How Had I Never Seen..."Hard Eight"?

by Cláudio Alves

Paul Thomas Anderson turns 50 today, making this a good time to remember how his film career began. Weirdly enough, despite being a longtime fan of the director, I had never seen his first feature, a little indie by the name of Hard Eight, which hit Sundance and Cannes in 1996 but would only get a commercial release the next year. That made 1997 quite the occasion for Anderson. In February, he opened Hard Eight to good reviews and, in October, Boogie Nights made him one of the most critically acclaimed directors of the moment. The latter movie went on to conquer him his first Academy Award nomination, for Best Original Screenplay. What's fascinating and what most surprised me about the pair is how distinct they are, showing two very different sides of their director's craft…

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Samuel L. Jackson's Cannes glory

by Cláudio Alves

If the COVID-19 pandemic hadn't happened, Spike Lee would have presided over this year's Cannes jury.  When the festival made public their selections for 2020, I wondered which of those titles would have been rewarded by Lee's jury. It was particularly interesting to consider the director's jury presidency because he's had a somewhat contentious relationship with Europe's most prestigious film festival. Back in 1989, many believed Lee should have won the Palme d'Or for Do the Right Thing (they were right) and, when he came out empty-handed, there was a storm of controversy over the jury's decisions. Two years later, that polemic was still on people's minds as the filmmaker presented Jungle Fever at the Croisette.

Spike Lee would go on to win the Grand Jury Prize for his third film in competition, 2018's BlacKKKlansman, but that wasn't the first time one of his movies had won a Cannes prizes. 1991's aforementioned Jungle Fever managed to win a most unusual prize thanks to Samuel L. Jackson…

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1999 with Nick: Best Original Score

This week, in advance of the 2019 Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now...

the surprise winner

Spotlight Movie: The Red Violin
One of the most exciting things that can happen on Oscar night is when a movie with no other nominations wins one of the “craft” or “technical” or “below-the-line” categories—three bad names for the races where very few contenders are celebrities. In a year like the current one, where the Best Picture nominees ran the table to a historic degree, and consuming most of the spots in every other race, we have even fewer prospects than usual to see this occur. I’d love to watch The Lighthouse win Cinematography or Ad Astra win Sound Mixing, both because they deserve these victories on merit and because it’s nice (but mostly false) to hope that Oscar voters make discerning judgments from category to category based on each discrete department of artistry.

The Red Violin’s Best Original Score trophy at the 1999 Oscars represented one of these glorious instances, and registered as a significant upset at the time...

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The de-aging Olympics of 2019

by Cláudio Alves

The cinema of 2019 has been rich with technological wonders. Septuagenarian actors are now able to have virtual facelifts and look like middle-aged men again. Movie stars can be returned to their youthful selves of the 1990s and there's even the possibility of CGI cloning. This trend is so weirdly generalized that it can be found in a wide variety of projects: MCU tentpoles, auteur's forays into the land of action cinema, and three-and-a-half-hour-long meditations on mortality.

Not surprisingly, these various achievements might be in contention for the Best Visual Effects Oscar, but it's unlikely all of them will be honored...

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Top Ten: Greatest Supporting Actors of the Decade Who Weren't Oscar Nominated

A truth. Year after year, Best Supporting Actor is the category with which we have the most disagreement with Oscar. Before our hearts are broken anew this impending season we wanted to celebrate the decade that's nearly behind us. We tend to view it Best Supporting Actor as the category wherein the Academy acting branch is at their absolute laziest each year, though we've never quite figured out why so much of their laziness funnels into this category ("whoever's in a best picture! YOU")

Today, for fun, a grumpy what-coulda-been list celebrating ten performances that rank among the best supporting work this decade...

10 BEST SUPPORTING ACTOR PERFORMANCES OF THE '10s
THAT WERE NOT OSCAR NOMINATED

10 Tracy Letts, Lady Bird
Oscar nominees he was superior to that year: All but Willem Dafoe in The Florida Project

Want to buy him all the "World's Greatest Dad" mugs for this performance. This kind of warm performance easily finds a home in Supporting Actress but "Supportive" fathers are a no go for voters for reasons we've never been able to ascertain apart from basic toxic masculinity... and that being supportive is just not considered an interesting or valuable thing in a male role... 

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