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Entries in release dates (161)

Wednesday
Dec232015

While We Wait for Carol...

The natives are growing restless.

Greetings friends. Chris here, the newest member of Team Experience. Like I'm assuming many of you, I live far away from the lucky 16 theatres currently housing Todd Haynes' return to the big screen. So I'm happy with even the slightest shift that brings Carol's glacial release to my local screens. Non-US readers have an even longer wait. We've all become the human embodiment of that inescapable Rooney Mara image.

It's worth noting amid all our impatience the cautionary tale told this year by the likes of Steve Jobs and The Diary of a Teenage Girl: going too wide too soon can result in a quick crash and burn in this increasingly crowded marketplace. So let's take a breather and feel grateful that Carol has a distributor like The Weinstein Co. focused on reaching a passionate audience, even if it means waiting longer than we want. After all, the film is still the film no matter when we see it.

Meanwhile, I've got 10 fun homework assignments to keep you occupied while you wait...

 1. Read Patricia Highsmith's novel (also published as The Price of Salt). The film is not a page-to-page adaptation, so some surprises will still be ahead - including more of our titular love interest!

2. Rewatch the Todd Haynes filmography! I'll do the leg work for you: Velvet Goldmine is availble on Netflix Instant, Poison and I'm Not There on Amazon Prime...

Click to read more ...

Thursday
Dec172015

On the Problematic AFI List

I realize I'm quite late in sharing the AFI's annual top ten list but it was only because it felt redundant. The American Film Institute starting making top ten lists of the year's most "significant" American films in 2000. For the first ten years or so their lists did have some interesting pockets, detours from Oscar buzz if you will. They were willing to include fan favorites and comedies (High Fidelity, Best in Show, The 40 Year Old Virgin) that weren't "prestige" enough for Oscar, surprise hits that weren't in any "best picture" game (Friday Night Lights, Devil Wears Prada) superhero blockbusters (Iron Man, Spider-Man 2, The Dark Knight) and low budget indies (Wendy & Lucy, Half Nelson). This year, it's like the jury just looked at Best Picture prediction charts and copied down the titles.

Those plus Star Wars: The Force Awakens which they pushed back their announcement to consider and/or to include depending on how cynical you're feeling. More...

Click to read more ...

Saturday
Dec052015

Pt 2. Oscar Editorials to Make the Blood Boil: The Holiday Glut

Two recent trade editorials have driven us crazy enough to write long hair-pulling screeds in response. We're bald now! The first was a 'dishonorable' defense of our #1 gripe Category Fraud and we'll be quicker about this one which is about our second biggest pet peeve of Oscar season: 'the holiday glut' aka the ghettoization of adult movies into the final quarter of each year.

The Hollywood Reporter's "Everybody Cannibalized Each Other" - Harvey Weinstein
Weinstein begins his guest editorial by calling the final quarter glut of awards-hopefuls a "pet peeve" which is fine if we say it... but him?!? He championed it for 20 years with his own actions!

More...

Click to read more ...

Thursday
Dec032015

The Superheroes Are Coming. After the Oscars.

Travel with me into spring 2016 - it will help you to appreciate the now of prestige season more! 2016 is arguably the year in which we see just how insatiable the public's appetite for spandex crime fighting is. Especially now that they can watch the same on TV regularly for free with Agents of SHIELD, Arrow, Supergirl, Flash, Agent Carter, Jessica Jones, Luke Cage, Daredevil, Legends of Tomorrow, Gotham all on the air now or by the end of 2016. I'm not an expert on the topic but this feels like the most based-on-comics material that movies/tv have ever seen in one calendar year (There was almost even one more but Channing Tatum's Gambit movie is now looking at 2017 since it hasn't started filming.)

2016's Superhero Schedule
Feb 4th   Deadpool (Fox)
Mar 25th Batman v Superman: Dawn of Justice (WB)
May 6th  Captain America: Civil War (Marvel/Disney)
May 26th X-Men: Apocalypse (Fox)
Jun 3rd   Teenage Mutant Ninja Turtles 2 (Paramount)
Aug 6th   Suicide Squad (WB)
Nov 6th   Doctor Strange (Marvel/Disney)

So far awards bodies like Emmy and Oscar haven't much cared about the genre at all. Apart from two things...

Click to read more ...

Sunday
Nov222015

Box Office: Katniss Reigns (Softly) While Spotlight Gains

[Whistles Katniss theme]

As expected Katniss and her unmerry band of rebels dominated the weekend box office as The Hunger Games franchise finally wrapped up. Though this is the softest opening yet for the franchise it's not soft enough to end Hollywood's love of splitting final chapters into two for no good narrative reason so the trend will obviously continue for now. (sigh). I personally have no real ill will for this franchise  (it's okay but I bowed out after the second film -- just too dull for my personal tastes) but The Film Experience does have official stance ill will for franchise decisions that no reasonable trustworthy person could ever claim were based on anything other than milking more money from fans. "Event" showbiz is fun but the first priority really should be to the generous fan bases of serial cinema -- Hollywood owes fans good storytelling, not padding to take more of their paycheck once you've hooked them. You're not drug dealers, movie studios, you're showmen! Putting on a great show needs to be your priority. Hopefully the upcoming slate of finale splitting franchises fail in much more embarrassing / decisive ways so -- Hollywood deserves the wrist-slapping.

BOX OFFICE
(Nov 20th-22nd)
01 Hunger Games 4 (4,175 screens) $101 new Hunger Games & Oscar
02 Spectre (3,659 screens) $14.6 (cum. $153.7) Review
03 Peanuts Movie (3,671 screens) $12.8 (cum. $98.9)
04 The Night Before (2,960 screens) $10.1 new
05 Secret in Their Eyes (2,392 screens) $6.6 new
06 Love the Coopers (2,603 screens) $3.9 (cum. $14.8) 
07 The Martian (2,086 screens) $3.7 (cum. $213) Podcast
08 Spotlight (598 screens) $3.6 (cum. 5.8) First Impression
09 The 33 (2,452 screens) $2.2 (cum. $9.9)
10 Bridge of Spies (1,532 screens) $1.9 (cum. $65.1) Review, Tom Hanks
11 Goosebumps (1,787 screens) $1.7 (cum. $76) First Impression
12 Brooklyn (113 screens) $1.1 (cum. $2.1) Review, Saoirse & Best Actress
13 Hotel Transylvania 2 (828 screens) $.7 (cum. $166.4) on director Genndy Tartakovsky
14 Prem Ratan Dhan Payo (283 screens) $.6 (cum. $3.9)
15 Suffragette (517 screens) $.5 (cum. $3.5) Carey's Performance, Review

Among the limited releases Spotlight and Brooklyn had the strongest per screen totals. Hopefully they'll stay strong in wider release since at heart they're quite accessible entertainments and it's infinitely depressing that anything non-genre that aims for adult audiences and quality these days is automatically viewed as "specialized" in its appeal. Room, a much trickier sell than either of those premise-wise is having a tougher time expanding but if the A24 Best Picture hopeful can hold out until top ten lists and awards noms give it some extra juice it should do well. It's already gathered a reasonable $2.8 million in its first month or so in release.

In extremely miniscule release Todd Haynes's latest masterpiece Carol earned a robust quarter million on just 4 screens... though in rather frustrating news it seems to be sticking to its originally aborted release date (opposite Star Wars) in terms of when it will show up in a lot of sizeable markets and won't be in some other smaller markets until Christmas day and beyond. In short: we're not sure when to schedule our proposed Carol week since it's going to take forever for many of you to see it. We feel your pain; you don't deserve the torturous wait.

What did you see this weekend? 
I had a homebody weekend looking at screeners for Black Mass (for the first time), Truth (again), and the first half of Jessica Jones (Netflix).