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Entries in Scandinavia (134)

Sunday
Feb192012

Oscar's Best Live Action Short Nominees. Predictions!

Amir here. We had a look at the Oscar nominated animated shorts the other day. In the same vein, let’s go over the best live action shorts. As with the previous category, I don’t think this group lives up to the standard set in the past - I would vote for Luke Matheny’s God of Love over any of these choices - but that’s a really high bar.

Pentecost is an Irish comedy about a young altar boy who is grounded by his father after a mishap at the church. When the archbishop visits the local church, the boy’s given a second chance and promised that he can watch his favourite soccer team Liverpool play if he doesn’t screw up again. As someone who cares more deeply about soccer than the church, this film should have been exactly my cup of tea, but I can’t help but wonder how it slid into the top five. I sympathize with the childish sentiments of the protagonist and the film’s funny enough for such a small dose, but the filmmakers should probably be happy with their nomination.

"Raju"

Raju is the only nominee on the serious side. It tells the story of a German couple who are in India to pick up the child they have adopted. Things go awry on the busy streets of Kolkata, however, and dark secrets are revealed about the unfortunate circumstance of their decision. Though Raju effortlessly pulls off the tension in the first half and gives a sense of impending disaster early on, its drama feels unearned. The answer to the central ethical question of the film is so obvious that it seems answered immediately after it's posed. Nevertheless, since the film handles a serious issue, and to its credit is very well made, it might be a serious contender.

Speaking of unearned emotions, The Shore, the second Irish-flavoured entry, stars Ciarán Hinds as a man coming back to Ireland after 25 years of living across the pond. Tepid is the word I’d use to describe it. Director Terry George (of Hotel Rwanda fame) tries to make us feel the emotional charge of the reunion between three old friends, but fails to make any of the characters interesting enough to care for. The scenery is gorgeous and the actors do their best with what they’re given, but this film is only worth watching for Ciaran Hinds’ fantastic voice (and accent) giving us the backstory in a monologue.

Time Freak tells the story of a science student who builds a time machine only to remain tangled in a time web that takes him back to the same few minutes in his life. Of the five films, this is the one that feels least like an Oscar film but I wouldn’t count out its chances. The comedy works very well and the audience seemed to love every minute of it. There was a student film feel to it that I personally could not quite overlook but nevertheless, the new take on the old time machine premise was refreshing enough to give this film a fighting chance at the win.

The final entry is Tuba Atlantic, a Norwegian film about the unlikely friendship between a dying man and a teenage girl sent to be his death angel. The unmistakably Scandinavian absurdist comedy gives its characters more depth and meat to chew on than any other film in the race. Technically impressive, comically violent, and unexpectedly poignant, this is far and away the best film in competition. Quirky as it is, I think it’s ultimately a film everyone will connect with.  

Predictions
This category is tougher to predict than the animated ones. The Shore could potentially appeal to the older demographic, but Tuba Atlantic touches on the same themes and it’s different enough to stand out from the bunch. Time Freak might be a surprise winner. They were open to rewarding young hip comedies last year, weren't they? At the end of the day, I think if anyone can crash Tuba’s party, it will be the topical and dramatic Raju.

Will Win: Tuba Atlantic
Could Win:
Raju
Should Win:
Tuba Atlantic

Saturday
Feb182012

Leigh, Farhadi, Jake & Jury Name Berlinale Winners

Remember a couple of days ago when we shared the video of Jake Gyllenhaal handing Meryl Streep her Honoary Golden Bear in Berlin for a stellar career? Apparently he's making a habit of handing over Best Actress prizes. Here he is at the closing night ceremony with Best Actress winner Rachel Mwanza.

This 14 year old Congolese actress played a child soldier in a brutal sounding movie called War Witch.

MAIN PRIZES
The jury this year was headed by the brilliant Mike Leigh. The jury included Jake Gyllenhaal, Anton Corbijn, Charlotte Gainsbourg, François Ozon, Boualem Sansal, Barbara Sukowa and last year's Golden Bear recipient Asghar Farhadi (A Separation) who will now presumably have to jump on a Berlin to Los Angeles flight to prepare for the Oscars.

Prizes, Gay Films and a Possible Danish Oscar Submissions after the jump

Click to read more ...

Monday
Feb062012

Link Nation

CineEuropa Melancholia wins big at the Danish Oscars including Best Actress for Kiki!
Daily Notebook Iranian hardliners not too happy with the Oscars and A Separation. (It still seems surprising that A Separation was submitted by Iran, but thank God.)
MCN Jean Dujardin kills on Leno. Clooney had all the precursor heat but Dujardin and Pitt aren't giving up ~Three way race!
Scanners on The Artist. Everybody loves/hates a frontrunner
LA Magazine Viola Davis goes couture 

Towleroad Daniel Radcliffe covers Attitude magazine and continues to establish his PFLAG-style advocacy
Awards Daily Art Directors Guild wins go to Hugo (period), Harry Potter 7.2 (fantasy) and Dragon Tattoo (contemporary) 
Gold Derby still thinks Meryl Streep is going to win the Oscar for The Iron Lady. Five reasons why.
Cinema Blend Marc Webb wants to differentiate his Amazing Spider-Man from Sam Raimi's blockbuster. Promises Spidy with a sense of humor. 
NPR good piece on Madonna's endurance and the difficult process of aging in public.  

Toon Town!
Rango took top honors at the Annie Awards though there was a Pic/Director split there with Jennifer Yuh Nelson taking the latter for Kung Fu Panda 2. The Adventures of Tintin won Best Score for John Williams. Best short went to Minkyu Lee for Adam and Dog which I bring up because I was just looking at its tumblr and though "huh. I want to see this" and it surprised to beat out more high profile entries like three Oscar nominees La Luna, Wild Life and Sunday. Here's the teaser...

Adam and dog Trailer from Minkyu on Vimeo.

 

And for those readers that are always suggesting a voicework Oscar category, that particular prize at the Annies went to Bill Nighy for voicing Grandsanta in Arthur Christmas. He beat out Oscar nominee Gary Oldman's peacock villain "Shen" in Kung Fu Panda 2 and five other nominees in that category. No, I don't know why there were so many nominees. There were twice as many in the television voicework category...14 nominees in one category? That is too much people, calm down. 

©Ty Templeton's "Bun Toons"

Parting Shot
Bun Toons comic strip about DC comic's decision to make Watchmen prequels. A must read if you're into comics or Watchmen in any iteration. It applies to basically anything re: Fans Who Loved Too Much. 

Monday
Jan092012

This &That: Makeup Finals, Foreign Beauties, Rule Changes

So I spent all of last night exuberantly "Oh No You Maggie Smith'nt!"* with friends over the 2 hour season premiere of Downton Abbey. Then I spent the better part of today at a table full of Oscar voters picking their brains (in a polite conversational way, mind you) at a luncheon for The Artist. More on both of those events soon but between last night and today, so many OscarQuakes or at least golden tremors.

*joke stolen from Patton Oswalt

Let's discuss four of them immediately! 

1. Hunger Games beauty Jennifer Lawrence will announce the Oscar nominations.
Usually people dress somewhat sedately for that super AM event but we're hoping Jennifer pulls out another one of those va va voom numbers she kept finding for last year's awards circus. The nomination event happens so early in the morning and if Jennifer wears skin tight white or form fitting red again, that's better than a pot of steaming coffee as an eye opener.

P.S. Is the publicity team behind Hunger Games the hardest working team in showbiz? You know this is all part of that evil world domination blitz. 

2. Documentary Rule Changes
Michael Moore and others proposed some Oscar Rule changes to the Academy and they've been adopted. The most controversial one, which we're totally fine with, involves requiring a review from the Los Angeles or the New York Times. The idea behind this rule is that the papers have a policy of reviewing each film that opens for a full week engagement. But it seems silly to stipulate that a review is required when the whole point is to get the movie in theaters for a full week. Why not just say "must play a week in Los Angeles and New York City to qualify?" Seems strange to put the qualification requirement on newspapers. According to Michael Cieply at the New York Times documentarians are not on board with these changes which would drastically reduce the number of qualifying entries.

I take a rather hard stance on this topic all the time and I assure you that it is not an anti-filmmaker stance. My stance is only a pro audience stance. I do not believe that films should be eligible for awards if they are not playing for the public. I'm tired of this elitist film culture where people only show their films in very discreet ways for very select audiences and hope that they'll win awards by which they will then try to lure paying audiences. On an individual case by case basis it's easy to see why the vast majority of pundits and filmmakers side with filmmakers on this topic and back these rules that make peekaboo engagements possible. But if you back up and look at the full picture it is much healthier for the survival of cinema if theatrical engagements are required and the audience is included. If movies aren't made to be seen there is no point in making them. If you want an engaged audience you have to create one. And to create one you've got to get the films out there in the marketplace. 

3. Makeup Citations
The bakeoff for Oscar's continually confounding Best Makeup category has finally happened and seven films are moving on to compete for the 3 wide nomination list. I've never found any reasonable explanation as to why this category has such a tiny amount of nominees given that a huge portion of movies require wig and makeup and prosthetics work but it is what it is. Despite "Best" often equating with "Most" J. Edgar and Green Lantern did not make the cut. Neither did that much talked about Michelle-to-Marilyn transformation wow them.

So your finalists go like so...

 

  • Albert Nobbs
  • Anonymous
  • The Artist
  • Gainsbourg: A Heroic Life
  • Harry Potter and the Deathly Hallows Part 2
  • Hugo
  • The Iron Lady

I am not remotely a fan of The Iron Lady but I think it'd be a very deserving nomination in that category since the makeup work on Streep is just flawless / transformative. The rest of the field I don't have strong opinions of. Do you? It's worth noting that no Harry Potter film has ever been nominated for Makeup though a few of the previous films have made it to pre-nomination lists like this one. 

4. Foreign Film Finalists Will Be Announced on... TBA?
I wish I knew when. If so I could plan better. Every day I wake up in fear that I will miss my chance to tell you how much I liked movie A or B before Oscar cuts them in the winnowing process, he says pessimistically. And every day I run out of time. I need a deadline! Last year they announced a week ahead of the regular nominations so I guess that gives me... 5 or so more days?

Left (France's Declaration of War) Right (Denmark's SuperClásico with the always awesome Paprika Steen)

For the record in case I get no other chance to say it should the Academy not respond well to them the 'Movie A' in question is France's cancer dramedy Declaration of War which is super lively, passionate, funny, and tearful (Take that 50/50... You are nothing to me now!) and the 'Movie B' in question is Denmark's divorce comedy SuperClásico starring the inimitable Paprika Steen (Applause) who you already know I 'stan for whenever I get the chance.

I interviewed her recently (we'll get to that eventually) and much to my delight she dubbed me a "nerdy film blogger!" Her exact words! Now I love her even more. I wish American directors would hire her because she speaks English fluently and is a great actress who can do both intense drama and spiky comedy. What more do they need? Why should the Nykqvists, Mikkelsens and Skarsgaards be the only Scandinavian actors Hollywood has on speed dial? Paprika can act circles around so many people. Get on that, Hollywood! Time is a wasting.

Sunday
Dec042011

Euro Film Award Winners

While American film critics circles orgs and associations prep their year end "best" reveals, let's hop overseas for a moment. The European Film Awards were held in Berlin, Germany yesterday. It was a very good day to be Danish.

Though Mads Mikkelsen (left) is often seen in American and British films he frequently headlines Danish films too and was honored with a world cinema tribute. Lars von Trier, the maddest prince of Denmark since Hamlet, won the top prize for Melancholia. Though von Trier lost Best Director, he lost it to fellow Dane Susanne Bier who recently also won the Oscar (Best Foreign Language Film, In A Better World.) All three were born within a nine year span in Copenhagen!

FILM Melancholia (Lars von Trier)
DOCUMENTARY Pina (Wim Wenders)
ANIMATED FEATURE Chico & Rita (Tono Erranda, Javier Mariscal & Fernando Trueba)
EUROPEAN ACHIEVEMENT WORLD CINEMA Mads Mikkelsen
LIFETIME ACHIEVEMENT Stephen Frears
DIRECTOR Susanne Bier, A Better World
ACTRESS Tilda Swinton, We Need To Talk About Kevin
ACTOR Colin Firth, The King's Speech
SCREENWRITER Jean-Pierre and Luc Dardenne, The Kid With The Bike 
EDITOR Tariq Anwar, The King's Speech
PRODUCTION DESIGNER Jette Lehmann, Melancholia
CINEMATOGRAPHER Manuel Albert Caro, Melancholia
COMPOSER Ludovic Bource, The Artist
PEOPLE'S CHOICE The King's Speech
SHORT FILM AWARD The Wholly Family (Terry Gilliam)
EUROPEAN DISCOVERY  Oxygen (Hans Van Nuffel)

Stars at the EFA Awards from left to right: Sibel Kekilli & Elyas M'Barek, Ludivine Sagnier, Terry Gilliam, (second row) Moritz Bleibtreu, Sam Riley & Alexandra Maria Lara and Maria De Medeiros

Congratulations to the winners!

Another prize for Tilda, eh? If Best Actress weren't so jam-packed this year -- I'll update the two week old charts tomorrow -- I'd be starting to believe that a second Oscar nomination could follow. But whether or not Oscar traction happens, there's definitely a Swintonian Love Wave happening.  Such is the power of momentum. Three consecutive critically lauded star turns in acclaimed challenging films (Julia + I Am Love + We Need To Talk About Kevin) will do that to a girl.