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Take One: Hour of the Wolf (1968) It goes without saying, of course, that a von Sydow Take Three wouldn’t feel right unless one of them was an Ingmar Bergman film. All three could’ve been, but the aim is to err on the side of variety whenever possible. They made 11 films together: The Seventh Seal, Wild Strawberries, The Magician, The Virgin Spring, Through a Glass Darkly, Winter Light, Shame and The Passion of Anna are all classics. But Hour of the Wolf, in which von Sydow plays a painter losing his grip on his sanity, doesn’t always get the high mention it deserves. It contains some of von Sydow’s best work in any film, for any director.
With his handsomely regal face, von Sydow boldly dominates the film. His sinisterly unhinged stillness and almost unreadable presence cement the notion that he’s a tormented artist uncertain of his place in the world. He's visited by people, possibly demons in human disguise, who embody his trauma, his shame. In a possibly imagined, probably symbolic, but definitely surreal dinner scene von Sydow’s deathly wan countenance crumples in extreme close-up. His mind seems to deteriorate due to the inane banter of the chattering souls surrounding him. (No one said Bergman’s personal parables were cheery.) Von Sydow masters depression and disgust like breathing and underplays his scenes like a covert pro. With complete skill von Sydow does as much as an actor can to attempt to place the viewer inside his character’s brain.
Take Two: The Exorcist (1973) I don’t think it’s via Jeez himself, but, Christ!, the power of character acting compels me... to write about Father Lankester Merrin in The Exorcist for this Take.
Hot off an Oscar win in February for In a Better World, Denmark has announced their follow up contender ...or at least their intention to announce it. The land of my ancestors has narrowed down the past year in Dansk film to three tre: SuperClásico, Martin Zandvliet's Dirch(A Funny Man) and Pernille Fischer Christensen's En familie (A Family).
En Familie, which my Danish informant Thomas (tak!) predicts will be the selection is a drama about a wealthy family with a dying patriarch. Jesper Christensen stars. You might recognize him from the Daniel Craig Bond films (he plays Mr White) or from the popular Swedish flick Everlasting Moments. He's also in Melancholia this year though I don't know how large his role is there.
SuperClásico is a divorce comedy which actually takes place in Buenos Aires. No word yet on whether that naked bum on the poster is Argentinian or Dane in origin ;). It's from the director of Flame & Citron, a film that got a healthy festival run a few years back. Important Note: Paprika Steen headlines and you'll recall that she was the Film Bitch Silver Medalist right here in last year's "best" celebrations. It'll be nice to see her smile this time around!
The final contestant, Dirch or A Funny Man is a biopic about a famous Danish comedian. It stars Nikolaj Lie Kaas who you may have seen in Lars von Trier's The Idiots or famous Scandinavian films like Reconstruction or Brothers (he originated the role that later housed Jake Gyllenhaal). He's only recently started to branch out into English language films (something many Scandinavian giants do albeit usually in minor supporting roles) so you might have also seen him in Angels & Demons or in Whistleblower, Rachel Weisz's Oscar bid, which recently opened here in the States. You might think that Dirch would be too homegrown specific for Oscar submission but you never know. There are always a few biopics in the 60+ wide submission list of people who are infinitely more famous in their home countries than abroad.
IN DARKNESS, Poland's Holocaust Themed Oscar EntryMore Best Foreign Film News GREECE, which up until last year's Dogtooth, hadn't been nominated since 1977 (and has never won), will submit Attenberg, which you'll recall won the Best Actress prize at the Venice Film Festival last fall.
POLAND, 8 nominations / zero wins, will submit Agnieska Holland's In Darkness which In Contention made the following funny about.
Poland... appears to have intensively focus-grouped the Academy’s foreign-language branch and subsequently created their Oscar entry in a purpose-built lab: a true-life Holocaust drama about a Leopold Socha, a reformed petty criminal who heroically helped numerous Jewish refugees hide in the sewers of Nazi-occupied Lvov.
Holland was previously nominated for best screenplay for her arthouse hit Europa Europa in the early nineties, also a Holocaust drama.
Last night I had a lovely Scandinavian dinner with friends as we discussed our book club title "The Ice Princess" the latest best seller capitalizing on the super hot Scandinavian crime genre (oh what The Girl With/Who... has wrought!). I didn't like the book at all and the translation seemed clunky (or maybe that was the fault of the original prose?) but I find the whole trend vaguely hilarious since Scandinavian countries, to their vast collective credit, are not exactly known as hotbeds of crime! Returning home, what do I have in my inbox?, but the nominations for Norway's annual "Amanda" Awards. Don't you love unexpected theme days?
Norway had a record breaking year with 34 original films eligible for their own prizes. To give you a very general sense of the amount of films various countries make each year here's a handy graphic AMPAS provided for the films of 2007. Would that all the regularly Oscar submitting countries had been listed!
It's no surprise that Bollywood is the biggest deal with over a thousand films made a year.
BUT BACK TO NORWAY.
They basically have two "Best Picture" categories since Scandinavia has a rich history of children's films. So the six lucky movies are as follows.
Nokas was released in Norway the day after last year's foreign film eligibility cutoff!Best Children's Film
Elias og jakten på havets gull (Lise I. Osvoll) -ANIMATED
Jørgen + Anne = sant [a.k.a. Totally True Love] (Anne Sewitsky)
Keeper’n til Liverpool (Arild Andresen) -a comedy about a 13 year old soccer goalie.
Best Film
Gazas tårer [aka Tears of Gaza] (Vibeke Løkkeberg) -This is a documentary film about the consequences of war.
Kongen av Bastøy/ The King of Devil's Island (Marius Holst) -Here is the highest profile release, a true story period epic about a boy's prison in the early 20th century.
Nokas (Erik Skjoldbjærg) -Another true story, this one a crime drama about Norway's most famous robbery. This is from the director of the famous thriller Insomnia (1997) which Christopher Nolan went and remade.
Trailer to The King of Devil's Island with Stellan Skarsgård
Eligibility dates aren't exactly the same for the Amandas as they are for Oscar submissions but you shouldn't be surprised if one of these six films is Norway's submission. Two other films of note: Maria Sødahl's Limbo, a period filmwith the great Lena Endre about expat Scandinavians in Trinidad, did very well in total nominations (acting, screenplay, direction and more) but missed the Best Picture cut under the familiar awards rule of something-has-to. But it won't be the Oscar submission as it would have been eligible in 2010 and it also has a lot of dialogue in English. Trolljegeren, known abroad as Troll Hunter (it's even in release as we speak right here in the States) won multiple nominations, too.
I'm assuming that Joachim Trier's second feature Oslo 31, August missed the eligiblity cut off for these awards. And given that it was so well received at Cannes, perhaps Oscar submission is in the cards? Norway submitted the young filmmaker's debut Reprise once upon a time. (Oscar foolishly ignored it. God, what a startling debut that was. I nominated it!). Here's the trailer to Oslo 31, August.
...same lead actor as Reprise, playing a troubled soul again. I shouldn't make any uninformed guesses but my hunch is that it'll be this one or The King of Devil's Island for Oscar submission.
"I'm going to lose to the King's Speech again??? It's my turn!"Best Foreign Film One of the funnest things for awards junkies when perusing off-Oscar prizes is how often Oscar giants show up in Foreign Film prizes. Hint: They usually do.
News The Playlist Looks like more development hell for Nicole Kidman transgendered drama The Danish Girl New York Magazine Can AMC survive its own success. Growing pains for the network (They've just rejected all six of the pilots they were considering.)
Randomness Stale Popcorn Glenn continues to the best of the posterologists online Just Jared interviews Kristin Chenoweth. She's tremendously busy but I sure hope this Tammy Faye musical works out. Wouldn't she be perfect? Ultra Culture thinks Lars Von Trier's Melancholia is major. Cineuropa loves the new Norwegian film at Cannes from Reprise's director and star (pictured left) and writer (not pictured) called Oslo August 31st. You may recall that I was absolutely nuts for Reprise -- and met and interviewed Joachim Trier (who was a doll) -- so I'm looking forward to this one.
And in other Cannes news, Hitler has already reacted to the Cannes Festival / Lars Von Trier kerfuffle...
It's a little long for a concept joke but there are some great lines.
List Fever Pajiba The Five Coolest Muppets La Daily Musto the two biggest lies actors always tell. I wholeheartedly co-sign. I've never seen an actor talented enough to sell either of these but they always try, bless. Telegraph's 10 Best HairDressing moments in film Movie|Line 13 Facts about Woody Allen and the Box Office
Fact #1: I love Easter, bunnies, Easter bunnies, chocolate bunnies, coloring eggs. Fact #2: Seeing Hop would ruin the upcoming holiday entirely for me because nothing makes me gag harder than animated CGI characters doing hip anachronistic things like oh, I don't know dreaming of playing in a rock n roll band. Just typing this out gave me salmonella. Mainstream moviegoers felt otherwise throwing their hardearned cash at the British wabbit. It had the best opening weekend since Rango. Where were these crowds when The Rock was doing Tooth Fairy?
01. HOP $37.5 new 02. SOURCE CODE $14.8new 03. INSIDIOUS $13.2 new 04. DIARY OF A WIMPY KID: RODRICK RULES $10.0 (cumulative: $38.1) 05. LIMITLESS $9.3 (cumulative: $55.5)
Poor Patrick. Things never end well for him at the movies.
Hop's success frightens me and the only possible joy that can come from it is that maybe someone will give James Marsden another plum comic gig like the one in Enchanted. I would however totally want to see this week's chart topper if it were about Jake Gyllenhaal and the Easter Bunny ibeing thrust back in time repeatedly until they saved Patrick Wilson from demonic possessions in The Source of That Insidious Hopping. Don't you wish you could sometimes watch three movies at once?
Per Screen Average Which movies were you most likely to find crowds at? I've eliminated all the specialty IMAX stuff and everything that's only at one theater because "come on" and here's what'cha got.
01. HOP $10,000ish 02. IN A BETTER WORLD $8,000ish (The Danish Oscar winner is finally on a few screens. Weird to wait an entire month post Oscar win to debut.) 03. WIN WIN $7,000ish (cumulative $1.9 million. Big jump in screen count this past weekend. I almost went today but my friend shifted plans.) 04. JANE EYRE $6,700ish (cumulative $3.4 million. Still going strong. Yay) 05. INSIDIOUS $5,500ish (and this type of movie is always better with a crowd)
What did you see over the weekend? I was entertaining so I didn't get out. Although we did watch the SXSW winner Weekend which was fairly strong as indies go. It definitely knew what it wanted to be and didn't get distracted at being that and that's always a huge plus.
Sunday, August 14, 2011 at 1:51PM 
