Q&A: May/December Romance? Actressy Titles? Streep Sans Sophie

This week's Ask Nathaniel session didn't get as many questions as usual -- you were intimidated by the request for donations surely which sucks because life ain't free and we work hard here -- but here are 9 questions anyway because I'm such a giver. Let's start with a trip back to 1995 and move on to smackdowns, actressexual directors, Nicole Kidman in Paddington, and Hollywood's love of pairing older men with younger woman... 

Golden Globe Comedy Wins Don't Always Lead to Oscar Noms

COCO: I'm in a very 1995 mood. Were you obsessing and predicting twenty years ago?

NATHANIEL: LOL. Yes, I was.  I've been obsessed since I first discovered the Oscars 82/83 (my family was mystified since none of them had interest) and started making list of "dream nominations" each year when I was a kid even though I didn't see most of the actual nominees since they were rated "R" (VERBOTEN!) so I was madly scribbling things like  "Best Actress: Daryl Hannah for Splash !!!" and such early on. But honestly I can't remember when I started "predicting" in the classic sense but it was definitely before The Film Experience.

We'll be discussing 1995 at length in the July Smackdown so I'll save most of my comments for then but my biggest nail-biter and raucous-cheering and breath-holding was for Elisabeth Shue in Leaving Las Vegas (who was my personal choice for the Oscar that year) since there were basically seven women with what seemed like actual traction for five spots. The oddwomen out were, of course, Jennifer Jason Leigh (Georgia) and Golden Globe Actress in a Musical or Comedy winner Nicole Kidman (To Die For).  Nothing against Leigh and Kidman but I knew there was only room for 1 of them since Sarandon, Stone, Streep, Thompson were locked up for various reasons some valid some not. That year's Best Actress race was so overstuffed and incredible which is why it comes up so often in Oscar circles as a point of discussion. 

On some posters (not this one) the tag line is "Raises screen acting to a new level of sexual knowingness" (!!!)PEDINHRO: What are your favorite movies with a female name in the title? My all time favorite is The Marriage of Maria Braun!

Well, you took the best one! Wait do you mean Best Title or Best Movie that just happens to have a female name in the title? If you mean best movie obviously I have to have things like Carrie and Annie Hall. But if you mean "Best Title" that's more fun so let's make it a whole top ten after the jump...

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Readers' Ranking: Streep's Oscar Noms, #5-1

We started this blogging experiment by asking readers to rank all the Streep Oscar Nominated performances they'd seen. Then we shared reader stories of how you first discovered Streep. I tabulated all the results, weighting the ballots so the readers who had seen the most films counted for more. Now we've reached the tippity top of Streep performances!  For what it's worth, the top six (including Kramer Vs. Kramer) were the clear winners of your collective hierarchy and numbers two through four were closely bunched together in your estimation, each threatening to take spot #2 with each new ballot that arrived, though eventually they settled into their current positions. 

STREEP'S OSCAR-NOMINATED PERFORMANCES RANKED 
According to Film Experience Readers  (We didn't include The Iron Lady since it's brand new)

16-11
Music of Heart, Ironweed, One True Thing, French Lt's Woman, Deer Hunter, Doubt
10-6
Julie & Julia, Out of Africa, Postcards, Cry in the Dark, Kramer vs Kramer

05. Adaptation (2002)
Role & Balloting: Streep's terrifically clever performance as a heightened version of Susan Orlean, the real life writer who wrote the non-fiction book The Orchid Thief that Nicolas Cage's fictional screenwriter (and Charlie Kaufman stand-in) tries to adapt into a movie in this twisty comedy [whew], is the one many fans point to as "this is what she needs to do more of!" This role was in first place on only 3% of ballots, less than any of the other films in the top six, but it was on nearly every ballot (widely seen) and usually in the upper half.

Who Won the Oscar: Catherine Zeta-Jones, Chicago
Other Nominees in Guesstimate Order of AMPAS Love: Meryl (Adaptation), Julianne Moore (The Hours), Kathy Bates (About Schmidt) and Queen Latifah (Chicago)
The Dread Sixth Place Finish?:  It was Michelle Pfeiffer, SAG nominee, on the outside looking in for White Oleander. I still blame the Golden Globes for that one as they stalled her momentum by fawning over a miscast and dull Cameron Diaz for Gangs of New York. 

Reader Notes and Four More Greats after the jump...

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