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Entries in Missy Elliott (8)

Friday
Dec222017

The 17 Greatest Music Videos of '17

Each day a new 'year in review' countdown. Here's Nathaniel...

Ah the music video. The only reliably viral genre of short film, though they're rarely include in short film collections, festivals, awards, or whatnot. What follows is a semi-random collection of terrific music videos that debuted this year with the caveat that there could only be one per artist. Which means no "Little of Your Love" by HAIM even though it's directed by the great auteur Paul Thomas Anderson in somewhat rare joyful mode. Other music videos worth checking out that we couldn't find room for were the sci-fi pop glam of "Venus Fly" by Grimes feat. Janelle Monae, "Burning Star" by Their Name and its intergalactic fleshy nonsense,  the interactive humor of "Words Hurt" by Naive New Beaters, and finally a video that's prominently featured in a lot of such lists due to its meta resourcefulness -- "Wyclef Jean" by Young Thug for its meta resourcefulness.

They're not as acclaimed but why not also give a shout out to "Beautiful Trauma" by P!nk for its playful pastiche and giving us Channing Tatum in movie musical mode again. And though Lady Gaga's recent music video output isnt as thrilling as it once was there's something about "John Wayne" that almost makes it hyper garish cuisinart cut overkill feel like a parody of music videos that are trying way too hard... though it's doubtful that that's what it was.

Okay enough talking. On to the singing and dancing... 

17 WHAT ABOUT US (P!nk)
I adore P¡nk in Earnest mode and there's something about the helicopters and police lights circling that inchoate desperate "us" dancing on the lonely edge of town that totally works. Anthemic energizing anguish. Directed by Georgia Hudson and choreographed by the Goldenboyz

Click to read more ...

Thursday
Jul212016

Melinkia 

Variety Emmys are revoking Peter MacNicol's "Guest Actor" nomination for Veep since he appeared in 50% of the episodes (it's supposed to be under 50% a rule we support after years of abuse by studios and actors) but who gets his spot? Stay tuned.
Pajiba reacts with glorious schadenfreude to the news that Divergent is being demoted to TV for its final film
What Mama Said the best review of The Legend of Tarzan out there
THR the resurgence of Dungeons & Dragons in showbiz as geek culture reigns


Interview revives an old cover story from 1991 on Kathy Bates
Decider Who is the worst character on Gilmore Girls?
No Film School on AMC's giant purchase of Odeon (they're going to be way too powerful for one company in terms of how you see movies) -- and China's growing rapidly growing theatrical business.
Towleroad IFC picks up James Franco's latest gay endeavor, King Cobra, the true story of a murder in the gay porn industry 
Pajiba Diane Kruger and Joshua Jackson have split up after 10 years. Sad face. So Pajiba looks back on their coupledom.
The Film Stage chooses the 50 best sci-fi films this century thus far. 50 is a lot for 16 years. The top ten feels substantial but I can't forgive them for having The Lobster so low it's practically sitting alongside those terrible Matrix sequels and Ex-Machina and Mad Max Fury Road not in the top ten feels... well, these lists are made to get people riled up (and clicking) so I'll stop there.
The Guardian interviews the undervalued Rebecca Hall 

Today's Watch
If you haven't yet seen this bit from The Late Show with Stephen Colbert, you must. Longtime readers will know that TFE worships Broadway musical star Laura Benanti. Her voice is spectacular but her comic skills are just as strong. Here she is doing Melania Trump just one day after people noticed their resemblance. [Hat tip: Vulture]

And James Corden gets both FLOTUS and Missy Elliott in the car (Holla!) for some Carpool Karaoke and talk about "Let Girls Learn". Joyful. Inspiring. Just what we need right now. 

Thursday
Jun232016

Links: Danielle Brooks, Shark Movies, Ghostbuster Themes

The Ringer "True confessions of Shark," the star who invented the blockbuster (Ha!)
IndieWire calls The Shallows the best shark movie since Jaws. Wow... but then, on the other hand, are there any good shark movies since Jaws so maybe that's not such high praise?
Buzzfeed has a long gripping read about director Karyn Kusama's tough journey from Girlfight (2000) through two studio disasters and on to her new film The Invitation (2016)
TFE... which we reviewed in April, icymi
YouTube the new Ghostbusters theme song "Ghostbusters (I'm Not Afraid)" by Fall Out Boy is basically a cover with some new flourishes including Missy Elliott so it won't be Oscar nominated (or even eligible) like the original tune from 1984

 

US Magazine there's a Golden Girls Cafe opening in NYC but "cheesecake" isn't the menu headliner so fire everyone. (If you read the fine print it's actually a restaurant in honor of Rue McClanahan... but they're really pushing it as a Golden Girls Cafe so they need to step up their menu game)
Variety This Euphoria movie cast gets better and better: Eva Green, Alicia Vikander...and now Charlotte Rampling? And it's got a female director and a great cinematographer (Ex Machina's Rob Hardy). Be still my (frost-bitten) heart 
Slate rips apart 2016's sequels as anti-storytelling, pro-branding. Yes. 
BeSpoke Redmayne awww a little precocious 8 year old who loves Stephen Hawkings and "Eddie's Marilyn movie" got to meet her idol Eddie Redmayne  
NY Theater in case you want a headstart on NEXT SUMMER's Tony Awards - lots of potentially exciting shows opening in the next 11 months including revivals of Falsettos, The Little Foxes, Hello Dolly, and Les Liaisons Dangereuses with Janet McTeer as the Merquise de Merteuil and Liev Schreiber as her partner-in-love-crime Valmont

Quote of the Day
Today Show Danielle Brooks (Orange is the New Black, The Color Purple) says: 

My career is a Crayola box now!"

I demand remakes of Blue Angel, She Wore a Yellow Ribbon, Foxy Brown, and The Creature from the Black Lagoon all starring this fine actress. LOVE HER SO MUCH. Hoping Emmy notices her soon for Orange is the New Black

Uh... Try 'Movie of the Year'

iTunes rental deal this week is Todd Hayne's Carol, our #1 film of 2015. It's only 99¢ so there's no time like the now if you've been putting it off. (If you're into buying digital copies of things -- I am not. I need physical copies as digitial is too ephemeral and as soon as there are technology updates or you get a new computer suddenly you lose things -- there are a ton of great deals on LGBT movies at iTunes under their Pride month label)

Wednesday
Dec162015

Best of '15: Music Videos of the Year

We'll begin our daily year in review partying with some music.

The best music videos are like short films. Or, rather, all music videos are short films. The best of them can give cinematic thrills, though. Not that you'd want two full hours of most of them. Still and all, here are 15 favorites of the year. Apologies to two tremendous auteurs who dabbled in music video this year (P.T. Anderson with Joanna Newsom and Xavier Dolan for Adele) but if you're a legit auteur with great films under your belt, expectations run too high to excited when the video is only "good".

Disclaimer: Endorsement of videos is not neccessarily endorsement of songs though it helps, sure.

Suggestions for what we missed are welcome in the comments since it's easy to miss great ones if a less than spectacularly popular artist makes them...

15 BEST MUSIC VIDEOS OF 2015
(after the jump)

Click to read more ...

Saturday
Nov142015

Links: Adele, Oscar, Regina, Rooney, JLaw and WTF Missy

Film Comment Nick Davis interviews Todd Haynes on movies that inspired something in his movies
Interview Mag talks to Regina King about her big year, an Emmy win and The Leftovers
Kenneth in the (212) looks back on the revolutionary TV movie An Early Frost (starring Aidan Quinn & Gena Rowlands) for its 30th anniversary
The Film Stage a prologue comic for The Hateful Eight written by Quentin Tarantino himself


The Envelope Jacob Tremblay on how Room should have ended 
filmmixtape suggests 10 films that should have made WGA's "Funniest" List
Pajiba mourns the passing of Hayley Atwell... from social media. She was a master at it. *sniffle*
This is Not Porn Marlon Brando on the set of Julius Caesar
Gurus of Gold new charts and which films and performance need a bigger campaign push to be a nomination threat
Screen Daily Adele in talks to join the cast of the next Xavier Dolan movie. Guess she liked her experience on 
"Hello"
/Film Rooney Mara still up for a Dragon Tattoo sequel
Variety the first image from the new season of Penny Dreadful - Patti Lupone returns 
Vogue gets a huge juicy house tour and talk with Jennifer Lawrence who is her typical bawdy self. On her current love life...

Cheers to my hymen growing back!” 

Music Video of the Year?
Missy Elliott hasn't released an album in 10 years. 10 YEARS. She proves she's still got it in spades with this track WTF (Where They From).It's got everything:  Hot dancing, inspired hair and makeup, best supporting visual fx, Charlie Kaufman like puppets, and boxes of people wrapped in plastic. I've watched this video a scary amount of times this week. Join me in obsessiveness. 

Oscar Movements
The Oscar charts were updated before yours truly headed to Los Angeles for the AFI, the last festival stop that can significantly change things (the next festivals like Santa Barbara for example are just glorified campaigning & warm up acceptance speeches for actors who are already real contenders). But, in a minor twist, AFI didn't change things - no Selma or American Sniper bows to be seen. There were a few players getting little boosts: Will Smith has an outside shot at Best Actor if they a) don't like their current options and b) Concussion is a big hit at Christmas; The Big Short could be a Globe Comedy contender (given that meager field); and quite a few Foreign Oscar Submissions attracted more devout fans since AFI is the single best festival at which to see them. Why you may ask? Well, it plays a lot of the titles each year and it's also the only big festival that takes place between when the official submission list is announced and when the Academy members start voting towards the finalist list of nine, so it's ideally positioned to make a difference. Mustang (France's submission) won the Audience Award but several other notable contenders, Denmark's A War among them, also had filmmakers and/or actors in town for promotional (hint: Oscar courting) purposes.

And in news that you know warmed Nathaniel's heart, The HFPA has vetoed Category Fraud attempts by Rooney Mara and Alicia Vikander in supporting. They'll have to compete in Lead Actress, Drama where they both 100% belong.  This doesn't necessarily mean anything to the Oscar race where they've been pushed supporting thus far -- Oscar voters have never been required to vote in a specific way for a performance they like (unlike SAG & The Globes where the specific categories are decided for the voters before they nominate) and we've seen in the past that the media and (most shamefully) critics groups generally support / encourage Oscar to accept the fraudulent placement by the studios. But hopefully this is a bellwether for the future. Category Fraud has reached critical mass in the past dozen years and it's time to break it down.