Celebrating "The Fifth Element"

by Seán McGovern

Occasionally I receive a text message from my mother that The Fifth Element is on television. Why she feels the need to tell me, I'm never quite sure. Possibly because my adoration for the film is palpable, or because she like many critics at the time believes that it "may or may not be the worst movie ever made." But The Fifth Element does not need to be defended. It can only be celebreated. As Valerian launches from the imagination of Luc Besson into cinemas everywhere, now is the perfect time to celebrate France's greatest foray into a very American genre: the intergalactic sci-fi action movie.

There's a blonde Bruce Willis, Leeloo Dallas Multipass and of course - Ruby Rhod - all after the jump...

Click to read more ...

BYO YNMS x 3: Shape of Water, The Snowman, Proud Mary

Having an entirely unproductive day. (It happens). But the trailers are coming fast & furious. Are you a yes no or maybe so on three following pictures. Do tell.

THE SHAPE OF WATER

YES - Sally Hawkins. This could well be magical. 
NO - Guillermo Del Toro tends to be more of a genius in concept than in execution
MAYBE SO - Hate it when trailers show the whole movie. In some ways this feels like a demented fan fiction version of the 10 minutes near the end of Ron Howard's Splash. Is there more to it than this?

THE SNOWMAN

YES - Tomas Alfredson is a very impressive director (Let the Right One In and Tinker Tailor Soldier Spy) who is pretty great and sustaining tension for a whole running time. He's gathered his usual array of impressive craftsmen in all departments
NO - Is any single subgenre more plagued by violence against women as its ignition or more overworked than the serial killer procedural?
MAYBE SO - How's the chemistry between Fassbender and Ferguson?

PROUD MARY

YAAAS - Taraji P Henson deserves a star vehicle
NO - Like the Kingsman series this looks like a pornographic fetish movie about guns and how cool it is to kill people... which... given the US addiction to guns and explosions in gun massacres each year, is really starting to feel like irresponsible movie behavior.
MAYBE SO - Who knows? This teaser is very very light on anything about the movie though we hear she's an assassin. We're guessing with a conscience. the movies are very obsessed with assassins who have that pre-existing condition.

Emmy FYC: Justin Theroux in "The Leftovers"

For the next two weeks with Emmy nominating ballots in progress Team Experience will be sharing personal favorites. Here's Eric Blume...

When you talk about Justin Theroux, inevitably you turn to the subject of fairness.  On one level, is it fair to the rest of us mortals that Justin Theroux looks like this... 

Then again, it’s exactly because Justin Theroux looks like that that he is grossly undervalued.   Usually, if someone who looked like that was even just able to spell his own name, he would be fawned over.  But in the acting game, male beauty is rebuffed, and awards bodies tend to eschew acknowledgement if the male actor isn’t an everyman.

Part of the glory, ironically, of Theroux’s acting in HBO’s The Leftovers is that he so deeply inhabits the everyman, in the true sense of that term.  The trajectory for his character, Kevin, was of loving husband and father, trying to protect and save his family, as men do.  He couldn’t understand how to bring his family together, how to truly be vulnerable enough to connect.  And Theroux’s physical power was the perfect foil for his paralyzing inner fear...

Click to read more ...

25th Anniversary: Alien 3 - the theatrical cut vs. the assembly cut

Tim here. With Alien: Covenant opening to #1 over the weekend, it's fortuitous timing that today marks the 25th anniversary of Alien³.  The 1992 sci-fi thriller is probably best-known today for two reasons: introducing music video director David Fincher to the world of theatrical features, and knocking all the shine off of the Alien franchise for the first time (and alas! not the last).

 Underperforming at the box office, and outright flopping with critics, Alien³ has never since recovered its reputation; if time has been kind to it, it's only because at least we can now say, "well, at least it's not as bad as Alien: Resurrection"...

Click to read more ...

Review: "Alien: Covenant"

This review was originally published in Nathaniel's column at Towleroad

If the famed director Ridley Scott were in art school, his professor would be yanking the paintbrush out of his hand — “it’s perfect, stop adding brush strokes!” His wife probably has to pull spices from his hands as he cooks. If you’ve been playing along with this Hollywood giant’s career you know that he can never leave well enough alone. I’ve lost count of how many “versions” there now are of his early sci-fi masterpiece Blade Runner (1982) and, after years of threats, that film will have a sequel this October, Blade Runner 2049, though Scott opted to pass the directorial reigns over to Denis Villeneuve (Arrival).

Having exhausted returning to that particular sci-fi well, Ridley has moved back even earlier in his career to the film that made him famous, Alien (1979). He’s now directed two prequels to it (Prometheus and now Alien: Covenant) and more films are promised. (Perhaps the controversial ending of 1991’s Thelma & Louise is the only thing that’s kept that film, the third member of his holy trinity of masterworks, free of his tinkering!).

So how’s the new film?

Click to read more ...