics Society and for his first post he's interviewing the founder of that society Michael Ward. A little inside peak for you. - Editor

Michael Ward of "Should I See It"by Brian Zitzelman

Beyond being a genuinely kind, smart man, Michael Ward has done what few have; he's created a film critic's society. The Seattle Film Critics Society to be exact.  

Despite being home to a near month-long film festival, a multitude of cinemas devoted to older movies and generally being pretty comfortably snobby about the arts, the city of Seattle hasn't had a proper Film Society for over a decade. Mr. Ward changed that with months and months of work dealing with studio reps here and cavalcades of other oddities. In between tallying the final votes and writing sensationally for his own site Should I See It, I spoke to Mike about the joys, troubles and curveballs of what it takes to develop something that’s usually an established institution in other parts of the country. 

BRIAN ZITZELMAN: Let me start with the obvious question; How happy are you to have this first year of the Seattle Film Critics Society behind you?

MICHAEL WARD: Well, it feels premature to say that we have a full year under our belts. We are still working with a team to complete the infrastructure but I am comfortable in saying that lots of people have put in lots of time to make this a reality. We are planning on voting in a Board of Directors in February 2017, and at that point, more than two years of hard work will definitely have paid off. 

Moonlight took 6 prizes including Best Picture at the first official Seattle Film Critics Society awards

Can you walk us through the whole concept? I think most people assume every major metropolitan city has its own film critics circle, especially those with a history of the arts like Seattle. 

While this iteration of a Seattle Film Critics Society is new, there was an organization that existed from 2001-2004. Unfortunately, when they disbanded it was an ugly dissolution, and people are still reeling from how that all apparently went down.  But you're absolutely right Brian, most major cities have a film critics society or organization which most people typically only hear about during awards season...  

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Oscar Balloting Begins. What are your top three FYCs?

Tomorrow's the day awards-freaks, January 5th, 2017. Oscar nomination balloting begins. Where the buzz falls now is where the buzz settles. AMPAS branch voters have just 8 days to finalize their ballots (they're due by the 13th). January 14th through 23rd then becomes our awards purgatory and on the 24th when nominations are read we learn who goes to heaven and who is cast out for good, forever doomed to be considered a "snub" to their future fans. Pardon the tortured analogy but the Oscars are our religion!

This past week has been a very strong week for La La Land and Fences with fantastic box office grosses for each as they went wide. The hottest titles from October and November (Manchester, Moonlight, Arrival) can also feel pretty safe about their potential nomination hauls. But there are several titles that are a bit harder to read in terms of possible Oscar love. Those are the titles that expanded too late for a definitive take from the precursors (20th Century Women, Lion, Silence, and Hidden Figures) and their counterparts, the titles that were too "old" (i.e. released before October like Sully, Hell or High Water, Florence Foster Jenkins, Captain Fantastic, Zootopia, Love & Friendship) for precursor season's problematic but blatantly obvious "shiny new toy" syndrome in which everything that's just opened must be prioritized above all else. 

If you had three FYCs and three FYCs to impress on Oscar voters this week, what would they be? 

City of Link

ET First pic of Pixar's Coco though the text is greatly irritating as they seem to be very anti-musical "Don't call it a musical!"
Filmmixtape "if 2016's worst films were drag race competitors"
Playbill George S Irving, the voice of Heat-Miser for the Bankin Rass TV classic "The Year Without a Santa Claus" has died at 94. 
The Guardian why 2016 was a big year for female sexuality in film and on television 

Carrie Fisher & Debbie Reynolds and infinite list-making after the jump...

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What will you see this weekend?

It's the perfect weekend to catch up on movies! Will you...

... catch up w/ Globe nominees (Elle? Hacksaw Ridge? Miss Sloane?) that are losing theaters?
... join the teeming masses for Rogue One (just reviewed) in that galaxy far far away?
... rubberneck the Razzie contender Collateral Beauty? 
... hit Oscar player Fences or Pablo Larraín's terrific Neruda in NYC or LA?
... check out Manchester by the Sea (just podcasted) now that it's gone wide?
... or maybe you're seeing Jackie or Lion or La La Land? 

Share your plans in the comments. There's just so much to see out there! 

We ♥︎ the San Diego Film Critics Society

I want to make out with every member of the San Diego Film Critics Society right now. Why? It's not for their individual choices, no, though some of them are good. It's for this simple fact: they looked at the entire film year and not just movies that are just now hitting theaters. And, my friends, that is EXACTLY what film critics are not only supposed to do but best suited to do. The publicity teams and Oscar campaigns are already on the job of reminding people about which movies are coming out. Critics should notice more than what's being shoved at them minutes before they vote. 

Hell or High Water is their big winner but other pre-November releases in their mix include Aquarius, The Nice Guys, Love & Friendship and more. Good work San Diego! You can see the full list after the jump...  

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