YNMS: American Honey

Murtada here. The best thing about this lackluster summer movie season, might be the trailers for fall movies. This week sees one of our most anticipated, Andrea Arnold’s American Honey starring Shia LaBeouf, Riley Keough and introducing Sasha Lane in the lead role. The film is about a young woman who joins a travelling magazine sales crew, and their adventures as they travel the midwest, party and maybe fall in love. There’s also some law-breaking.

Let’s deep dive with a Yes, No, Maybe so after the jump..... 

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Shia Gets Served

Jason from MNPP here, taking a look at today's big news out of everybody's favorite Oscar baiting genre, the bio-pic - famous actor slash shit-stirrer Shia LaBeouf is set to play famous athlete slash shit-stirrer John McEnroe in Borg/McEnroe, which will tackle the long-term rivalry between Mr. McEnroe and the underwear-salesman slash Swede Bjorn Borg. Playing Borg is the actor Sverrir Gudnason, who I am not familiar with, but he sure does have some big tiny shorts to fill...

(Cue my childhood crush on Borg rearing its head.) 

Stellan Skarsgård is also in the film, playing Borg's coach, and Danish director Janus Metz (Armadillo) is directing. Anyway Shia might maybe be rebounding? I actually think he's given his best performances over the past couple of years in the middle of what did seem to be a bit of a public breakdown. He's managed to channel it into his work in interesting ways, that is. And there aren't many movies in the world right now that I need to see more than I need to see Andrea Arnold's American Honey, and the word out of Cannes on that one only made that more true. And playing John McEnroe seems like a crazy good match of actor and subject. What do we think?

Tribeca Drops First Half of Festival Program, Chocked Full of Potential Discoveries

Daniel Crooke here, salivating over today’s first wave of films from the 2016 Tribeca Film Festival’s line-up. While the Spotlight, Midnight, and Special Sections programs won’t drop until March 8, the US Narrative, International Narrative, and World Documentary Competitions, and Viewpoints showcase hit the internet today and there’s plenty to buzz about. Scanning the films, you’ll find an embarrassment of riches hiding in the programming, plot details, and cast lists. Here are some personal points of interest:

US Narrative Competition

Ingrid Jungermann’s webseries F to 7^th was an astutely, hysterically observed slice of queer life in New York, giving voice to a uniquely cutting female perspective in the process, so her feature debut Women Who Kill shoots straight to the top of the list. The Fixer sounds intriguing in a small-town-with-secrets kind way, James Franco as an “eccentric local” a little less so. Queens of charting the path from comfortable malaise to all-out soul-search, Amy Landecker and Melanie Lynskey – who, in particular, is quietly giving the best lead performance on television – pop up in Dreamland and Folk Hero & Funny Guy. Current faves Keith Stanfield (Short Term 12, Straight Outta Compton) and Dan Stevens (The Guest) will star in Live Cargo and The Ticket.

International Narrative Competition

It’s hard to ignore the promise of a collection of short films from the likes of Chilean shaggydog provocateur Sebastian Silva and actors Mia Wasikowska and Gael Garcia Bernal in Madly, sounding like an I Love You, anthology movie but if the city were Relentless. Argentine Cinema had the international stage last year with the raucous Wild Tales – although Lucretia Martel eternally has her own platform in my heart – so fingers crossed for another cross-hemispheric success with The Tenth Man (El Rey Del Once) and its culturally and generationally intersectional premise.

World Documentary Competition & Viewpoints

Documentary-wise, Betting On Zero positions Herbalife as a pyramid scheme, Do Not Resist exposes the military-industrial nature of America’s police culture, and LoveTrue boasts the wacko cred of (my Northeast Los Angeles neighbor) Flying Lotus on score and Shia LaBeouf as executive producer. Equals with Kristen Stewart and Nic Hoult premieres in the Viewpoints program, along with raunchy R-rated animation Nerdland (trend-chillin’ with Anomalisa and Annapurna’s Sausage Party) and the divisive British class flick High-Rise.

You can view the list of released Tribeca titles here – what catches your eye?

Best of '15: Music Videos of the Year

We'll begin our daily year in review partying with some music.

The best music videos are like short films. Or, rather, all music videos are short films. The best of them can give cinematic thrills, though. Not that you'd want two full hours of most of them. Still and all, here are 15 favorites of the year. Apologies to two tremendous auteurs who dabbled in music video this year (P.T. Anderson with Joanna Newsom and Xavier Dolan for Adele) but if you're a legit auteur with great films under your belt, expectations run too high to excited when the video is only "good".

Disclaimer: Endorsement of videos is not neccessarily endorsement of songs though it helps, sure.

Suggestions for what we missed are welcome in the comments since it's easy to miss great ones if a less than spectacularly popular artist makes them...

15 BEST MUSIC VIDEOS OF 2015
(after the jump)

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A Few Unsung Supporting Actors

I dive headfirst into 2015 cinema tomorrow at Sundance but tonight I did some finalizing of my Supporting Actor ballot for 2014. I really should do these things earlier for advocacy purposes. For while the Oscar race was curiously composed of just five people essentially -- you could see tumbleweeds drifting across the communal hive mindscape whenever this category was mentioned -- there were several men giving fine performances out there. As with Best Actress, they were just ignored and everyone shrugged, "weak year".

It's almost never that simple. Though some years of cinema are better than others, it's rare to find a weak year in any acting category. The reason is simple math: with hundreds of movies coming out every year and each of those containing dozens of performances, there are always more than 20 commendable performances to be seen and discussed.

You can see my supporting actor ballot here. It's my closest match to Oscar this year I believe but among the just-misses are very fine performances. Some performers, for various reasons, just don't get talked about. Sometimes that's because the role is "thankless" like Kristofer Hivju's excellent juggling of tone as a perfect subplot foil for the A plot and characters in Force Majeure's. Other times it's because their role is "soft" -- romantic dramas tend to be tough for men to win attention for, hence nobody really considering Charlie Cox's work in The Theory of Everything as a performance just as the third point in a triangle. And in one case, hi Shia Labeouf, it's because the extracurricular celebrity circus overshadows the actually excellent acting from the sidelines. LaBeouf was fascinatingly intense in both Nymphomaniac and Fury, constantly suggesting things about his characters that are more complex than what's in the screenplay. What might he be capable of if someone actually handed him an awards-calibre role?