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Entries in Sofia Coppola (49)

Wednesday
Jul192017

150 Words on The Beguiled, The Big Sick, and Planet of the Apes

Three movies I didn't review when they were brand spanking new but opinions don't have expiration dates so why not share 'em, anyway? 150 words on each because you're busy and I'm busy, too. 

War for the Planet of the Apes
The freshest character in War for... is named  “Bad Ape.”  But really, who’s good? The final installment of the Apes reboot is, in essence, a war picture which means everyone is compromised. Yes, even noble Caesar (Andy Serkis) is tempted to do the wrong thing repeatedly. Bad Ape (Steve Zahn) gives the movie its only moments of levity but even those are pitiable, like the abused creature himself. The new film isn’t “fun” at all but proves a fitting capper to a surprisingly meaty trilogy. It’s a danger to interpret all current cinema in light of the apocalyptic choices of the US electorate of late but boy is this thing a compelling downer; you can argue that the final film is all about racism, evil lying fascists (Woody Harrelson), and the willful self-destructiveness of the human race. Let’s hope the series (if not our planet) wraps up right here. B

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Tuesday
Jul182017

The Big Link

What happened these past two weeks that I need to know about? We haven't done a link roundup yet this month (due to the critics institute retreat I was attending) so I have no idea what happened in my absence. But let us not get further behind. Herewith some news stories as well as a few random good reads.

News

• IndieWire Sofia Coppola responds to the backlash regarding her adaptation decisions on The Beguiled
• Theater Mania Josh Lucas and Uma Thurman to star in a new Broadway political play opening this fall The Parisian Woman
Audra McDonald is going on a North American tour so get your tickets! The six time Tony winner's voice is utterly sublime.

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Monday
Jul032017

Coppola's Turning World

She was the still point of the turning world, man.

As many of us have begun (finally) seeing The Beguiled, the latest from Sofia Coppola, I was instantly struck by the above line from The Virgin Suicides. It is spoken in reference to Kirsten Dunst's Lux, but it also feels representative of Coppola's work as a whole. Although her cinematic world alters between films, Coppola still seems fascinated by individual characters, individual experiences. 

Many of us are fighting a heat-stricken summer malaise, and for some reason, this thought was comforting. The world keeps turning and rearranging itself, but some things remain the same. May we all find solace in that sentiment as we head into our 4th of July week ahead.

Saturday
Jun242017

Sofia Coppola's Filmography Thus Far

By Spencer Coile 

Sofia Coppola's films belong inside a dream. Her unique blend of warm (yet vibrant) colors, stunning cinematography, and complicated characters, were on display from her debut feature onward. Although many cite Lost in Translation as her magnum opus, to ignore the rest of her stellar filmography would be a disservice to one of the most eloquent contemporary filmmakers. 

Since The Beguiled opens wide next week (it's now playing in LA and NYC) and with her historic Best Director victory at Cannes this year fresh in their mirror let's look at the filmography...

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Thursday
Jun222017

Ten Little Linkies

morning news items, or recommended stories / essays

Boy Culture Comic gold Teri Garr interviewed about her MS (which sadly ended her career, she's now confined to a wheelchair) and her famous co-stars (still loves Dustin Hoffman, was not a fan of Gene Wilder)  

Forbes asks that the internet stop trying to make the most powerful woman in the movie world (that'd be Wonder Woman) into a victim with constant outrages. She's a hit, enjoy her.

Eight additional stories after the jump including a Downton Abbey reunion, Emmy hopefuls, Batman Returns and more...

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