Questions we're asking ourselves about Best Actor and Best Supporting Actor

All Oscar charts are being updated over the next four days but we started with Best Actor and Best Supporting Actor because there are so many questions haunting us. So go ahead and answer the following quandaries if you can...?

1. Can Tom Hanks finally break his strange Oscar curse?
Before anyone had seen A Beautiful Day in the Neighborhood he was a lock "on paper" in Best Actor. But the movie turned out to not be a biopic at all but something far more creative and we'd argue more successful than a biopic would have been, in which Mr. Rogers is more of a symbol and catalyst for another man's journey. It's a gorgeous movie but the switcheroo from expectations to reality will likely throw some Oscar voters as well as general moviegoers. Hanks has been delivering better performances of late than the kind he used to win Oscars for but AMPAS hasn't nominated him in 19 years. Should we expect that they'll continue that "you already got yours" cold shoulder rather than be predicting him? 

Click to read more ...

"Midway" tops the weekend while "Honey Boy" opens strong

Weekend Box Office [ESTIMATES] Nov 8th-10th 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM / SPECIALTY TITLES
MIDWAY	HONEY BOY
1 🔺  MIDWAY  $17.5 *new*	1 🔺 PARASITE $2.5 on 603 screens (cum. $11.2) PODCAST ★
2 🔺 DOCTOR SLEEP $14.1 *new*	2 🔺 PAIN & GLORY $397K on 266 screens (cum. $2.6)  REVIEW, PODCAST ★
3 🔺 PLAYING WITH FIRE $12.8 *new*	3 🔺 HONEY BOY  $288k on 4 screens *new* ★
4 🔺 LAST CHRISTMAS  $11.6 *new* REVIEW	4 HOUSEFULL 4 $124k on 85 screens (cum. $2)
5 TERMINATOR DARK FATE $8.4 (cum. $85.2) PODCAST	5 LINDA RONSTADT... $43k on 59 screens (cum. $4) REVIEW

In a not quite as usual as you'd expect occurence all four new wide releases, were lined up 1-2-3-4 with no interruption from holdovers at the top of the box office. None of them really lit the box office on fire but Roland Emmerich's latest action epic did decent business up top. For platform titles, the big story was Honey Boy's surprisingly robust debut, earning $75k per theater despite being a very personal film and niche topic. A strong opening was by no means a sure thing so well done Shia Labeouf and Amazon!

Meanwhile Parasite continues to be all the rage (it's a rare foreign-language film that hits 8 figures in the US marketplace) while Pain & Glory is a steady performer. Jojo Rabbit expanded very well with a nearly $5,000 per screen average as it moved into just-barely wide release at 802 theaters with a $4 million or so weekend; all three of those titles are moving confidently into awards season. What did you see this weekend?

SXSW: Shia Labeouf in "Peanut Butter Falcon"

Welcome guest contributor Tony Ruggio, reporting from SXSW...

Co-director Tyler Nilsen and Shia Labeouf on the set of "The Peanut Butter Falcon"

In a three hour festival line with five-hundred people you talk to them, you hear things. One thing I heard in a line for Jordan Peele's Us, and it’s a common refrain, is that “Shia Labeouf sucks.” Whether a product of Mutt hate out of Indy 4 or his own bad behavior, people think of the former Disney Channel star as a bad actor. They still see the Mouse House, Michael Bay, and Big Berg’s disappointment. Over the past several years he’s worked tirelessly to change that, starring in indie after indie in pursuit of artistic integrity. The Peanut Butter Falcon is the latest in said renaissance...

Click to read more ...

Abe's Sundance 2019 Wrap

Abe Fried-Tanzer closing out his Sundance coverage for TFE. Thanks, Abe!

Holliday Grainger and Alia Shawkat in ANIMALS (2019)

The Sundance Film Festival is officially over, closing out a busy week and a half of nonstop movies. I managed to catch 46 titles this year, most of which I enjoyed. Among them were the Grand Jury Prize winners from the U.S. Dramatic Competition, Clemency, and the World Cinema Dramatic Competition, The Souvenir, both of which were written up by Murtada. While I appreciated both of those films, here are my choices for BEST of the fest in various categories... 

Click to read more ...

Sundance: A whole new Shia Labeouf in "Honey Boy"

Abe Fried-Tanzer reporting from Sundance

Shia Labeouf and Noah Jupe, pictured at Sundance, play father and son in "Honey Boy"

Shia LaBeouf’s career hasn’t gone how anyone expected. At age fourteen, he was starring on the popular Disney comedy series Even Stevens. By the time he turned twenty-one, he anchored the movie Disturbia and then blew up as star of the Transformers franchise. More serious performances like the one he delivered in Wall Street: Money Never Sleeps and his bizarre forays into public self-reflection and public self-destruction provide contradictory images of the actor, who is now thirty-two. 

His best performance to date was in Andrea Arnold’s American Honey, but he may just have outdone himself in his new picture, which he also wrote based on his own experiences. Honey Boy is the feature film debut from respected documentary filmmaker Alma Har’e (Bombay Beach) and LaBeouf is at first almost unrecognizable as a version of his own father...

Click to read more ...